Bøger udgivet af Columbia University Press

Music at the Limits is the first book to bring together three decades of Edward W. Said's essays and articles on music. Addressing the work of a variety of composers, musicians, and performers, Said carefully draws out music's social, political, and cultural contexts and, as a classically trained pianist, provides rich and often surprising assessments of classical music and opera. Music at the Limits offers both a fresh perspective on canonical pieces and a celebration of neglected works by contemporary composers. Said faults the Metropolitan Opera in New York for being too conservative and laments the way in which opera superstars like Pavarotti have "reduced opera performance to a minimum of intelligence and a maximum of overproduced noise." He also reflects on the censorship of Wagner in Israel; the worrisome trend of proliferating music festivals; an opera based on the life of Malcolm X; the relationship between music and feminism; the pianist Glenn Gould; and the works of Mozart, Bach, Richard Strauss, and others. Said wrote his incisive critiques as both an insider and an authority. He saw music as a reflection of his ideas on literature and history and paid close attention to its composition and creative possibilities. Eloquent and surprising, Music at the Limits preserves an important dimension of Said's brilliant intellectual work and cements his reputation as one of the most influential and groundbreaking scholars of the twentieth century.

Wendy Law-Yone was just fifteen when Burma's military staged a coup and overthrew the civilian government in 1962. The daughter of Ed Law-Yone, the daredevil founder and chief editor of The Nation, Burma's leading postwar English-language newspaper, she experienced firsthand the perils and promises of a newly independent Burma. On the eve of Wendy's studies abroad, Ed Law-Yone was arrested and The Nation shut down. Wendy herself was briefly imprisoned. After his release, Ed fled to Thailand with his family, where he formed a government-in-exile and tried, unsuccessfully, to foment a revolution. Exiled to America with his wife and children, Ed never gave up hope that Burma would one day adopt a new democratic government. Though he died disappointed, he left in his daughter's care an illuminating trove of papers documenting the experiences of an eccentric, ambitious, humorous, and determined patriot, vividly recounting the realities of colonial rule, Japanese occupation, postwar reconstruction, and military dictatorship. This memoir tells the twin histories of Law-Yone's kin and his country, a nation whose vicissitudes continue to intrigue the world.

In this collection of critical responses to Nobel Prize winner Seamus Heaney's poetry, Elmer Andrews presents the debates surrounding the poet's work and popular appeal. The writings gathered in this Columbia Critical Guide clarify and explore issues of cultural identity and nationality, as well as debates on the power of language and the function of verse. Beginning with Heaney's early collection, Death of a Naturalist, the guide reviews and contextualizes material on successive volumes (including 1996's The Spirit Level), so that students of Heaney's verse will find an accessible pathway through the most important critical writings on this major poet.

With poems in English by over one hundred female poets -- American, English, Scottish, Canadian, South African, Indian, Irish, and Australian -- this is an extraordinary collection that pays homage to four centuries of women's desires, friendships, and expressions of love. The collection is testimony to the rich tradition of female verse and the timelessness of love and creativity.

Surveying the key debates about a novel which has provoked an immensely rich critical response, the extracts and essays included here examine Great Expectations in structural, symbolic, social, political, psychological, and sexual terms, relating the novel to its own time and to a range of twentieth-century theoretical perspectives. Exploring secondary sources, from initial reviews in the 1860s to the most up-to-date critiques of the 1990s, the Guide is an essential resource for the study of one of Dickens's most complex works.

Spanning an impressive range of interpretations, the critical works in this collection analyze the complex narrative technique of Heart Of Darkness while exploring its evocation of myth, philosophy, and politics, its attitudes to empire, its images of Africa, and its representations of women. Examining secondary sources from the 1900s to the 1990s, this Guide is an indispensable resource for the study of one of Conrad's most potent works.

Charting a careful course through the bewildering profusion of material on "Wuthering Heights," this "Guide" offers synopses of and excerpts from critical responses to the novel from the time of publication to the present day, supplemented by the most comprehensive bibliography currently available. Opening with a chapter on how Emily BrontA's masterpiece was received in the nineteenth century, the "Guide" links together a selection of extracts that demonstrate the major critical developments of the twentieth century -- from humanism through formalism to deconstruction. Within this general framework, subsequent chapters focus on psychoanalytic readings, source studies, readings using discourse theory, work on dissemination, and political readings from Marxist, postcolonialist, and feminist points of view.

I Have No Enemies is the definitive biography of Nobel laureate Liu Xiaobo, offering a meticulously researched account of the twists and turns of a remarkable life.

Stone provides a brief historical overview of Algeria since 1830 before focusing on three crucial phases of the postcolonial era: that of Ben Bella and Boumedienne; the reform era of Chadli Benjedid; and the political and economic crisis under the Higher States Committee (HCE). He examines the dominant state institutions--the army and the FLN--and outlines the increasingly bitter divisions, social and political, which account for the current crisis. Since the Algerian military annulled an election in January 1992 that would have brought to power the world's first democratically elected Islamist government, a civil war has raged in which more than 100,000 Algerians have died. The military takeover polarized the country between the political and military elite and the mass of the population. The elite were perceived as interested only in personal gain and holding on to power, while most Algerians faced intense hardship. But the brutality of the Islamists' insurgency--including car bombings, the murder of 'immodestly' dressed women, the assassination of intellectuals, and the wiping out of whole villages--has lost them support. Most Algerians no longer want the Islamic republicanism of the FIS or the millenarianism of the GIA. Martin Stone provides a brief overview of Algeria since 1830 before focusing on three crucial phases of the postcolonial era--those of Ben Bella, Boumedienne and the reformist Chadli Bendjedid; and the political and economic crisis under the Haut Comité d'État (HCE). He examines the donimant state institutions--the army and the FLN--and the increasingly bitter divisions behind the current conflict, especially the factionalism that has hampered ALgeria's attempts to realize its great potential. The book also deals with the large Berber minority, relations with France, the economic background, forgien policy, the 1997 elections, and the administration of President Lamine Zeroual. In conclusion it examines whether the state can reconcile the moderate, convservative Islam of the majority with the minorities on either pole--both Islamic radicals and secularists--and create a political landscape where genuine political pluralism can flourish and extremism be suppressed.

From Revolutionary Era bank notes to the 2008 financial collapse, Capital of Capital explores how New York City gave rise to a banking industry that in turn made the American and world economies. Capital of Capital also examines the frequently contentious evolution of the banking business, its role in making New York City an international economic center, and its influence on America's politics, society, and culture. Based on a major exhibition at the Museum of the City of New York, Capital of Capital features the key leaders of banking, including Alexander Hamilton and J. P. Morgan, as well as its critics, such as Louis Brandeis and the Occupy Wall Street protesters. The book also covers the major events and controversies that have shaped the history of banking and includes a fascinating array of primary materials ranging from antebellum bank notes and ledgers to early credit cards and advertisements. Lavishly illustrated, Capital of Capital provides a multifaceted, original understanding of the profound impact of banking on the life of New York City and the world's economy.

As perhaps never before in its extraordinary history, New York has captured the American imagination. This major anthology brings together not only the best literary writing about New York--from O. Henry, Theodore Dreiser, F. Scott Fitzgerald, John Steinbeck, Paul Auster, and James Baldwin, among many others--but also the most revealing essays by politicians, philosophers, city planners, social critics, visitors, immigrants, journalists, and historians.The anthology begins with an account of Henry Hudson's voyage in 1609 and ends with an essay written especially for this book by John P. Avlon, former Mayor Rudolph Guiliani's speechwriter, called -The Resilient City, - on the September 11th attack on the World Trade Center as observed from City Hall. The editors have chosen some familiar favorites, such as Washington Irving's A History of New York and Walt Whitman's -Crossing Brooklyn Ferry, - as well as lesser-known literary and historical gems, such as Frederick Law Olmsted's plan for Central Park and Cynthia Ozick's -The Synthetic Sublime---an updated answer to E. B. White's classic essay Here Is New York, which is also included. The variety and originality of the selections in Empire City offer a captivating account of New York's growth, and reveal often forgotten aspects of its political, literary, and social history.

"My mother used to weave aaydans, the Marathi generic term for all things made from bamboo. I find that her act of weaving and my act of writing are organically linked. The weave is similar. It is the weave of pain, suffering, and agony that links us." Activist and award-winning writer Urmila Pawar recounts three generations of Dalit women who struggled to overcome the burden of their caste. Dalits, or untouchables, make up India's poorest class. Forbidden from performing anything but the most undesirable and unsanitary duties, for years Dalits were believed to be racially inferior and polluted by nature and were therefore forced to live in isolated communities. Pawar grew up on the rugged Konkan coast, near Mumbai, where the Mahar Dalits were housed in the center of the village so the upper castes could summon them at any time. As Pawar writes, "the community grew up with a sense of perpetual insecurity, fearing that they could be attacked from all four sides in times of conflict. That is why there has always been a tendency in our people to shrink within ourselves like a tortoise and proceed at a snail's pace." Pawar eventually left Konkan for Mumbai, where she fought for Dalit rights and became a major figure in the Dalit literary movement. Though she writes in Marathi, she has found fame in all of India. In this frank and intimate memoir, Pawar not only shares her tireless effort to surmount hideous personal tragedy but also conveys the excitement of an awakening consciousness during a time of profound political and social change.

"I used to feel guilty at night. I live in, I always used to live in two countries, the diurnal one and the continuous very tempestuous nocturnal one.... What a delight to head off with high hopes to night's court, without any knowledge of what may happen! Where shall I be taken tonight! Into which country? Into which country of countries?"--Hélène Cixous, from Dream I Tell You For years, Hélène Cixous has been writing down fragments of her dreams immediately after awaking. In Dream I Tell You, she collects fifty from the past ten years. Cixous's accounts of her dreamscapes resist standard psychoanalytic interpretations and reflect her lyrical, affecting, and deeply personal style. The dreams, reproduced in what Cixous calls both their "brute and innocent state," are infused with Cixous's humor, wit, and sense of playfulness. Dreams have always been a crucial part of Cixous's writing. They are her archives and it is with them that she writes. Without dreaming, Cixous writes, "I would crumble to dust." As in many of her other texts, Cixous's mother, father, daughter, and friends populate this work, which offers artistic and provocative meditations on the themes of family, death, and resurrection. Scenes of a daily life-getting a haircut, caring for her child, preparing for work-become beautifully and evocatively skewed in Cixous's dreams. She also writes of dreams, both amusing and unsettling, in which she spends an evening with Martin Heidegger, has her lunch quietly interrupted by a young lion, flees the Nazis, and tours Auschwitz. The "you" of the title is fellow philosopher and friend Jacques Derrida, to whom these texts are addressed. The book reflects on many of the subjects the two grappled with in their work and in conversation: the deconstruction of psychoanalysis, literary production, subjectivity, sexual difference, and the question of friendship.

Arranged alphabetically, this major reference work covers the principal events, individuals, political groups and issues in Europe during the 20th century, including detailed sections on the two World Wars, the Holocaust, the Russian Revolution and the creation and thawing of the Cold War.

Offering a portrait of the communities, institutions, practices, and individuals that are integral to the contemporary Buddhist landscape, this text assesses American Buddhism as a whole and looks into its future.

Carmen sits alone with her late husband, Mario, for the last time and looks back on their marriage and years together.

The most comprehensive survey of Polish history available in English, God's Playground demonstrates Poland's importance in European history from medieval times to the present. Abandoning the traditional nationalist approach to Polish history, Norman Davies instead stresses the country's rich multinational heritage and places the development of the Jewish German, Ukrainian, and Lithuanian communities firmly within the Polish context. Davies emphasizes the cultural history of Poland through a presentation of extensive poetical, literary, and documentary texts in English translation. In each volume, chronological chapters of political narrative are interspersed with essays on religious, social, economic, constitutional, philosophical, and diplomatic themes. This new edition has been revised and fully updated with two new chapters to bring the story to the end of the twentieth century.

The most comprehensive survey of Polish history available in English, God's Playground demonstrates Poland's importance in European history from medieval times to the present. Abandoning the traditional nationalist approach to Polish history, Norman Davies instead stresses the country's rich multinational heritage and places the development of the Jewish German, Ukrainian, and Lithuanian communities firmly within the Polish context. Davies emphasizes the cultural history of Poland through a presentation of extensive poetical, literary, and documentary texts in English translation. In each volume, chronological chapters of political narrative are interspersed with essays on religious, social, economic, constitutional, philosophical, and diplomatic themes. This new edition has been revised and fully updated with two new chapters to bring the story to the end of the twentieth century.

One of the most influential commentaries on the Yijing (I Ching), or Scripture of Change, for the past thousand years has been that of Zhu Xi (1130-1200). Joseph A. Adler's translation of the Yijing includes for the first time in any Western language Zhu Xi's commentary in full.

Having returned to Russia in 1990 after two decades, the writer known as Abram Tertz creates a vivid picture of today's Russian intelligentsia and its role as conscience and critic since the fall of communism, as well as a chilling portrait of economic and political stagnation under Yeltsin.

Analyzing the right to die as a controversial social and political issue, this text examines its development in contemporary public policy. Case studies of policy-making in California, Massachusetts and Florida show the variations that have developed as laws are enacted by each state.

In a work that is both a fascinating social history and an engagingly written guide to the use of historical source material, the authors illuminate the quantititative methodology of social history which allows scholars to study groups of people and aspects of history previously ignored.

This study explores the passion with which Victorian male writers and artists gave meaning to the myth of Perseus and Andromeda and its medieval analogue, the legend of St George and the dragon. It demonstrates how men used the myth to exert their own gender on Victorian culture.