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Where Angels Fear to Tread (1905) is a novel by English author E.M. Forster. The work was Forster's first novel, and its success helped launch his lengthy and critically acclaimed career as a writer of literary fiction. Where Angels Fear to Tread--the title is drawn from Alexander Pope's An Essay on Criticism (1711)--is a moving meditation on class, gender, social convention, and the grieving process. Following the death of her husband, a widow named Lilia Herriton travels to Tuscany with her friend Caroline Abbott. In Italy, Lilia falls in love with a young Italian named Gino, with whom she decides to remain. This prompts a fierce backlash among members of her deceased husband's family, who privilege their honor and name over Lilia's happiness. Although they send Philip, her brother-in-law, to Italy in order to retrieve her, Lilia has already married Gino, and is pregnant with their child. When she dies in childbirth, however, a fight ensues over the care of the boy, whom the Herritons want to be raised as an Englishman in their midst. Philip returns to Italy with his sister Harriet, meeting Caroline and devising a plan to wrest control of the boy from Gino, a loving and caring father. Where Angels Fear to Tread is a novel that traces the consequences of selfish decisions, the politics of family life, and the social conventions which hold women prisoner to those who claim to support them. The novel was an immensely successful debut for Forster, who would go on to become one of England's most popular and critically acclaimed novelists of the twentieth century. With a beautifully designed cover and professionally typeset manuscript, this edition of E.M. Forster's Where Angels Fear to Tread is a classic of English literature reimagined for modern readers.

Compiled during a three-month stay in Granada, Spain, Tales of the Alhambra assembles descriptions, myths, and narratives of historical events. After completing a literary project in Madrid, author Washington Irving traveled to Granada, Spain. Immediately taken by its beauty and extravagance, Irving requested a travel guide and began filling notebooks and journals with his observations and description of the magnificent setting. Beginning with an expedition through the Andalusian mountains on horseback, cherishing the grandeur of the nature, Irving took his time to enjoy and observe the landscape and culture of the country. After their horseback ride through the mountains, Irving and his guide stopped at an inn for a drink. During their stay, Irving witnessed artistic culture through music and dance, noting how the locals seemed to celebrate every-day occurrences, creating a happy environment. Upon entering the city, Irving requested permission from the governor to stay at the Alhambra palace. Originally built on the ruins of Roman buildings, the Alhambra was a small fortress built in 889 CE, and had been largely ignored and forgotten by the time Irving arrived in Granada. While staying in the Alhambra, Irving explored the abandoned palace and recollected the myths set within its walls, recording every detail of its architecture, story, and mystery. The Alhambra palace had been mostly forgotten, and left unmaintained until Washington Irving's narrative and recollections revived interest. Upon its original publication in 1832, Washington Irving's Tales of the Alhambra piqued the curiosity of readers who were completely engrossed in Irving's description of the previously abandoned fortress. With delicate prose and intricate detail, Tales of the Alhambra appeal to readers' sense of adventure, and allows its audience to explore the wonders of Granada, Spain alongside Washington Irving. This edition of Washington Irving's Tales of the Alhambra features a new, eye-catching cover design and is printed in a font that is both modern and readable, inviting contemporary audiences to divulge in the grandeur and beauty of a medieval fortress.

The Flowers of Evil (1857) is a collection of poems by Charles Baudelaire. Translated into English by Cyril Scott in 1909, Baudelaire¿s poems remain lively and idiosyncratic nearly two centuries after they came into existence. Comprised mostly of sonnets and short lyrics, The Flowers of Evil captures Baudelaire¿s sense of the changing role of the poet in modern life. Rather than focus on beauty and other ideals, Baudelaire explores the totality of human experience¿the good, bad, and ugly of life on earth. ¿When by the changeless Power of a Supreme Decree / The poet issues forth upon this sorry sphere, / His mother, horrified, and full of blasphemy, / Uplifts her voice to God, who takes compassion on her.¿ In his opening benediction, Baudelaire reverses the typical trope of invoking the muses or celebrating poetry as a divine gift. Instead, he depicts the poet as a being cursed, a ¿hideous Child of Doom.¿ Childhood for Baudelaire is a subject of particular interest, a time described, in his poem ¿The Enemy,¿ as ¿a ravaging storm, / Enlivened at times by a brilliant sun¿¿ The youthful experience of melancholy clearly informs the poet¿s outlook as an adult: ¿Time devours our lives, / And the enemy black, which consumeth our hearts / On the blood of our bodies, increases and thrives!¿ While much of Baudelaire¿s work deals with darkness and despair, his poems can rise to the heights of celebration and ecstasy, his voice soft and sweet as he invites his sister on a journey to an imagined land of ¿order and loveliness, / Luxury, calm and voluptuousness.¿ Ultimately, Baudelaire¿s vision¿however irreverent¿is guided by truth and morality, which drive him on a torturous path from good to evil, beauty to death, and back. With a beautifully designed cover and professionally typeset manuscript, this edition of The Flowers of Evil is a classic of French literature reimagined for modern readers.

The Great American Novel (1923) is an experimental novel by William Carlos Williams. Although he is predominately known as a poet, Williams frequently pushed the limits of prose style throughout his career. In the defining decade of Modernism, Williams sought to try his hand at the so-called "Great American Novel," a concept fueling impassioned debate in academic and artistic circles nationwide. Far from conventional, Williams' novel is a metafictional foray into matters more postmodern than modern, a commentary masquerading as narrative and a satire of the all-American overreliance on cliché in form and content. "If there is progress then there is a novel. Without progress there is nothing. Everything exists from the beginning. I existed in the beginning. I was a slobbering infant. Today I saw nameless grasses-I tapped the earth with my knuckle. It sounded hollow. It was dry as rubber. Eons of drought. No rain for fifteen days. No rain. It has never rained. It will never rain." Williams' novel begins with the word and a birth. Language describes the experience of awakening to experience, of coming into consciousness as a living being in a living world. Using words from everyday speech, he builds a novel out of observations, a book that remains conscious of itself throughout. Like the child whose first experience with the written word often comes from names and slogans stretched over trucks and billboards, the reader eventually comes to accept their new reality, a world where people love and succeed and fail, where history and art intercede to make meaning where they can. The Great American Novel showcases Williams' experimental form, stretching the meaning of "novel" to its outermost limit. With a beautifully designed cover and professionally typeset manuscript, this edition of William Carlos Williams' The Great American Novel is a classic of American literature reimagined for modern readers.

Margaret and Helen Schlegel, half-German sisters with a passion for art, attempt to navigate their relationships with both the immensely rich Wilcox family and the troubled, destitute Leonard and Jacky Bast. Howards End is a story of sisterhood, family, and class, a novel that investigates the spiritual consequences of wealth while illuminating the human cost of cultural and economic prejudice.

Flame and Shadow (1920) is a poetry collection by Sara Teasdale. The poet's fifth collection, published two years after she won the 1918 Pulitzer Prize, is a masterful collection of lyric poems meditating on life, death, and the natural world. Somber and celebratory, symbolic and grounded in experience, Flame and Shadow revels in the mystery of existence itself. "What do I care, in the dreams and the languor of spring, / That my songs do not show me at all?" Content to depict the rhythms of nature, the songs of birds, and "the silver light after a storm," Teasdale's poetry dissolves the poet's ego in order to access a deeper well of creative energy: "For my mind is proud and strong enough to be silent, / It is my heart that makes my songs, not I." In "There Will Come Soft Rains," a poem born from a decade of war and widespread disease, Teasdale imagines a posthuman world where beauty and harmony continue despite our disappearance: "Robins will wear their feathery fire / Whistling their whims on a low fence-wire; And not one will know of the war..." For Teasdale, a poet who merges an abiding affection for flora and fauna with a critical distance from human affairs, the belief in the life of the world, with or without us, is enough. With a beautifully designed cover and professionally typeset manuscript, this edition of Sara Teasdale's Flame and Shadow is a classic work of American poetry reimagined for modern readers.

Following the imprisonment of her husband in 1922, Amy Jacques Garvey set forth to preserve the dream of Black Nationalism and African independence. Collecting the letters, speeches and essays of Marcus Garvey, she produced the complete philosophies of one of the most controversial yet influential figures in 20th century Black America.

Fantastic and Horrific Stories is a collection of short fiction by Arthur Machen. Condemned as decadent and obscene upon publication, Machen's writing earned praise from Oscar Wilde and H. P. Lovecraft. Throughout the years, Machen's work has been referenced and adapted by such figures as Stephen King, Guillermo del Toro, and Josh Malerman for its masterfully unsettling blend of science, myth, and magic. The Great God Pan, perhaps Machen's most celebrated work, is the story of an occult experiment gone horribly wrong. Clarke has always taken an interest in occult matters, so when a friend offers him a chance to witness an experimental procedure intended to access the spirit realm, he cannot refuse. When the young patient Mary awakens, she shows signs of terror and soon falls into a catatonic state. Convinced of their success in discovering the world of "the great god Pan," Clarke and Raymond agree to keep their discovery a secret. Years later, a nearby town begins reporting the mysterious disappearances of young children, all of whom have been seen in the forest with a young woman named Helen Vaughn.In ?The White People,? originally published in Horlick's Magazine in 1904, a Welshman receives the diary of a young girl introduced to witchcraft. Surprisingly well-kept for its age, the green book accompanies Cotgrave on a journey through the lush countryside. Its pages contain the diary of a young girl who, encouraged by her nurse, immerses herself in the world of magic. As she grows adept in the ways of witchcraft, the girl begins referring to strange beings and unknown places, all while doing her best to conceal her secret life from friends and family.The Hill of Dreams is a semi-autobiographical novel about a young man who begins having strange visions after visiting an ancient Roman fort near his rural Welsh home. Published alongside ?The Inmost Light,? ?The Shining Pyramid,? The Terror, ?Out of the Earth,? and Ornaments in Jade, these tales by Arthur Machen showcase his gift for illuminating the presence of the supernatural in everyday life.With a beautifully designed cover and professionally typeset manuscript, this edition of Arthur Machen's Fantastic and Horrific Stories is a classic of British horror fiction reimagined for modern readers.

Fanny Hill: or, the Memoirs of a Woman of Pleasure (1749) is an erotic novel and early work of pornography by English author John Cleland. Written while Cleland was in prison, the novel was both successful and controversial, banned from publication but widely distributed in pirated and heavily edited copies. Fanny Hill: or, the Memoirs of a Woman of Pleasure was the subject of numerous court cases, including a prominent United States Supreme Court decision in 1966 which found that the book did not violate obscenity laws.Using extensive euphemism, Cleland¿s novel is the story of Frances ¿Fanny¿ Hill. Narrated in two letters to a friend known only as ¿Madam,¿ the book traces Fanny¿s early life as an orphan-turned-prostitute. After the death of her parents from smallpox, Fanny moves from Lancashire to London to work at a brothel, where she witnesses and participates in numerous sexual acts with women and men of all ages. When her lover Charles is sent abroad, Fanny becomes the mistress of a wealthy merchant who later abandons her. While earning a living working for wealthy clients in a high-end brothel, Fanny witnesses wilder and increasingly dangerous sexual encounters, eventually retiring to a life as the lover of an older intellectual. Recognized as an early and controversial pornographic novel, Fanny Hill: or, the Memoirs of a Woman of Pleasure is important for its groundbreaking depictions of queer sex and fetish and continues to be read and studied to this day.With a beautifully designed cover and professionally typeset manuscript, this edition of John Cleland¿s Fanny Hill: or, the Memoirs of a Woman of Pleasure is a classic of pornographic and erotic literature reimagined for modern readers.

Erewhon, an anagram for "nowhere," is a faraway land where citizens follow a unique set of rules disregarding conventional beliefs about money, health and science. Beneath the surface, Erewhon is fueled by hypocrisy and inhabitants are riddled with fear.A traveler stumbles across a remote country that appears to be a peaceful paradise. It's a utopian society that doesn't use or value money in a traditional way. Criminals are considered sick and treated as patients, while the ill are imprisoned and labeled as criminals. There's also an overwhelming distrust of machines, which are outlawed due to their potential to evolve and overthrow their masters. Erewhon's superficial qualities grow to become a source of contempt and distrust. Erewhon illustrates a world where an attempt to correct the ills of society causes more harm than good. It's a profound examination of Victorian ethics, benefiting a minority over the majority. Butler's groundbreaking novel has significantly influenced multiple writers in literature and beyond.With an eye-catching new cover, and professionally typeset manuscript, this edition of Erewhon is both modern and readable.

A nineteenth century voyager travels by aircraft to the planet Mars, where he encounters two advanced civilizations of Martians. In Paleveria, women have taken control over men by adopting their tactics for violence and oppression. In Caskia, men and women have learned to live in harmony. Unveiling a Parallel is a novel by Alice Ilgenfritz Jones and Ella Merchant.

Lady Elizabeth arrives at Courtenay Grange to meet her stepchildren. Her father, the Earl of Greatlands, takes a liking to Dora, who lacks self-confidence due to her sister¿s constant bullying. Busy trying not to embarrass herself in front of Elizabeth, Dora is entirely unprepared for what lies ahead. The Adventures of an Ugly Girl is a novel by Elizabeth Burgoyne Corbett.

At the church of San Lorenzo in Naples, a young nobleman falls in love with the lovely orphan Ellena di Rosalba. When Vincentio di Vivaldi informs his mother, the Marchesa, of his romantic intentions, she forbids him from marrying the girl, enlisting the mysterious Father Schedoni to bend her son¿s will. The Italian is a novel by Ann Radcliffe.

A Black homesteader named Oscar Devereaux reflects on a life of perseverance. Raised alongside twelve siblings in rural Illinois, he leaves home and family behind to seek a life of fortune and independence. Never one to set limits, Devereaux discovers that no dream is beyond his reach. The Conquest: The Story of a Negro Pioneer is a novel by Oscar Micheaux.

When he died at just thirty-three years of age, Paul Laurence Dunbar had achieved more than any African American poet before him. Alice Dunbar Nelson, his wife, carried on his legacy through her poems, plays, and fierce commitment to social justice. Mr. and Mrs. Dunbar: Poems, Plays and Prose is a portrait of a couple, their talent, and their legacy.

Gloriana; or, The Revolution of 1900 (1890) is a novel by Lady Florence Dixie. A member of the National Union of Women's Suffrage Societies, Dixie believed in the emancipation of women through radical cultural and political change. Gloriana; or, The Revolution of 1900, a feminist utopian novel, is the story of a revolutionary hero who defies gender norms and fights for liberation by any means necessary. Gloriana pleads woman's cause, pleads for her freedom, for the just acknowledgement of her rights. It pleads that her equal humanity with man shall be recognized, and therefor that her claim to share what he has arrogated to himself, shall be considered. Gloriana pleads that in woman's degradation man shall no longer be debased, that in her elevation he shall be upraised and ennobled." Following this stirring introduction, Lady Florence Dixie tells the story of Gloriana de Lara, a woman who decides to put an end to patriarchy. Disguising herself as a man named Hector d'Estrange, she attends both Eton and Oxford and is elected a Member of Parliament. Meanwhile, she leads the revolutionary Woman's Volunteer Company on a campaign of violence against repressive authority. When a plot to reveal her identity is discovered, she is forced to go into hiding or else sacrifice years of painstaking work toward the liberation of women throughout the world. This edition of Lady Florence Dixie's Gloriana; or, The Revolution of 1900 is a classic of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Unwritten Literature of Hawaii: The Sacred Songs of the Hula (1909) is a collection of hulas and essays by Nathaniel B. Emerson. Translating previously unwritten songs, interviewing native Hawaiians, and consulting the works of indigenous historians, Emerson provides an entertaining and authoritative look at one of Hawaii's most cherished traditions. "For an account of the first hula we may look to the story of Pele. On one occasion that goddess begged her sisters to dance and sing before her, but they all excused themselves, saying they did not know the art. At that moment in came little Hiiaka, the youngest and the favorite. [...] When banteringly invited to dance, to the surprise of all, Hiiaka modestly complied. The wave-beaten sand-beach was her floor, the open air her hall; Feet and hands and swaying form kept time to her improvisation." As an American born in Hawaii who played a major role in the annexation of the islands as an author of the 1887 Constitution of the Hawaiian Kingdom, Emerson likely saw himself as a unifying figure capable of interpreting for an English-speaking audience the ancient and sacred tradition of the hula, a Polynesian dance often accompanied with instruments and chanting or singing. Combining critical analysis with samples of popular hulas in both Hawaiian and English, Emerson works to preserve part of the rich cultural heritage of the Hawaiian Islands.Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Taboo (1921) is a comic fantasy novel by James Branch Cabell. Set in a world where history and fantasy collide, where a lowly pawnbroker can encounter monsters, gods, and devils, Taboo is a follow up to Jurgen, A Comedy of Justice, which was the subject of an obscenity trial pursued by the New York Society for the Suppression of Vice. In 1923, after winning his case, Cabell made sure to immortalize the event with a revised edition featuring a ¿lost¿ chapter where Jurgen is persecuted for his writing by grotesque Philistines. In Taboo, one work in a series of novels, essays, and poems known as the Biography of the Life of Manuel, Cabell explores the cultural environment that led to his work¿s persecution, inventing a whole world in which to air his grievances. ¿Since time's beginning, every age has had its literary taboos, selecting certain things¿more or less arbitrarily, but usually some natural function¿as the things which must not be written about. To violate any such taboo so long as it stays prevalent is to be ¿indecent¿: and that seems absolutely all there is to say concerning this topic, apart from furnishing some impressive historical illustration...¿ While most authors in the midst of an obscenity trial would be content to let their lawyer do the talking, James Branch Cabell took the opportunity to reflect on the matter in the only way he knew how. In this work, written in the style of medieval history, Cabell tells the story of Philistia, a country dedicated to the persecution of all manner of ill-defined vice and taboo. Bold and satirical, this thinly veiled critique of his own, high-minded critics is essential to understanding Cabell¿s vision of art. Cabell¿s work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read Taboo, however, is to understand that the issues therein¿the struggle for power, the unspoken distance between men and women¿were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell¿s Taboo is a classic of fantasy and romance reimagined for modern readers.

The Philosophy of Composition (1846) is an essay by Edgar Allan Poe. Recognized as a foundational figure of nineteenth century fiction, Poe has inspired generations of readers and writers with his craftsmanship and taste for tragedy and terror. His brief but meteoric career shaped the trajectory of American literature forever, forming a legacy without which science fiction, horror, and detective writing would surely be shells of themselves. Published only three years before his untimely death, the essay appeared in an April 1846 issue of Graham¿s American Monthly Magazine of Literature and Art, whose editor had previously made the mistake of turning down ¿The Raven.¿ Both influential and controversial, Poe¿s essay on craft was intended as a dismissal of the myth of spontaneous art, arguing instead that a true artist depends upon attention to detail and adherence to a logical creative process. Using his own poetic masterpiece as an example, Poe claims that the writer must maintain ¿unity of effect¿ throughout the work in order to inspire the intended emotional response in the reader. Once this element has been set in place, the writer may proceed with the more technical aspects of composition, such as characters, setting, and plot. Although Poe¿s essay drew the ire of Anglo-American poet T. S. Eliot, it was immensely popular among Poe¿s Francophone audience and served as inspiration for such artists as Maurice Ravel and Charles Baudelaire. With a beautifully designed cover and professionally typeset manuscript, this edition of Edgar Allan Poe¿s The Philosophy of Composition is a classic of American literature reimagined for modern readers.