Bøger udgivet af Actar D

This publication inquires into the future of post-industrial cities framing and speculating on different industrial contexts: archipelagos (Eibar), fabrics (Cobo Calleja), assemblies (Detroit). Currently 55% of the world's population lives in cities, predictably reaching 70% in 2050. Cities are organisms in continuous transformation: growth, change, but also shrinking or collapse. 'Open City' explores and speculates from contemporaneity about the future of the post-industrial city, where industrial archipelagoes (S), frames (XL) and obsolete or deprogrammed singularities (M/L) represent critical contexts but also opportunities for a new Open City. Open Systems have been the research focus of CoLab since 2013. This book collects some relevant and engagingly contemporary insights. It also includes new unpublished interviews and articles with international participants leading players in this field.

Being boring (or boringness) has been one of the qualities of architecture an architect desperately tries to avoid. Not to provoke (or at least try to provoke) some reaction from one's audience is to admit to a lack of ideas or an absence of creativity. In Kind of Boring, Paul Preissner rejects the idea that architecture should demand anything from its audience. The "boring and dumb" architecture documented in this book leaves us alone. In this way, the work of Paul Preissner Architects produces a conceptual space, a meaning independent of our relationship to the work; we can only understand (or misunderstand) it. Kind of Boring looks at the origin of architectural ideas behind a work and the theoretical and practical consequences resulting from an architecture that prioritizes class politics through experimentation with formal practice. The book presents an alternative to contemporary architecture through a kind of work which embraces normalcy, and weird deviations from such, making a kind of architecture which explores basic form, anonymous history, and the effects of indifference and inattention to make the normal weird. The book composes source material for the ideas behind the projects mixed with the projects themselves to present architecture in the same way it is understood (or misunderstood) in the world; within visual contexts. The projects are then offered for deeper review through their drawings and contributed essays, inquiring into an architecture which resists genre categorization, appreciates sloppiness in a field committed to precision, and makes room for intuition and less formal precedent. Through a lot of drawings, some essays, and many pictures, this book documents what happens when architecture stops begging for our attention and instead makes space for reflection. -- Publisher's website

In the challenging context of accelerating climate dynamics, the core discipline of architectural design is evolving and embracing new forms of action. New York-based nonprofit Terreform ONE has established a distinctive design tactic that investigates projects through the regenerative use of natural materials, science, and the emergent field of socio-ecological design.

"WWW Drawing - a project of Pennsylvania State University's Department of Architecture"--Back cover.

The book is organized according to "seven inspirations"--Seven ideas--and presents a collection of theoretical essays and a set of provocative and innovative solutions to design, plan and build urban resilience in uncertain and unpredictable scenarios. Led by the National University of Singapore School of Design and Environment, presents the research by design results of four consecutive years in four different countries (China, Philippines, Indonesia and Thailand) responding to the current challenge of building more resilient cities in front of impacts of climate change, such as coastal and river flooding, water and air pollution, water scarcity, urban heat island effect, aquifer depletion or subsidence. The book brings together the work of highly-reputed academics, professionals and scholars from 20 universities worldwide with the aim of serving as a guide for mitigating and adapting to the effects of climate change, and more specifically to reinstating the environmental qualities of our cities through carbon-neutral or carbon net-positive urban designs and plans.

PLP Architecture presents ten recent projects as case studies to examine the emergence of a new typological fluidity and as markers to survey the cultural landscape of the past decade. The last decade has seen an accelerated evolution of typologies. Today's cities are marked by a growing digital presence and the emergence of a global sharing economy; shared spaces have increased our social and sustainable focus, drastically altered our understanding of ownership and responsibility, and redefined our experience of public and private domains. Through this multi-layered infrastructure and pluralistic dissection, Another Kind breaks down the high walls of architecture to highlight how we have evolved and to speculate on what we can learn for the years that lie ahead.

After 40 years of professional experience developed in three areas of work --City-Territory, Landscape-Public Space and Building--, Batlle i Roig acquires a new commitment and positions itself in the face of the climate emergency, generating a sustainability matrix through which to contextualize your urban projects and urban strategies. At Batlleiroig we have been talking about Landscape and Nature since our foundation in 1981. We are committed to the environment and involved in finding solutions to solve the climate emergency.The motto "Merging City and Nature" serves to bring together our improvement commitments in each of the actions we carry out. We work in three different disciplines: Urbanism, Landscaping and Architecture, trying to be very specialists in each of them but from the essential transversality that is required to develop any intervention. The climate emergency becomes today our main transversality, the one that should guide our actions.

"Learning Cities explores the "intelligence" applied in the processes and outcomes of designing our urban environments. From a variety of applications of artificial intelligence and machine learning for urban planning to co-creation processes that merge crowd intelligence with digital technologies, Learning Cities highlights that "intelligence" in the built environment should be understood beyond human, object or machinic intelligence alone. Through a variety of contributions from experts in different fields the current IAAC Bits Journal Issue explores novel collective intelligence design processes in which designers, users, the built environment, and digital codes all play a fundamental role in a unique resonance that takes place among them"--

The fourth book documenting the Louis I. Kahn Visiting Assistant Professorship at Yale School of Architecture.

Archea Associati's interests and research activities move from the landscape to the city, from building to design and, while focusing on architecture, the projects range from graphics to publishing - with the direction and editorial staff of the international architecture magazine "Area" - from exhibitions to applied research. Archea practices at the intersection of art, architecture and the factory, collaborating with living artists and with artists from the past, and developing a relationship not only with a material but also with its fabricators. In a symbiotic working relationship, the Archea studio, and factories with which it collaborates, trade knowledge and invention, the factory performing invaluable research that would normally be outside an architect's purview and financial reach.

The book is part of FAST's ongoing activism, research, design, and advocacy work. It builds on earlier presentations, including the exhibition BLUE: Architecture of UN Peacekeeping Missions for the Dutch Pavilion of the 15th Venice Architecture Biennale. At the intersection of architecture, urban planning, international relations and activism, BLUE: Architecture of UN Peacekeeping Missions seeks not only to change UN missions but also to open up and expand the operative realm of architecture. It combines research and projects involving policymakers, military engineers and officers, anthropologists, local inhabitants, activists, rebels, diplomats and ministers, architects and planners. BLUE offers examples of how entrenched institutional bureaucracies can be confronted by using more inclusive models of engagement, and it shows how designs rooted in local cultures and empowerment can address a history of violence.

As the financial crisis deepens in many European countries and the construction sector remains in a slump, many plans for urban regeneration have been shelved. Cities are cutting their spending on large public works, so the time is ripe for low-cost strategies that have a positive impact on the urban habitat. One such strategy is Public Space Acupuncture, in which independent, but coordinated small interventions help regenerate urban public space and city life. It is based on Zygmunt Bauman's characterization of the current era as Liquid Modernity. With works on Switzerland, The Netherlands, Austria, China, Germany, Spain, Albania, Denmark, Hungary, Slovakia, Latvia and Korea.

Part aphorism and part manifesto, this book by Canadian architect Reza Aliabadi (RZLBD) references his ideas and thoughts about space. He suggests 'the empty room' as the very essence of architecture, and 'the spatial experience' as its highest mandate. Reza revisits architecture not as the walls that enclose the space but rather the space in-between the walls. What he calls an "anti-architecture" of invisible voids. Today architecture has fallen short as a discipline and has instead converted into an industry, part of the commercial establishment. Accordingly it has given up its capacity to offer contributions and has been reduced to being a service. It has become all about a form-making exercise and dressing it up with a fashionable skin. What matters most, is the look of it, and the contest to keep that look relevant in the media as long as possible. It submits itself to a sick competition for visibility. The more awes it creates, the more viral it becomes. What used to be an autonomous discipline and a source of inspiration, stimulation, and motivation now has become the subject of entertainment, speculation, and show business. Now, it is necessary or rather urgent to pause, take a moment, go inward, search for the essentials, and hope to rediscover a principle which is at once basic and timeless. Where to begin then! Well, as Kahn always said: Architecture comes from the making of a room. This book starts with this, the very desire to dwell in a space in its most basic form-- a room. Through short passages and aphorisms, this text revisits space as the only protagonist, the very foundation, and the sole essence of architecture. It affects your perception of space, it makes you to look at architecture differently-- most likely to see the invisible.

This book focuses on the spaces of production in cities that are significant in their design and contribute to a vital urban environment. This book reexamines the modernist and contemporary factory, along with labor issues in the city and the impact of globalization through the lens of an urbanist, while provoking future scenarios for urban manufacturing. It shows now factories are cleaner and greener, smaller and taller, hybrid and flexible, they can be reintegrated in city life, creating a new paradigm for a sustainable, mixed-use, and more self-sufficient industrial urbanism.

Reimagining the Civic investigates and describes the design challenges of three studios led by the three Kahn Visiting Assistant Professors at Yale School of Architecture: architect Fernanda Canales, of Mexico City, assisted by David Turturo, critic in architecture; Luis Callejas and Charlotte Hansson, directors of LCLA office, based in Oslo and Medellín, assisted by Marta Caldeira lecturer; and Stella Betts, of LEVENBETTS, in New York. Each studio focused on different environments and social contexts while scrutinizing age-old questions pertinent to the architectural discipline's understanding of civic space.

From Crystal Palace in 1851 to Buckminster Fuller's Spaceship Earth in 1969, nature became enclosed. Claimed to be a reaction of Norbert Wiener's cybernetics, Fuller's geodesic domes became symbols of American counterculture. Yet, from Fuller's description of Spaceship Earth sea masters,? the dome seems to prioritize an environment of occupation inside the dome, over those residing outside?a world of civilized control on its interior and wilderness, war, and wasteland on the other side. Overlapped by cultural consumption and politics, planetary imagination stimulates a useful framework for interrogating the human impact on environmental limitations over a technological foreground. The blurry lines between the engineered logic and cultural imagination are continually embedded and influenced by intuition in the cultural practices of capital enclosure. Theories, design practices, and the forms of imagination, including science fiction, open up critical questions on the status of our environment here on Earth.0'Nature of Enclosure' is a series of conversations to gather experts from a range of disciplines, including architects, landscape architects, architectural historians, design theory scholars, geographers, historians of science and technology, and professionals at the intersection of architecture and the environment. Organized in three parts, (1) Nature of the Synthetic Environment, (2) Air, Capital and the Planetary Imaginary, and (3) Enclosed Boundaries of Political Geographies, this book continues the conversation with a collection of essays as both reflections from the provocative discussions and expanding the discourse of enclosed environments in architecture and design field

The first part of this publication is to present a collection of exemplary five houses that evinced explicit relationships with preexisting trees. The five twentieth century projects are: La Casa (B. Rudofsky, 1969), Cottage Caesar (M. Breuer, 1951), Ville La Roche (Le Corbusier & P. Jeanneret, 1923), Villa Pepa (J. Navarro Baldeweg, 1994) and Hexenhaus (A. & P. Smithson, 1984-2002). The second part of the book is to contribute with three theoretical concerns for the contemporary project, those ones which are established in the process, with respect to time, place and outdoor domesticity in modern western housing. One of these theoretical contributions establishes that any house located on a site finds a significant place in conjunction with the preexisting trees. The second contribution describes the effects in terms of time, in addition to spatial considerations, which trees can contribute to the architectural project. Finally, the establishment of these connections between architecture and trees enlarges the idea of the house: the tree serves to draw the surrounding environment into the house and, as a result, becomes an intrinsic part of the house itself.

The object as solid, having three dimensions, is not just a different formal trend, but a paradigm shift; a reconceiving of how the architectural object is produced and experienced, changing the very concept of objectivity and meaning of architecture. This book celebrates the potential of the strange object, which finds its origin in the proto-space--the moment between the becoming of the idea and the ultimate shape it takes; the state of the still obscure and 'uninhibited' object outside the established framework of signification. As seen through an examination of 10 projects by Archi-Tectonics, this strange object is proof of the very capacity of the object to generate new habits and meanings. For close to a century, modernism was the norm, presented to culturally aware citizens as the expression of modern life. It arrived hand in hand with medical advances, mass standardization, and a shared ideal of what the ease and speed of the modern lifestyle could offer. Only in the early years of the 21st century did our widespread allegiance begin to shift away from modernism and towards a new social realm. The digital revolution introduced online societies, niche cultures, and digital design. Digital manufacturing facilitated opportunities of surface patterning and the fabrication of one-off special building components, removing the constraints of standardization in the construction industry and celebrating the experimental. Testing designs through prototypes allows for a much more informed decision-making process. The focus is on precise, rigorous research and development, rather than representational models. Now, after nearly two decades of implementing digital tools, we have reached a new platform where digital design and robotic production are the norm, and by extension, digital craft and integral design are as the future. This has been particularly important in the rethinking of advanced digital design processes. As showcased and examined in Strange Objects, New Solids and Massive Forms, from the earliest projects and regardless of scale, Archi-Tectonics has valued performance over form, design intelligence over style. Through prototypes and mock-ups, process documentation and testimonials, the book presents 10 current and recent projects that celebrate the particular and singular over the ideal and universal. With Contributions of Manuel DeLanda, Jonathan Jackson