Bøger udgivet af Mousse Publishing

French sound artist and instrument builder Tarek Atoui (born 1980) creates sound-generating objects for improvisation. This volume documents works presented and performed at Tate Modern in 2016.

The second of a four-chapter publication series by Rondinone, Golden Days & Silver Nights documents the installation of the artist's white trees among the ruins of the Trajan Forum, and of the Vocabulary of Solitude at the MACRO Museum, where the forty-five clowns were accompanied by a multitude of rainbow drawings.

Presenting a selection of the décollages (torn posters) and retro d'affiches (untouched poster versos) of Nouveau Réaliste pioneer Mimmo Rotella (1918-2006) from the late '50s and early '60s, this book situates these works in the artistic climate that helped foster them.

The austere, tactile sculpture of Paolo Icaro (born 1936) develops the vocabulary of Arte Povera and '60s process art.This career survey, based on a decade of research, reproduces a large body of previously unpublished materials, plus writings by the artist, a critical anthology and bibliographic resources.

With archival matter and sculpture, Greek-born, Amsterdam-based artist Antonis Pittas (born 1973) presents a rereading of the work of exhibition designer Herbert Bayer, whose 1942 exhibition Road to Victory at MoMA presented a highly aestheticized celebration of American involvement in World War Two.

Founded in 1995 in Geneva, on the 50th anniversary of the United Nations, ART for The World arranges international traveling art exhibitions, performances, films and concerts, to build cross-cultural relationships and promote education. This publication documents its activities.

Estonian installation artist Katja Novitskova (born 1984) adapts images from online sources, referring to realities that lie beyond the capacities of the human eye but have long entered our lives as visual artifacts. Dawn Mission explores how constant mediation acquires an ecological dimension.

Road Back to Relevance surveys the last decade of Dan Rees' (born 1982) practice, compiling paintings, videos, installations and photography. Throughout these varied mediums, Rees explores a recurring preoccupation: the politics of taste.

The Air Is Blue was an exhibition orchestrated in Luis Barragán's house and studio by Hans Ulrich Obrist and Pedro Reyes, featuring Francis Alÿs, Dominique Gonzales-Foerster, Rem Koolhaas, Lygia Pape, Anri Sala, Ettore Sottsass, Rikrit Tiravanija and Niele Toroni, among others; this volume is a reprint of the 2006 catalog for that exhibition.

Long celebrated for his delicate, diagrammatic box works and his writings on his close friend Marcel Duchamp, Gianfranco Baruchello (born 1924) has produced some of the most singular art of the postwar era, working since the '50s in media including painting, installation, assemblage, film, photography, writing and sound. But Baruchello has expanded his visual research far beyond traditional genres by introducing the practices of agriculture, anthropology and economics into his work, as forms of critical analysis of consumer society. This volume brings together a broad selection of experimental films and videos that the artist started producing in the early 1960s, and also features prominent contributors including Massimiliano Gioni, Philippe-Alain Michaud, Alessandro Rabottini and Carla Subrizi.

Museo Museion, from Italian artist Francesco Vezzoli (born 1971), is designed like a fictitious old guide to a museum of peculiar, striking juxtapositions: the artist's sculptural works add new features to mutilated historic pieces, while contemporary pieces are juxtaposed with trompe l'oeil reproductions of the frames of classic paintings.

In 2015, Magali Reus (born 1981) opened the first of four exhibitions co-commissioned by SculptureCenter, New York; Hepworth Wakefield, England; Westfälischer Kunstverein, Münster, Germany; and Fondazione Sandretto Re Rebaudengo, Turin, Italy. The culmination of these projects is documented here.

The first comprehensive monograph detailing over 10 years of work by Brazilian, New York-based artist Valeska Soares (born 1957), this profusely illustrated volume documents the artist's installations, wall works and environments that explore the subjectivity of time.

This hybrid monograph and artist's book borrows its title from German artist Ulla von Brandenburg's (born 1974) new film. The volume's design reflects themes recurrent in the artist's work: color, ritual, movement, stairs and textiles.

The collaborative work of Ramin Haerizadeh (born 1975), Rokni Haerizadeh (born 1978) and Hesam Rahmanian (born 1980) calls for a radical redefinition of the artists' collective, encompassing the collective and individual efforts of the three artists. The first comprehensive monograph on the group, Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian, details the three artists' collaborative activities since 2009, from the chaotic creative centrifuge of their shared home in Dubai to their exuberant, more-is-more exhibitions that blur the lines between their individually produced works and further expand their sphere to incorporate friends, works by other artists and spontaneous interventions. Published on the occasion of the collaborators' first institutional exhibition in Europe, Slice a Slanted Arc into Dry Paper Sky at Kunsthalle Zürich, this volume is a curated introduction to the artists' world, thought and, most importantly, their particular brand of humor.

A few years ago, independently from one another, American artists Mike Bouchet (born 1970) and Paul McCarthy (born 1945) both had made a work that transformed the Guggenheim Museum in New York into a toilet. This coincidence sparked an ongoing conversation about shared interests in the politics of art institutions and their architecture, leading up to a site-specific project for Portikus that took up these concerns in a multilayered exhibition structure involving not only the main exhibition space, but the office, the monumental attic space, the exterior of the building, the island that the institution is housed on as well as external locations within the city. The project has now culminated in an extensive publication, documenting the process and the final outcome of Powered A-Hole Spanish Donkey Sport Dick Drink Donkey Dong Dongs Sunscreen Model.

Los Angeles-based artist Paul Sietsema (born 1968) compounds organic and artificial detritus in his artwork. Using photographs and other objects that reference specific bodies of knowledge as starting points for his carefully crafted drawings and sculptures, he then films these images and objects, arranging and comparing both the physical works and the ideas, information and knowledge associated with them. Through his multistep, multimedia approach, Sietsema explores what it means to make art today, amid the barrage of images and the telescoping of past, present and future that instant access to information seems to provide. His film projects are both a consideration of time and how we apprehend it and an effort to return significance to the activity of image-making in an age of digital immediacy. This slim, clothbound hardcover is the first publication on Sietsema's film works, and includes stills from seven films accompanied by three curatorial essays.

Like musical scores, the text-based works of Los Angeles-based artist Shannon Ebner (born 1971) literalize and make visible the intervals and suspensions inherent in language. Her alphabets explore language's "other"--hovering presences like silence, nonverbal communication, misspellings, handwriting--and emphasize what written language commonly represses or takes for granted in order to function. But the mechanical processes of language break down under Ebner's close scrutiny; text and language are revealed as eminently physical, concrete manifestations of supposedly immaterial ideas. In her new artist's book, Strike, Ebner slows down the pace of reading to its zero degree--one letter, one page. With each letter looming as a monumental, monolithic symbol, Strike fosters a reading experience akin to our first decodings of the written word, when we started, as children, to learn how to do things "by the book."

I Work from Home is a survey monograph on American painter Michelle Grabner (born 1962), presenting over 100 works from the past 20 years. The chosen works range from paintings of textile patterns appropriated from household fabrics to her more abstract, metalpoint pieces.

This book documents seven installation-performances by American sculptor and photographer Corin Hewitt (born 1971), from 2007. The extensive collection of images--including preparatory sketches, process shots, exhibition documentation and discrete photographic works--constitutes a rich, comprehensive study of Hewitt's oeuvre.

Artist, teacher and writer Doug Ashford (born 1958) is well known for his innovative work with the New York artist collective Group Material, which was founded in 1983 and operated until 1996. Group Material (whose other members included Julie Ault, Patrick Brennan, Beth Jaker, Mundy McLaughlin, Marybeth Nelson, Tim Rollins and Peter Szypula) pioneered forms of installation and curatorial approaches, and engaged issues around participation and historical representation. Since that time, Ashford has gone on to make paintings, write, and produce other cross-disciplinary projects. He has also been influential as a teacher, having taught design, sculpture, and theory at The Cooper Union, New York, since 1989. This publication--the first collection of his writings and conversations--represents one of the many spaces Ashford's work occupies, and attempts to encompass the evolution of the artist's thinking over the past 25 years.

Working in photography, film, sculpture, performance and installation, Los Angeles-based artist Elad Lassry (born 1977) has established himself as one of the most original artists of his generation, with works that are at once visually seductive and conceptually challenging. This book documents Lassry's solo exhibition at the Padiglione d'Arte Contemporanea in Milan, Italy. With an essay by Aram Moshayedi (Curator at the Hammer Museum in Los Angeles) and a conversation between the artist and Jörg Heiser (co-editor of Frieze magazine), it provides an in-depth critical examination of Lassry's work from the beginning of his career to the present.

This book analyzes the imaginary worlds of Kosovan artist Petrit Halilaj (born 1986), reproducing notes and drawings from 2006-10.

A timely experiment in dwelling and creative gardening Argentinian artist Adrián Villar Rojas (born 1980) creates large-scale, site-specific sculptural installations, drawing upon the ruins of ancient civilizations. This book documents his 2012 project the Brick Farm, which began as a collaborative studio and led to his well-known Hornero bird nest installations.

With installation views, project notes, sketches and models, this exhibition catalogue documents a solo show by Chinese artist Huang Yong Ping (born 1954) at Rome's MAXXI Museum. The artist is known for his multimedia work dealing with issues such as globalization, neocolonialism and religious conflict.

To make art in and for the public domain today is to engage with the precariousness that both defines and threatens our experience of it. OSLO PILOT (2015-17)¿a project investigating the role of art in and for the public space¿laying the groundwork for Oslo Biennial First Edition brings together 38 previously published texts spanning the past 80 years and 19 commissioned texts exploring art in public spaces and spheres. It also includes an edited transcript of the symposium, organized by OSLO PILOT in the fall of 2016, "The Giver, the Guest, and Ghost: The Presence of Art in Public Realms.¿ The publication embodies the idea of the city as a prerequisite and basis for work, and focuses on the conditions of public space as a field where many agencies, identities, and interests meet and are made visible.

This first monograph on the Brazilian mixed-media painter Paulo Nimer Pjota (born 1988) takes stock of his modern, rough palimpsests, which are testaments to the artist's collapsing of high with low, the personal with the marginal, often via the use of readymade objects that Nimer Pjota corrals in front of his wall pieces.

Philosopher and musicologist Peter Szendy's essays on Albanian video artist Anri SalAccompanying a 2019 exhibition on Albanian video artist Anri Sala (born 1974), this book gathers four essays by philosopher and musicologist Peter Szendy. Focusing on Sala's major works since 2013, Szendy analyzes the way that music influences Sala's connection to image, space, history and time.