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Examines the nature and extent of Asian influence on some of the literary masterpieces of Western late modernism. Focusing on the poets William Carlos Williams, Marianne Moore, and Ezra Pound, Zhaoming Qian relates captivating stories about their interactions with Chinese artists and scholars and shows how these encounters helped ignite a return to their early experimental modes.
A reconstruction of three modernist poets' dialogue with the Chinese masters, this sequel to ""Orientalism and Modernism"", investigates the ways in which three modernist poets received Chinese artistic notions and assimilated them into their literary masterpieces.
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