Bøger udgivet af Actar D

A compedium of essays and projects that creates a projective document capable of setting up new scenarios for the architecture of the next decade. This publication wants to transmit the constant values of the Seung H-Sang's architecture, which has been routed on principles and ideals driven by sensuous and essences of raw materials, echoing the extemporal features of the culture where buildings are placed, discovering the prettiness of scarcity of resources. IROJE's buildings, landscapes and urban proposals have been always looking for the equilibrium between endurance of the past essence of each place and the freshness of the new life experiences generated by the architecture. The book proposes to compile the best architectural IROJE's works employing the magnificence of black and white pictures, creative sketches, and elementary plans and drawings to illustrate the permanent values of Seung H-Sang.Iroje architects and planners got the "Korea Award for Art and Culture" in 2007. Seung H-Sang first City Architect of Seoul Metropolitan Government in 2016.

This book may seem a simple accumulation of twenty-one public space projects in eight Latin American cities. On closer inspection, the presentation of project descriptions, photographs, and annotated drawings reflects a concern to analytically explain the operative aspects at work.0The publication is not intended to serve only as a catalogue, guide, or manual on how to produce public space in spontaneous settlements. Rather, it goes beyond the aims of an index of best practices. It is intended, instead, as an empirical base for a critical and theoretical engagement with the problematic of development, social inclusion, public investment, (in)formal settlement, civil society and the public sphere. The publication achieves its final function at this third level, by providing a compelling argument to expand the agency of architects and urban designers and creatively find ways of justifying, financing, and building public spaces in communities - spaces that have a catalytic effectiveness in achieving significant urban and social transformation.

"Floppy Logic is an exploration into the 'architecture' of fashion and textiles, and how the concepts, aesthetics, techniques and construction of this architecture might be understood and used to design and fabricate objects and space differentially. This book explores these territories through physical and digital testing of ideas that begin at the scale of papers and end at the scale of buildings"--Page 4 of cover.

"How do designers in research-driven practices differentiate themselves from each other and form distinctive platforms for future practice."--Cover.

"Based on research and projects completed in the University of Houston College of Architecture and Design Vertical Studio, 2015-2016"--Colophon.

"In light of the current political crisis around climate change, what can architecture possibly contribute towards a new planetary imaginary of our contemporary environment, beyond environmentalism and technological determinism? Architecture as measure is an elaboration on the disciplinary and cultural potentials of such a provocation. It positions climate change as a cultural and political idea that requires a renewed architectural environmental imagination"--Back cover

"NOWNESS FILES charts the evolution of the College of Architecture at the Illinois Institute of Technology, under the deanship of distinguished architect Wiel Arets, from 2012-2018. NOWNESS FILES is the second publication in the NOWNESS series from Illinois Institute of Technology's College of Architecture-announcing and documenting the college's activities. Whereas NOWNESS set the college's new educational, and urban-centric theme-"Rethinking Metropolis"-and sought to announce new initiatives instituted under then new dean Wiel Arets; NOWNESS FILES documents the effect of those changes on the college's curriculum. Its pages chart the evolution of the Mies Crown Hall Americas Prize (MCHAP), first awarded in 2014, expound on the numerous publications produced at the college from 2012-2018, reflects on lectures and lecturers, and highlights the college's new digital media outlets, as the website, and archiving system PROTOCOL. Special attention is given to the revised and expanded degrees the college offers, and to the activities of its faculty, staff, and students- who compose the college's community. Like the original publication; NOWNESS FILES closes with a visual essay by the late photographer Michael Wolf-with a selection of images from his "Transparent City" series-documenting Chicago's glass skyscrapers, and life within them."--Provided by publisher.

This compendium assembles 4 volumes that explore city commons through the works presented at the Seoul Biennale 2017. The first book shows an exploration not of distant utopias, but of the very near future, because the emerging commons is changing the way we connect, make, move, recycle, sense, and share, and the way we manage air, water, energy and the earth. The second book presents contemporary urbanism thoughts on nine imminent commons, which engage collective ecological and technological resources relevant to all cities and even extra-urban territories. The third book sets up a dialogue on the current state and near future of cities of the world through the lens of public initiatives, projects, and urban narratives. The fourth book highlights Seoul's complex urban fabric as a theatre on which the Seoul Biennale was played out. 4 books for the price of 3:Imminent Commons: The Expanded CityImminent Commons: Urban Questions for the Near FutureImminent Commons: Commoning CitiesImminent Commons: Live from Seoul

"The Under the Influence book is based on the eponymous symposium, which brought together scholars and practitioners of architecture in order to focus on one of the most anxious disciplinary topics: influence. The symposium invited each of the participants to illuminate a single term -- a disciplinary synonym for appropriation -- and through that term, the specific strategies, historical, and disciplinary circumstances in which it is enmeshed. It was organized and hosted by Ana Miljaécki, and presented by the MIT Department of Architecture. With some small additions this is a reprint of that book. Influence is not easily quantified. It is elusive, even when we casually admit to it as we ogle images on the internet, or feel ourselves softening our resolve on an important issue in light of a beautifully crafted piece of rhetoric; or as the mass-media drone imperceptibly rewires some of our most fundamental desires. When Under the Influence symposium took place at MIT in 2012 [that is, 2013], the invitation to discuss issues of originality and copying in architecture were still taboo. There have been a number of projects on the topic since, but they have hardly exhausted the topics of copying and copyright, whose importance increases with every act of scrolling or 'liking' architectural images on Instagram."--

"Design Practice Research at RMIT University is a longstanding program of research into what venturous designers actually do when they design. It is probably the most enduring and sustained body of research of its kind: empirical, evidence-based and surfacing evidence about design practice. This first Pink Book documents some of its past achievements. It is probably the most enduring and sustained body of research of its kind: empirical, evidence-based and surfacing evidence about design practice. It is a growing force in the world, with a burgeoning program of research in Asia, Oceania and Europe. This book documents some of its past achievements. Two kinds of knowledge are created by the research. One concerns the ways in which designers marshal their intelligence, especially their spatial intelligence, to construct the mental space within which they practice design. The other reveals how public behaviours are invented and used to support design practice. This new knowledge combined is the contribution that this research makes to the field of design practice research."--Back cover.

David Tajchman's first book about a self-initiated architectural research for a White City-specific High-Rise: the Gran Mediterraneo. Gathering working documents, sketches and rare pictures in an object specifically designed by graphic designer and art director Sara Jassim.In 2016, architect David Tajchman made public a self-initiated high-rise proposal on which he worked in secret during a few months. He decided to propose a new typology of skyscraper, more city-specific for Tel Aviv. Based on his previous observations that a new skyline is appearing in the White City, which according to his experience of the city and his knowledge of the local architectural history, does not take enough into account the 1930s and later Brutalist legacies. His yet unbuilt (but surely to get built) skyscraper is a spontaneous proposal from a foreign architect to the local decision makers, to open their eyes and their mind to other visions, for a more Tel Aviv-specific vertical architecture. The Gran Mediterraneo has been widely published as an architectural innovation and has won several awards gaining international recognition, with the recent Architizer A+ Awards 2017 received in New York.During the design process, David sketched, wrote, read and photographed about the various topics involved into his high-rise proposal. This book is an opportunity to share his references, background, research documents, notes, drawings and working (3d) models. The book was first an exhibition-catalogue, presented last September 2016 in Paris in the framework of a solo show entitled « Gran Mediterraneo - Project Process Progress ». It contains archive documents on different topics and texts from invited contributors.

Is architecture inherently complete? Or is it a state of incompletion and seeming inadequacy that incites us to imagine architecture as an armature for an ever-changing daily life? Buildings and Almost Buildings explores the work of nARCHITECTS as a single project - an anti-monograph with a subtle manifesto about the open-ended, incomplete, and ambiguous in architecture. Structured around a variety of modes of representation specially prepared for the book, Buildings and Almost Buildings reveals the ways in which the celebrated New York office led by Eric Bunge and Mimi Hoang addresses contemporary issues of a world in flux. Across a range of buildings, public spaces, and ephemeral installations, nARCHITECTS argues for the formal and social potential of an architecture that remains somehow incomplete and ambiguously perceived-or in the authors' words, Almost Buildings.

The term fallow is borrowed from agriculture as a metaphor to critically examine the role of strategic dormancy in cycles of valorization and devalorization of the built and unbuilt environment.Rather than a strict binary of fecund or barren, however, New Geographies #10 conceives of fallowness as a rich and complex terrain to provoke a critical examination of the sites, strategies, scales, and imaginaries of the unused, the devalued, and the dormant, and explore modes of revalorization in all its forms: economic, ecological, social, cultural.Ultimately, it is hoped that this compilation will provide a foundation on which designers can build new lines of questioning regarding processes of urbanization that will illuminate new speculative horizons for the design disciplines, while also demarcating points for cross-disciplinary study of the built and unbuilt environments.Co-published with Harvard University Graduate School of Design.

Platform 11 is the 2017-2018 installment of Platform, the annual compendium documenting select student work, events, lectures, and exhibitions at the Harvard University Graduate School of Design.Platform represents a year in the life of the Harvard University Graduate School of Design. Produced annually, this compendium highlights a selection of work from the disciplines of architecture, landscape architecture, urban planning and design, and design engineering. It exposes a rich and varied pedagogical culture committed to shaping the future of design. Documenting projects, research, events, exhibitions, and more, Platform offers a curated view into the emerging topics, techniques, and dispositions within and beyond the Harvard GSD.In Setting the Table, the first student-led installment of the series, editors Esther Mira Bang, Lane Raffaldini Rubin, and Enrique Aureng Silva assemble a diverse body of work and cut it up-reinterpreting, rearranging, and ultimately composing a poetry revealed in each retelling.

This book discusses approaches towards landscapes under pressure and transformation, and the importance of unprejudiced and experimental investigations to reveal its natural and cultural complexity.Layered Landscapes Lofoten, Understanding of Complexity, Otherness and Change aims to challenge internalized concepts about how landscapes are considered and investigated, to open for alternative research, and legitimize subjective, singular and experimental approaches as valid and appreciated as a foundation for an informed process. These approaches take into consideration both the landscape and the practices taking place in the landscape, that are consistently full of individual and collective stories and experiences -the complexity created in both time and space, which influences our societies not only as traces of historical events, but as present realities and even expectations and what is to become.Under the concepts of complexity, imbrication, vulnerability, fieldwork, flexibility and reorientation ideas are developed, all based in the contemporary and historic layers of the dramatic and contested landscapes of the Lofoten Islands in Northern Norway - where pressure from political decisions and structural changes, increasing tourism, a potential new oil industry and uncontrollable global forces' impact on nature and societies and cause continuous transformation and alteration of landscapes and topography, surrounding the traditional and modern fishing communities.

The publication captures the work done at the University of Cincinnati School of Architecture and Interior Design while showcasing student work, faculty research, co-op stories, study abroad programs, and snapshots from the many events happening at our school.

The authors examine how reading, writing, and criticism can address the urgent issues faced by architecture as it is practiced, taught, and studied today. The publication is drawn from an international public symposium organized in the spring of 2017 by the Department of Architecture at the University of Hong Kong.

Repair aims to expand the point of view from the object of architecture, to the way it operates in its context, advocating a role for architecture that catalyses or actively engages with the environmental, social and cultural repair of the places it is a part of.Repair as an approach to architectural thinking is set to become a critical strategy of architectural culture. It is particularly relevant to Australian architects who work in one of the most diverse and ecologically sensitive landscapes in the world. Uniquely, our cities are interspersed and bordered by remnant vegetation and often connected to large natural systems as well as built over the traditional cultural landscapes of our First Nations peoples. They are also scenes of developing ecosystems at which humans are at the centre of.This book unpacks the theme, documents the exhibition and catalogues Australian architectural projects that are conceived through acts of repair exhibited at the Australian pavilion.

Nature and history is the physical place that has been chosen to develop a space by RCR Arquitectes to conceive and experiment and to rethink man's relationship with the world. This physical space is located in the La Vila estate, in the Bianya Valley (Catalonia), surrounded by woods, water, farmland, country houses, etc. In this environment, research is not defined as an isolated phenomenon, but rather as having a direct relationship with what is being explored. It's a creative, experimental project, and one that is constantly evolving. Technological advances and innovation are applied on an experiential basis in this landscape. New realities are generated, like the humanitacle, a project about the synthesis of man and the built habitat in relation to the surroundings, nature and technology, and la dona i l'home núvol (cloud woman and cloud man), creative beings par excellence and creators of reality. Book introduces this utopia under construction.

The LA Forum Reader brings together three decades of discursive writings and publications on architecture, urbanism, and Los Angeles culled from the archives of the Los Angeles Forum for Architecture and Urban Design. Published under thematic sections: Experiments, Detours, Hunches, and Santa Anas, with interludes dedicated to Art and Architecture, Downtown, and the long-running LA Forum Newsletter, the collected essays and interviews track an uneven and lesser-known history of experimental architecture, postmodern geographies, and alternative urbanism in L.A. as told by the city's key designers and thinkers. Today, Los Angeles is a major architectural and urban player, but for decades the city was dismissed suburban and centerless. In republishing three decades of material on architecture and design in Los Angeles, the LA Forum Reader reclaims and reconsiders the city's architectural and discursive histories. It establishes, or reestablishes, a textual context for critical experimentation and urban investigation. This anthological volume includes essays, interviews, and reproductions of publications that have long been out of print, including pamphlets by Craig Hodgetts and Margaret Crawford, as well as early writings by Aaron Betsky and John Chase.

IRON CROSSED When you are a war-hardened 20-year-old on operations with the elite Brandenburger Commandos, you know that less than one in two come back and your only victory is survival. You lose your virginity, gain three Iron Crosses and nearly lose your manhood. But you survive. Iron Crossed is a true story of sacrifice, heroism, loss and love. Martin is twice decorated for bravery on his first mission. As the war turns against the Germans, he has to combat partisans in the blood-freezing desolation of the Russian front. When his war ends, another challenge arises as he and his pregnant wife Marlene have to make a daring escape to the West from Russianoccupied Germany. In a war-devastated Germany, a new life beckons in an unknown land half a world away where Martin helps build Australia's massive Snowy Mountains hydro-electric scheme from the ground up. Marlene and Martin together face the tough migrant experience of hardship and poverty with resilience and humour: a typical story of Australian migrants in the 1950s. Iron Crossed is based on extensive tape-recorded interviews of Martin and Marlene by the first author, their daughter. You can hear excerpts from these recordings at: http: //philjohnrose.net/Iron_Crossed/index.html