Bøger udgivet af Farrar, Strauss & Giroux-3pl

In Rome one January afternoon in 1943, a young German woman is on her way to listen to a Bach concert at the Lutheran church. The war is for her little more than a daydream, until she realizes that her husband might never return. Portrait of the Mother as a Young Woman, winner of the prestigious Georg Büchner prize, is a mesmerizing psychological portrait of the human need to safeguard innocence and integrity at any cost-even at the risk of excluding reality. More than just the story of this single woman, it is a compelling and credible description of a typical young German woman during the Nazi era.

When the railroad stretched its steel rails across the American West in the 1870s, it opened up a vast expanse of territory. Agriculture quickly followed the railroads, making way for Kansas wheat and Colorado sugar beets and Washington apples. With this new agriculture came an unavoidable need for harvest workers. These were not the year-round hired hands but transients who would show up to harvest the crop and then leave when the work was finished. Variously called bindlestiffs, fruit tramps, hoboes, and bums, these men-and women and children-were vital to the creation of the West and its economy. Amazingly, it is an aspect of Western history that has never been told. In Hoboes: Bindlestiffs, Fruit Tramps, and the Harvesting of the West, the award-winning historian Mark Wyman offers a detailed, deeply sympathetic portrait of the lives of these hoboes, as well as a fresh look at the settling and development of the American West.

In 1962, James Meredith became a civil rights hero when he enrolled as the first African American student at the University of Mississippi. Four years later, he would make the news again when he reentered Mississippi, on foot. His plan was to walk from Memphis to Jackson, leading a "March Against Fear" that would promote black voter registration and defy the entrenched racism of the region. But on the march's second day, he was shot by a mysterious gunman, a moment captured in a harrowing and now iconic photograph. What followed was one of the central dramas of the civil rights era. With Meredith in the hospital, the leading figures of the civil rights movement flew to Mississippi to carry on his effort. They quickly found themselves confronting southern law enforcement officials, local activists, and one another. In the span of only three weeks, Martin Luther King, Jr., narrowly escaped a vicious mob attack; protesters were teargassed by state police; Lyndon Johnson refused to intervene; and the charismatic young activist Stokely Carmichael first led the chant that would define a new kind of civil rights movement: Black Power. Aram Goudsouzian's Down to the Crossroads is the story of the last great march of the King era, and the first great showdown of the turbulent years that followed. Depicting rural demonstrators' courage and the impassioned debates among movement leaders, Goudsouzian reveals the legacy of an event that would both integrate African Americans into the political system and inspire even bolder protests against it. Full of drama and contemporary resonances, this book is civil rights history at its best.

Writers write-but what do they do for money?In a widely read essay entitled "MFA vs NYC," bestselling novelist Chad Harbach (The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors, publicists, and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What's worse-having a day job or not having health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? The expert contributors, including George Saunders, Elif Batuman, and Fredric Jameson, consider all these questions and more, with humor and rigor. MFA vs NYC is a must-read for aspiring writers, and for anyone interested in the present and future of American letters.

An authoritative history of the energy crises of the 1970s and the world they wroughtIn 1973, the Arab OPEC cartel banned the export of oil to the United States, sending prices and tempers rising across the country. Dark Christmas trees, lowered thermostats, empty gas tanks, and the new fifty-five-mile-per-hour speed limit all suggested that America was a nation in decline. "Don't be fuelish" became the national motto. Though the embargo would end the following year, it introduced a new kind of insecurity into American life-an insecurity that would only intensify when the Iranian Revolution led to new shortages at the end of the decade.As Meg Jacobs shows, the oil crisis had a decisive impact on American politics. If Vietnam and Watergate taught us that our government lied, the energy crisis taught us that our government didn't work. Presidents Nixon, Ford, and Carter promoted ambitious energy policies that were meant to rally the nation and end its dependence on foreign oil, but their efforts came to naught. The Democratic Party was divided, with older New Deal liberals who prized access to affordable energy squaring off against young environmentalists who pushed for conservation. Meanwhile, conservative Republicans argued that there would be no shortages at all if the government got out of the way and let the market work. The result was a political stalemate and panic across the country: miles-long gas lines, Big Oil conspiracy theories, even violent strikes by truckers.Jacobs concludes that the energy crisis of the 1970s became, for many Americans, an object lesson in the limitations of governmental power. Washington proved unable to design an effective national energy policy, and the result was a mounting skepticism about government intervention that set the stage for the rise of Reaganism. She offers lively portraits of key figures, from Nixon and Carter to the zealous energy czar William Simon and the young Donald Rumsfeld and Dick Cheney. Jacobs's absorbing chronicle ends with the 1991 Gulf War, when President George H. W. Bush sent troops to protect the free flow of oil in the Persian Gulf. It was a failure of domestic policy at home that helped precipitate military action abroad. As we face the repercussions of a changing climate, a volatile oil market, and continued turmoil in the Middle East, Panic at the Pump is a necessary and lively account of a formative period in American political history.

The surprising tale of the first American Protestant missionaries to proselytize in the Muslim worldIn American Apostles, the Bancroft Prize-winning historian Christine Leigh Heyrman chronicles the first fateful collision between American missionaries and the diverse religious cultures of the Levant. Pliny Fisk, Levi Parsons, Jonas King: though virtually unknown today, these three young New Englanders commanded attention across the United States two hundred years ago. Steeped in the biblical prophecies of evangelical Protestantism, these boys became the founding members of the Palestine mission and ventured to Ottoman Turkey, Egypt, and Syria, where they sought to expose the falsity of Muhammad's creed and to restore these bastions of Islam to true Christianity. The missionaries thrilled Americans with tales of crossing the Sinai on camel, sailing up the Nile, and exploring Jerusalem, but their journals tell a different story, revealing that their missions did not go according to plan. Instead of converting the Middle East, the members of the Palestine mission themselves experienced spiritual challenges; some of the missionaries developed a cosmopolitan curiosity about Islam while others devised images of Muslims that would fuel the first wave of Islamophobia in the United States. American Apostles brings to life evangelicals' first encounters with the Middle East. The mission promised Americans a more accurate understanding of Islam, but it bolstered a more militant Christianity.

An unprecedented account of one of the bloodiest and most significant racial clashes in American historyIn May 1866, just a year after the Civil War ended, Memphis erupted in a three-day spasm of racial violence that saw whites rampage through the city's black neighborhoods. By the time the fires consuming black churches and schools were put out, forty-six freed people had been murdered. Congress, furious at this and other evidence of white resistance in the conquered South, launched what is now called Radical Reconstruction, policies to ensure the freedom of the region's four million blacks-and one of the most remarkable experiments in American history. Stephen V. Ash's A Massacre in Memphis is a portrait of a Southern city that opens an entirely new view into the Civil War and its aftermath. A momentous national event, the riot is also remarkable for being "one of the best-documented episodes of the American nineteenth century." Yet Ash is the first to mine the sources available to full effect. Bringing postwar Memphis to vivid life, he shows us newly arrived Yankees, former Rebels, boisterous Irish immigrants, and striving freed people, and how Americans of the period worked, prayed, expressed their politics, imagined the future, and how they died. Ash's harrowing and profoundly moving present-tense narration of the riot has the immediacy of the best journalism. Told with nuance, grace, and a quiet moral passion, A Massacre in Memphis is Civil War-era history like no other.

In Harold: The Boy Who Became Mark Twain, the beloved stage, film, and television actor Hal Holbrook presents an affecting memoir about his struggle to discover his true self, even as he learned to transform himself onstage. Abandoned by his mother and father when he was two, Holbrook and his two sisters commenced separate journeys of survival. Raised by his powerful grandfather, who died when Holbrook was twelve, he spent his childhood at boarding schools, visiting his father in an insane asylum and hoping his mother would suddenly surface in Hollywood.As World War II engulfed Europe, Holbrook began acting almost by accident. Through war, marriage, and the work of honing his craft, his fear of insanity and his fearlessness in the face of risk were channeled into discovering that the riskiest path of all-success as an actor-would be his birthright. The climb up that forbidding mountain was a lonely one. And how he achieved it-the cost to his wife and children and to his own conscience-is the dark side of the fame he would eventually earn by portraying the man his career would forever be most closely associated with: Mark Twain."If I were to conjure an image of an individual who best fits the phrase 'a real American,' it would be Hal Holbrook. This book shows him as a complete person. You will be compelled by the wit and wisdom of this beautifully composed story of self-determination and survival."-Robert Redford

An exploration of Shakespeare as a global poetShakespeare in Swahililand tells the unexpected literary history of Shakespeare's influence in East Africa. Beginning with Victorian-era expeditions in which Shakespeare's works were the sole reading material carried into the interior, the Bard has been a vital touchstone throughout the region. His plays were printed by liberated slaves as one of the first texts in Swahili, performed by Indian laborers while they built the Uganda railroad, used to argue for native rights, and translated by intellectuals, revolutionaries, and independence leaders. Weaving together stories of explorers staggering through Africa's interior, eccentrics living out their dreams on the savanna, decadent émigrés, Cold War intrigues, and even Che Guevara, Edward Wilson-Lee-a Cambridge lecturer raised in Kenya-tallies Shakespeare's influence in Zanzibar, Kenya, Tanzania, Uganda, Ethiopia, and Sudan. Traveling through these countries, he speaks with everyone from theater directors and academics to soldiers and aid workers, discovering not only cultural dimensions traceable to Shakespeare's plays but also an overwhelming insistence that these works provide a key insight into the region. An astonishing work of empathy and historical vision, Shakespeare in Swahililand gets at the heart of what makes Shakespeare so universal and the role that his writings have played in thinking about what it means to be human.

A biographical excavation of one of the world's great, troubled citiesA remarkable view of one of the world's most beloved and troubled cities, Adina Hoffman's Till We Have Built Jerusalem is a gripping and intimate journey into the very different lives of three architects who helped shape modern Jerusalem. The book unfolds as an excavation. It opens with the 1934 arrival in Jerusalem of the celebrated Berlin architect Erich Mendelsohn, a refugee from Hitler's Germany who must reckon with a complex new Middle Eastern reality. Next we meet Austen St. Barbe Harrison, Palestine's chief government architect from 1922 to 1937. Steeped in the traditions of Byzantine and Islamic building, this "most private of public servants" finds himself working under the often stifling and violent conditions of British rule. And in the riveting final section, Hoffman herself sets out through the battered streets of today's Jerusalem searching for traces of a possibly Greek, possibly Arab architect named Spyro Houris. Once a fixture on the local scene, Houris is now utterly forgotten, though his grand Armenian-tile-clad buildings still stand, a ghostly testimony to the cultural fluidity that has historically characterized Jerusalem at its best. A beautifully written rumination on memory and forgetting, place and displacement, Till We Have Built Jerusalem uncovers the ramifying layers of one great city's buried history as it asks what it means, everywhere, to be foreign and to belong.

The life, advice, and many marriages of a ninety-something Tasmanian domestic goddess, the real-life humor inspiration for television's Dame EdnaMarjorie Bligh is the ninety-five-year-old Martha Stewart you didn't know you were missing. Does your goldfish have constipation? Feed it Epsom salts. Have you run out of blush? Cut a beet in half and slap it on your cheeks. Are there possums in your ceiling? Housewife Superstar will tell you how to get them out. Famous for never wasting a thing, Marjorie crochets her bedspreads from plastic bags and used panty hose, and protects the plants in her garden with bras. In 1958, upon entering the food and craft contests at her town show, she won in seventy-eight categories; the next year she won in seventy-two but was denied the trophy by jealous rivals. Once divorced and twice widowed, Marjorie is, according to her colossal fan Barry Humphries (of TV comedy Dame Edna fame), "no slouch in the matrimonial department." Her first husband, Cliff, was loving but turned brutal. Her second marriage, to preacher and schoolteacher Adrian, was punctuated by endless love notes, breakfasts in bed, and territorial fights with his adult daughters. She snagged her third husband, Eric-a bus driver-with promises of fruitcake and flirtatious glances in his rearview mirror. Marjorie designed two homes and a museum devoted to her creations, worked for half a century as a journalist and columnist, and raised two sons, all while building a devoted following. Danielle Wood's Housewife Superstar is an illuminating look at a treasure.

"Got an urgent 'you've got to read this book' note from buddy Armen Keteyian, and I'm glad he was insistent . . . Good read, and some very good lessons." -Peter King, Sports IllustratedIt's 2008. Jim Axelrod-once among the most visible correspondents on network news, the first TV reporter to broadcast from Saddam International Airport in 2003, and CBS's chief White House correspondent-is covering Obama's end run on the Democratic nomination. He's forty-five and thirty pounds overweight. He's drinking too much, sleeping too little, and scarcely seeing his family. He's just figured out that the industry that pulled him up the ladder is imploding as he's reaching for its final rungs. Then, out of the blue, Jim is sent his dad's New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything going on in his life, the best Jim can come up with is, "Can I beat him?"So begins Jim's deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way he'll confront his listing marriage, a career caught in the implosion of the entire television news industry, the most god-awful shin splints and the worst-timed kidney stone, and the shadow of a loving father, who because he repeatedly lost his way still has a lesson to impart.

The stories of America's most extraordinary strivers and their failures and triumphsRanging from the shattered gentility of Edith Wharton's heroines to racial confrontation in the songs of Nina Simone, American Rhapsody presents a kaleidoscopic story of the creation of a culture. Here is a series of deeply involving portraits of American artists and innovators who have helped to shape the country in the modern age.Claudia Roth Pierpont expertly mixes biography and criticism, history and reportage, to bring these portraits to life and link them in surprising ways. It isn't far from Wharton's brave new women to F. Scott Fitzgerald's giddy flappers, and on to the big-screen command of Katharine Hepburn and the dangerous dames of Dashiell Hammett's hard-boiled world. The improvisatory jazziness of George Gershwin's Rhapsody in Blue has its counterpart in the great jazz baby of the New York skyline, the Chrysler Building. Questions of an American acting style are traced from Orson Welles to Marlon Brando, while the new American painting emerges in the gallery of Peggy Guggenheim. And we trace the arc of racial progress from Bert Williams's blackface performances to James Baldwin's warning of the fire next time, however slow and bitter and anguished this progress may be.American Rhapsody offers a history of twentieth-century American invention and genius. It is about the joy and profit of being a heterogeneous people, and the immense difficulty of this human experiment.

A son's personal exploration of one of the most influential--and troubled--artistic couples of the twentieth centuryStephen Spender's life, with all its secrets, successes, and contradictions, is a vivid prism through which to view the twentieth century. He made friends with W. H. Auden and Christopher Isherwood while at Oxford, and together the three had wild adventures in Europe, where they became early critics of Hitler and the rise of fascism. Like his friends, Stephen was drawn to other men, yet he eventually married Natasha Litvin, an ambitious young concert pianist, and they started a family. Matthew Spender grew up in postwar England as the child of two celebrated artists deeply immersed in the political and cultural life of their times. Taught how to use adjectives by Auden and raised among an influential elite, Matthew led what might have been a charmed existence were it not for the tensions within his own household. His father, always susceptible to the allure of young men, was unable either to stop himself for the sake of his family or to reveal his secret; and his mother's suffering led her on a strange introspective quest of her own. Drawing on a wide range of unpublished letters and diaries, secret documents, and youthful memories, A House in St John's Wood is Matthew's remarkably clear-eyed attempt to make sense of the many conflicting messages of his unconventional youth and a deeply felt portrait of his magnetic father and guarded mother.

Believe in climate change. Or don't. It doesn't matter. But you'd better understand this: the best route to rebuilding our economy, our cities, and our job markets, as well as assuring national security, is doing precisely what you would do if you were scared to death about climate change. Whether you're the head of a household or the CEO of a multinational corporation, embracing efficiency, innovation, renewables, carbon markets, and new technologies is the smartest decision you can make. It's the most profitable, too. And, oh yes--you'll help save the planet. In The Way Out, L. Hunter Lovins, coauthor of the bestselling Natural Capitalism, and the sustainability expert Boyd Cohen prove that the future of capitalism in a recession-riddled, carbon-constrained world will be built on innovations that cutting-edge leaders are bringing to the market today. These companies are creating jobs and driving innovation. The Way Out delivers hundreds of in-depth case studies of international corporations, small businesses, NGOs, and municipalities to prove that energy efficiency and renewable resources are already driving prosperity. While highlighting business opportunities across a range of sectors--including energy, construction, transportation, and agriculture technologies--Lovins and Cohen also show why the ex-CIA director Jim Woolsey drives a solar-powered plugin hybrid vehicle. His bumper sticker says it all: "Osama bin Laden hates my car." Corporate executives, entrepreneurs, environmentalists, and concerned citizens alike will find profitable ideas within these pages. In ten information-packed chapters, The Way Out gives tangible examples of early adopters across the globe who see that the low-carbon economy leads to increased profits and economic growth. It offers a clear and concise road map to the new energy economy and a cooler planet.Previously published under the title Climate Capitalism