Bøger udgivet af Bloomsbury Academic

Madvillain's Madvillainy is a captivating book penned by the talented Will Hagle. Published in 2023 by Bloomsbury Academic, this book delves into a unique genre that keeps the readers hooked from the first page to the last. The book is a testament to Hagle's prowess as a wordsmith and his ability to weave narratives that are as compelling as they are intriguing. The book was published on March 9, 2023, marking a significant milestone in the literary world. Bloomsbury Academic, the publisher, has a reputation for bringing forth books that challenge the status quo and inspire readers, and Madvillain's Madvillainy is no exception. The book is available in English, making it accessible to a broad spectrum of readers across the globe.

You may not be interested in Russia. But Russia is interested in you.Russia's 2022 attack on Ukraine saw confrontation between Moscow and the West spill over into open conflict once again. But Russia has also been waging a clandestine war against the West for decades. Hostile acts abroad, from poisoning dissidents to shooting down airliners, interfering in elections, spying, hacking and murdering, have long seemed to be the Kremlin's daily business. But what is it all for? Why does Russia consistently behave like this? And what does it achieve?In this book, Keir Giles explains how and why Russia pushes for more power and influence wherever it can reach, far beyond Ukraine - and what it means not just for governments, but for ordinary people. Bringing together stories from the military, politics, diplomacy, espionage, cyber power, organised crime and more, Giles describes how Moscow conducts its campaigns across the globe, and how nobody is too unimportant to be caught up in them. By lifting the lid on the daily struggle going on behind the scenes to protect governments, businesses, societies and people from Russian hostile activity, Russia's War On Everybody shows how Moscow's hostile intentions for the rest of the world are far broader and more ambitious, and the ways it tries to achieve them far more pervasive and damaging, than we realise.

Featuring exclusive interviews with key figures, from Napalm Death vocalist Barney Greenway to guitarist Bill Steer of Gentlemans Pistols, Carcass, and Napalm Death, this is your guide through the history of death metal.Guitars playing abrasive, discordant riffs, the thunderous double-kick of the drums acting like an accelerated heartbeat, and porcine, guttural vocals pummeling twisted lyrics. Courting controversy from inception to its modern day iteration, death metal presents a number of contradictions: Driven and adventurous musicians compete to make uncomfortable noises; it is crude and far beyond parody and yet consistently popular; and the music is pig-headedly uncommercial despite making a few labels, albeit briefly, wealthy. This book explores the history and methodology of the genre, charting its aims and intentions, its crossovers to the mainstream, successes and failures, and tracks how it developed from the bedrooms of Birmingham and Florida to the near-mainstream, to the murky cult status it enjoys today.

Each of us develops and enacts strategies for living our everyday lives. These may confirm the general tendency towards new forms of connected solitude, in which we work, travel and live alone, yet feel sociable mainly by means of technology. Alternatively, they may help to create flexible communities that are open and inclusive, and therefore resilient and socially sustainable. In Politics of the Everyday, Ezio Manzini discusses examples of social innovation that show how, even in these difficult times, a better kind of society is possible. By bringing autonomy and collaboration together, it is possible to develop new forms of design intelligence, for our own good, for the good of the communities we are part of, and for society as a whole.

This Is Hardcore is Pulp's cry for help. A giant, sprawling, flawed masterpiece of a record, the 1998 album manages to tackle some of the most inappropriately grown-up issues of the day - fame, ageing, mortality, drugs, and pornography - and still come out crying and laughing on the other side. The subject of pornography dominates the record - from its controversial artwork to the images conjured up by songs like "Seductive Barry" and the title track - after Pulp's main man, Jarvis Cocker - who'd spent most of his teenage and adult life chasing celebrity, only to be cruelly disappointed when it finally arrived in spades - hit upon the grand notion of using pornography as a metaphor for fame. The album's commercial failure as a follow-up to the band's Britpop-defining, Different Class, also symbolizes a death knell for Britpop itself. Dark, right? Except just like Pulp themselves, Jane Savidge's book is playful and sometimes very funny indeed. Kicking off with an imaginary conversation between Jarvis Cocker and the people who run the Total Fame Solutions helpline, Savidge expertly guides us through the trials and tribulations of an album that begins with the so-called Michael Jackson Incident, when Cocker got up on stage at the 1996 Brit Awards and waggled his fully-clothed bum at the King of Pop. Pulp's This Is Hardcore may be a sleazy run through porn and mental demise, and an album that chronicles Cocker's continuing disillusionment with his newfound lot in life, but Savidge's book assesses the cultural and historical context of the album with insider knowledge and a sharp modern lens, ultimately making a case for it as one of the most important albums of the 1990s.

Is the West prepared for a world where power is shared with China? A world in which China asserts the same level of global leadership that the USA currently assumes? And can we learn to embrace Chinese political culture, as China learned to embrace ours?Here, one of the world's leading voices on China, Kerry Brown, takes us past the tired cliches and inside the Chinese leadership - as they lay out a roadmap for working in a world in which China shares dominance with the West.From how, and why, China as a dominant superpower has been inevitable for many years, to how the attempts to fight the old battles are over, Brown digs deeper into the problematic nature of China's current situation - its treatment of dissent, of Xinjiang, Hong Kong, and the severe limitations on its management of relations with other cultures and values. These issues impact the way the West sees China, China sees the West, and how both see themselves.There are obstacles to the West accepting a more prominent place for China in the world - but just because this will be a difficult process does not mean that it should not happen. As Kerry Brown writes: history is indeed ending, but not how the West thought it would.

'[A] lively journey through the evolution of footwear' - The i'Handsomely illustrated and meticulously assembled' - Shahidha Bari, author of Dressed: The Secret Life of Clothes'An exuberant romp through footwear evolution ... a cornucopia of footwear delights' - Flora McLean, Royal College of Art, UK'A memorable walk through a story of innovation, fashion, invention and eroticism' - Giorgio Riello, European University Institute, Italy'An elegantly updated and illustrated edition of an invaluable reference book' - Alicia Kerfoot, The College at Brockport, SUNY, USAFrom chopines to stilettos, Louis XIV to Louboutin, Shoes: An Illustrated History is the definitive guide to footwear. This revised, updated edition expands the classic work to include new content on environmental and sustainability issues, and increased coverage of more diverse, inclusive and contemporary designers - such as Rupert Sanderson, Sophia Webster, Nicolas Kirkwood, Charlotte Olympia, Amina Muaddi, Noritaka Tatehana.Shoes have always been more than just a practical necessity. They reveal the culture of the times in which they were worn - the sexual morals, the social power play, as well as the endless shifting of fashion. Rebecca Shawcross takes the reader on a fascinating journey - packed with social and historical detail - of making and wearing, of the spectacular and the everyday, of conforming and rebelling.Lavishly illustrated with a dazzling array of shoes from all over the world and now including a new closing chapter covering the latest developments in design and technology, the influence of social media and celebrity endorsement, this revision consolidates the book's position as the leading reference work and overview of this ultimate object of desire, from antiquity to the present.

Silent Coup, written by the acclaimed author Matt Kennard, is a riveting book that will captivate your interest from the first page to the last. Published in 2023 by the renowned Bloomsbury Academic, this book is a must-read for anyone who enjoys insightful and thought-provoking literature. Silent Coup is a masterful blend of intrigue and suspense, showcasing Kennard's ability to weave a compelling narrative that keeps readers on the edge of their seats. As part of the broader genre of contemporary literature, this book offers a unique perspective on the complexities of our modern world. In Silent Coup, Kennard challenges us to question our preconceptions and to engage with the world in new and unexpected ways. A testament to Kennard's storytelling prowess, Silent Coup is a book that will leave you pondering long after you've turned the last page. Don't miss out on this exceptional publication from Bloomsbury Academic.

Often hailed as the 'best' James Bond film, From Russia With Love (1963) is celebrated for its direction by Terence Young, memorable performances from Sean Connery in his second outing as 007, Pedro Armendáriz as Kerim, Lotte Lenya as the lesbian villain Colonel Rosa Klebb, and Robert Shaw as Red Grant, the sexually ambiguous SPECTRE assassin. And regardless of its place within the longest-running continuous film series in cinema history, it is also an outstanding example of the British spy thriller in its own right.Llewella Chapman's study of the iconic film pinpoints its place within the James Bond film franchise, and its significant cultural value to critics and fans as well as this film's important place within British cinema history more widely. Drawing on a broad range of archival sources, Chapman traces the film's development and production history, including its adaptation from Ian Fleming's source novel, as well as its reception and lasting impact. Chapman also considers the film's portrayal of gender politics, with its queer villains counterpoised with the heterosexual couple Bond and his Russian counterpart Tatiana Romanova, the context of Cold War politics, and the influence of Alfred Hitchcock's North by Northwest (1959).

A moving investigation that exposes the impact of international intervention, both joyful and tragic, on the lives of African sexual minorities and their loved ones

A provocative expose of the position of women in China and of the state-perpetuated myths about 'leftover' women.

This book sets out to search for the Second World - the (post)socialist context - in dance studies and examines the way it appears and reappears in today's globalized world. It traces hidden and invisibilized legacies over the span of one century, probing questions that can make viewers, artists, and scholars uncomfortable regarding dance histories, memories, circulations and production modes in and around the (post)socialist world. Our understanding of 'dance' is broad and inclusive. The contributions delve into a variety of dance practices (folk, traditional, ballet, modern, contemporary), modes of dance production (institutionalization processes, festival-making and market logics), and dance circulations (between centres and peripheries, between different genres and styles). The main focus is Eastern Europe (including Russia) but the book also addresses Cuba and China. The hope is for theoretical developments engendered by this focus on the Second World to be useful when applied to regions outside the book's scope. Its chapters span a range of lesser-known historical examples from the arts of Yugoslav regions (Magazinovic, Davico and The Legend of Ohrid) to Cuban postrevolutionary artists (Burdsall) and Mongolian Wulmanuqi troupes. The book's historical examples make the reader aware, too, of the (post)socialist bodies' influence in today's dance, including in contemporary dance scenes.The (post)socialist context promises to be a prosperous laboratory to explore uncomfortable questions of legitimacy. Whose choreographic work is staged as a 'quality' dance production? Which dance practices are worthy of scholarly study? Which practices are 'valuable enough' for decent archiving and institutionalization? What are the limits of dance studies' understanding of what dance is (and what it should be)? In view of reclaiming the Second World through dance, this book thus probes questions that should be asked today but are not easy to answer. We set out to explore questions that dance practitioners, facilitators, critics, and researchers, including ourselves, are often not at ease with either. In raising and discussing these, we intend to restore the role and meaning of dance and to offer necessary utopias for those living in a world torn by multiple crises. Through seeking to answer these questions, the cracks of dance history begin to be sealed, and neglected dance practices are written back into history, provided with the academic recognition that they deserve.

Renowned scholars discuss the past, present, and future of the study of religion in both antiquity and modernity, celebrating the contributions of Panayotis Pachis to the field. An advocate of the historical and scientific study of the religions of past and present, Panayotis Pachis has dedicated his celebrated career at the Aristotle University of Thessaloniki to the study of various aspects of ancient religions. These range from the importance of agriculture and religion in ancient Greece, the Mystery Cults, the centrality of initiatory rituals and rites of passage, to the promotion of a modern, scientific study of religion that extends from the comparative and historical method to the cognitive study of religion. The contents of this book reflect Pachis' conviction that the study of religious ideas and practices should be focused on three pillars: the study of history, the formulation and application of theoretical frameworks, and the utilization of traditional as well as innovative methodological tools.

An original, innovative and timely study on the cultural history of Cyprus under British rule, offering a new interpretative framework for studying the colonial past of Cyprus. The book focuses on the cultural dimension of the island's colonial experience and demonstrates the crucial, but in this case understudied, significance of culture in Cyprus and how this has affected the current identity of the island. It is the first volume to address different aspects of the island's cultural life from 1878, when the island changed hands from Ottoman to British rule, to 1960 when the Republic of Cyprus came into existence. The book presents a comprehensive survey of culture in colonial Cyprus, covering such aspects as photography, architecture, literature, art, cultural policy, advertisement, fashion, antiquities and archaeology, public gardens, environmental commons, and sports clubs. Individual chapters bring to light previously unpublished source material in Greek and English, written and visual, from state and private archives and collections. Using cross-disciplinary analytical tools - from the fields of imperial and colonial history, politics, cultural studies, media studies, communication studies and history - this book provides much needed insight into the multi-faceted cultural life of colonial Cyprus.

What distinguished the Soviet 'look'? How did Soviet thinkers and artists reimagine the relationship between observer and observed? Soviet Spectatorship answers these questions through an in depth exploration of Soviet physical culture and its on screen representations from the end of the Civil War to the eve of the Second World War. Samuel Goff identifies the three fundamental 'structures of looking' - surveillance, aesthetics, and spectatorship - that shaped representations of the embodied Soviet subject. Close readings of understudied films such as Happy Finish (1934), The Laurels of Miss Ellen Gray (1935) and A Strict Young Man (1936), are contextualised through a theoretical analysis of the relationship between subjectivity and the body. In doing so, Goff traces the evolution of a specific Soviet 'look', examining perspectives on Soviet aesthetics and theories of body and mind, uncovering continuities within Soviet visual cultures in a period usually understood in terms of discontinuity and rupture.

Exploring what it means to come of age in an era marked by increasing antisemitism, readers see through the eyes of Jewish Gen Zers how identities are shaped in response to and in defiance of antisemitism. Using personal experiences, qualitative research, and the historic moment in which Generation Z is coming of age, Jewish educator Samantha A. Vinokor-Meinrath uses antisemitism from both the political left and the right to explore identity development among Jewish Gen Zers. With insights from educators, students, activists, and more, she holds a lens up to current antisemitism and its impact on the choices and opinions of the next generation of Jewish leaders. Chapters cover Holocaust education for the final generation able to speak directly to Holocaust survivors and learn their stories firsthand; modern manifestations of antisemitism; and how the realities of 21st-century America have shaped the modern Jewish experience, ranging from the synagogue shooting in Pittsburgh to how Gen Zers use social media and understand diversity. The core of this book is a collection of stories: of intersectional identity, of minority affiliations, and of overcoming adversity in order to flourish and thrive.

When God is "dead" and governments themselves are increasingly subject to the power of global corporations, massive movements of peoples, transnational political upheavals, and ecological disasters, what does sovereignty mean for the 21st century? Sovereignty in the 21st Century is Carl Raschke's deep theoretical dive into the meaning of sovereignty in both its historical and contemporary settings, showing how the idea can be expanded beyond politics and offer emancipatory strategies for previously marginalized peoples. Picking up Carl Schmitt's idea of sovereignty's 'divine' associations making it an implicitly theological concern, Raschke explains how political and religious thought have always been intertwined. These intertwined strands find their relevance today in debates around class, race and domination, making the question of sovereignty not just a political but a social and economic one. Bringing to light the ways in which great transnational conflicts today are not between authoritarianism and democracy but between neoliberalism and populism, this book brings us closer to a profound understanding of what we truly mean by democracy, or 'popular' sovereignty in the 21st-century.

Presenting a new approach to Euripides' plays, this book explores the playwright's ancient tragedies in relation to quotation culture. Treating extant works and lost works side-by-side, Matthew Wright presents a selective survey of ways in which Euripidean tragedy was quoted within antiquity, both in social contexts (on the comic stage, at symposia, in law courts, in education) and in different literary genres (drama, biography, oratory, philosophy, literary scholarship, history and anthologies). There is also a discussion of the connection between quotability and classic status, where Wright asks what quotations can tell us about ancient reading habits. The implication is that Euripides actively participated in quotation culture by deliberately making certain portions of his plays stand out as especially quotable. Within classical antiquity, Euripides was the most widely quoted author apart from Homer. His plays are full of 'quotable quotes', which were repeated so often that they acquired a life of their own. Hundreds of famous verses from Euripidean drama circulated widely within the ancient world, even after the plays in which they originally featured became forgotten or vanished completely. Indeed, the majority of Euripides' tragedies now survive only in the form of scattered quotations, otherwise known to us as 'fragments'. It is this corpus of fragmentary quotations, along with his extant plays, that makes Euripides such an interesting case study in the world of quotation culture. This book is the first of its kind to understand Euripides' work through this lens, as well as opening up quotation culture as a major theme of interest within classical scholarship.

G.W.F. Hegel was a radical and incisive thinker, whose ideas have shaped the face of political philosophy. With questions of political agency and free will as urgent as ever, this book reintroduces Hegel's ideas of freedom and the weight that it carries in the political, economic and social contexts of the 21st century. Examining the concept of freedom from a Hegelian Marxist perspective, Freedom, in Context argues that the essential relation between self-determination and causal necessity is a multifaceted process to be viewed through historical, temporal, logical and ontological lenses. Using examples from the Black Lives Matter movement, environmental justice, economic inequality, and democratic uprisings in Iran, the value of Hegel's philosophy is emphasised in contexts beyond the colonial, Eurocentric tendencies of his worldview. Emphasising the central role of temporality and history in the conception of free will gives this new reading of Hegel real practical import for the pressing political issues of our time.

Investigating the trajectories of economic nationalisms in Cold War Europe, this open access book explores the scope and limits of small (nation-)state actors pursuing and defending national economic interests in a globalizing world. In so doing, it contributes a new perspective in the economic history, political economy and nationalism literatures on post-war Europe. With this remit underscoring the inherent vulnerabilities of smaller national economies and their strategies of economic survival beyond the constraints of Cold War alignments, Varieties of Economic Nationalism in Cold War Europe reconstructs national economic discourses and policy objectives of smaller states and sub-states on both sides of the Iron Curtain from the mid-1960s through the late 1980s. Examining the impact of economic turning points such as the simultaneous crises of Western Keynesianism and Eastern Marxism-Leninism, the oil and financial shocks of the mid-1970s or the interplay of economic liberalization and decolonization on small state economic policy-making and diplomacy, ten empirical case studies are here brought together to illustrate the variety of Cold War-era economic nationalisms and their oscillation between protectionism and free market approaches. Far from being powerless and subjected to the geo-economic binaries of the early Cold War, small states in East and West were, as the contributions demonstrate, very capable of turning smallness into a strategic asset and expanding their room for manoeuvre in a quickly shifting global economy. The ebook editions of this book are available open access under a CC BY 4.0 licence on bloomsburycollections.com. Open access was funded by the Austrian Science Fund.

Exploring the difficult and contested sites of deindustrialized society on the brink of transformation to either heritage or wasteland, this volume looks at the creative ways that such sites are (re)used and suggests that they are not always merely abject or abandoned. As a result, our understanding of the meanings given to left over spaces is enhanced by an examination of the ways they are used. Ambivalent heritage sites are not always recognized for their potential, although artists and people from different recreational activities, such as industrial sites and parkour, use and experience these places in different ways. The contributors introduce fresh ideas on how to approach these sites and the people invested in them, employing multidisciplinary methodologies from archaeology and heritage studies to ethnography and sociology. Through the use of Northern-European case studies such as a former sanatorium, a prison and the Chornobyl Exclusion Zone, the reader gains a new perspective on these sites of contestation, which are cherished despite their problematic status. The conclusion is that due to the rapid societal change we are experiencing in the contemporary world, heritage professionals must start to acknowledge and deal with the difficulties that ambivalent heritage sites pose.

The Politics of the Wretched argues for ressentiment's generative negativity, prompting a shift from ressentiment as a personal expression of frustration to ressentiment as a collective "No". Inspired by Kant and Nietzsche's philosophy, Zalloua identifies two modes of deploying ressentiment - private and public use - by substituting ressentiment for reason. This reinterpretation argues for a public use of ressentiment, for the wretched to universalize their grievances, to see their antagonism as cutting across societies, and to turn personal trauma into a common cause. A public use of ressentiment rails against the ideology of identity and victimhood and insists on ressentiment's generative negativity, its own rationality, prompting a shift from ressentiment as a personal expression of frustration to ressentiment as a collective "No". Reframing ressentiment as a tool to oppose the evils of capitalism, anti-Blackness, and neocolonialism, it both alarms the liberal gatekeepers of the status quo and promises to energize the anti-racist Left in its ongoing struggles for universal justice and emancipation.

What does it mean to exist in the age of social media? This is a question that French philosopher Bernard Stiegler thoroughly explores in his broad body of work regarding the futurity of the human and its relation to technologies. Yet this book argues that this question would be best answered by reading Stiegler in close connection with Jean-Paul Sartre's existential phenomenology and Foucault's biopolitics. Taking the philosophy of Bernard Stiegler as main departure point, Amelie Berger-Soraruff examines to what extent a politics of Self is of a crucial importance in the current digital culture. Refreshingly original, this book offers a closer look at Stiegler's lesser known contributions such as Taking Care of Youth and the Generations, often criticized or overlooked due to its odd conservatism. It also newly frames Stiegler's philosophy as a contemporary echo to Sartrean existentialism, shedding light on the ways in which Sartre appears as a figure who is paradoxically absent from his work and is yet influential in many respects. Extending Stiegler's views to the field of media studies, this book brilliantly brings nuance to his portrayal of digital culture which he perceived as increasingly alienating.

Focusing on the Greek world during the high Roman Empire between the first and third centuries CE, this edited volume examines the representation of space in literary evidence. During this period of vast trade networks, imperial expansion, cosmopolitan culture and high elite mobility, geography was part of the language of power. The topographies of the Greek world - urban, rural, cultic and monumental - were reshaped and curated by writers to tell new stories about Hellenic space. The contributors explore the topographical imagination in classical texts as diverse as novels, declamations, handbooks of dream interpretation, history writing and fictional dialogues. Paying particular attention to a persistent tension between mobility and cultural rootedness and connection, each chapter examines how Greek writers of the imperial era represented and manipulated the multi-temporal landscapes of the contemporary world. Authors under discussion include Dio of Prusa, Aelius Aristides, Artemidorus, Herodes Atticus, Lucian, Pausanias and Dionysius the Periegete. Greek Literary Topographies in the Roman Imperial World presents a composite picture of how imperial-era Greek writers understood the imperative of topographical engagement and the possibilities of topographical imagination for constructing landscapes of cultural encounter and reflection.