Bøger udgivet af Mwanaka Media and Publishing

Thoughts Hunt The Loves is a selection of Jeton Kelmendi's 54 poems which come from his two collections, Thoughts Hunt The Loves and I Knocked My Mind Against The Window, which were translated into Southern Africa's biggest language, Shona. The original poems are in Albanian. It has poems that are as deep as the ocean's bottom, philosophical ruminations, old wise insights, patriotic dreams, a love stage as high as the heavens, ruminations about the war, living in exile and the constant ache, or drive to want to unite his country Albania to be one country...; his poems are panoply of feelings, thoughts, reservations, residues that are brought up for us to devour in, in this magnificent collection.

Hundreds of years have separated Wyndel Blackman and his mother from his father's homeland in Africa. Now they have come from America to scatter his father's Ashes. What will they learn on this journey? What will they teach the people of that distant community?

In Nationalism: (Mis)Understanding Donald Trump's Capitalism, Racism, Global Politics, International Trade and Media Wars, Africa VS North America Vol 2, we have 10 essays, 3 fiction pieces, 51 poems, 2 plays from leading and upcoming writers, essayists, academicians and poets from the two regions, Africa and North America and their Diasporas, in these among other countries, USA, Canada, Sweden, Zimbabwe, South Africa, Nigeria, Ghana, Botswana, Kenya, UK etc…, coming together to transact around issues to do with the nationalism espoused by Donald Trump. Cornell dissects issues to do with blackness and racism using Fanon's theories, Nyongesa deals with the Fetishism of Donald Trump's policies known colloquially as Trumpism, Opicho calls it 'inoracy', Donald Trump's statement, "Shit-hole", some essayists took to the personal narrative you would find in Mhondera and Kantey's essays, yet Pravda used the middle ground between playwriting, Filmmaking and the essay form, Ofodile investigates the problematic issue of Boko Horam terrorism in North Nigeria, Bearly looks at capitalism, so does Koffi with his French Language essay which is also translated into English, Ifeachor in his poem has praise for Donald Trump, Hall goes back to apartheid South Africa period and as a direct tangent Matshoba deals with Xenophobia in his letter written from the future. Smith looks at the white supremacist demonstrations, for or against Trump, Thompson and Swanson encourage us to unfocus on Donald Trump, and Thompson rightly blames us for allowing the likes of Donald Trump and the kind of Nationalism and Capitalism he stands for to grow. Thus this collection of writings is rich, robust and very interesting and will be invaluable to scholarship to do with Nationalism, Capitalism, Media freedoms, Global Politics, Racism and International trade.

The Ungendered is a collection of Poems on various and diverse genres ranging from Apocalyptic; with the poem "Eyes of Armageddon" to seductive; with the poem "Desire". Ungendered is said to be the gender of the Angels. The definition of ungendered is: to be incomparable, to make no comparison.; no one should ever compare themselves to any other.

Ghetto Symphony is an orchestra of short stories and poems which vividly portray the socio-economic situation affecting teens and young adult groups across Zimbabwe. It is a compilation of an underground poet's readings and writings which highlight the restrictions faced daily by the masses, and also project innovative ideas to overcome the dark cloud hovering over the future of Zimbabwe.

Best "New" African Poets 2018 Anthology follows volumes in 2017, 2016 and 2015. In this fourth volume of these continent-wide anthologies of African poetry we have work from 154 African poets from over 30 African countries and the African Diasporas. There are poems in English, French, Portuguese, Sepedi, Shona, Yoruba, and Asante Twi languages. In 2018 there was a notable increase in the number of entries with memorable novelties regarding poetic experimentation: some of the poets have daringly sliced up words playing around with the spatial and structural patterns of their texts on paper. This may be described as both textual and visual poetry. Reading the poems becomes a journey with many paths, where the reader walks according to poetic rhythms and the hesitating breaks of action verbs and enjambments.

Pushcart Prize nominated Abigail George is a South African blogger at Goodreads, essayist, poet, playwright, short story writer and novelist. She briefly studied film at the Newtown Film and Television School in Johannesburg. Her writing has appeared in many anthologies in South Africa and online in e-zines across Africa, Asia, Europe, and the United States. She is the recipient of writing grants from the National Arts Council in Johannesburg, the Centre for the Book in Cape Town and ECPACC (Eastern Cape Provincial Arts and Culture Council) in East London.

Mr Richards is a grumpy teacher who has gone too far. A group of 13 angels who call themselves The Tiny Human Protection Agency intervene to show Mr Richards the truth. He is taken through a whirlwind of emotions and visual memories as he learns more about the lives of his students. Will this journey lead him to the truth of his own childhood? Or will the angels fail him again? Tiny Human Protection Agency is a novel of interlinked children's stories which shade light on innovative and interesting ways to teach and impart knowledge to students.

The first thing you will meet in this collection is experimentation and innovativeness in the writing. Poets should be scientists by experimenting with forms, styles, with subject matter too, they should continuously try to find new ways of writing, to problematicise what we have always taken for granted. The second issue is how we understand and critically dissect that point where art criticism and actual art can meet in the poetic form. The third issue is how irreverently the poet treates issues to do with the meaning of words, what words are, how he creates new words, what numbers are, the state of voice, language, thoughts, dreams, perspectives, life, race, death, dreams, spirituality, love etc… The fourth issue is the storytelling tradition that is strong in this collection; the poet is saying poets are also storytellers, who tell a story in condensed form with depth of thought and feeling. The fifth important aspect is defiance. The poet refuses to settle on anything, to accept anything, he is a literary rebel with language, no subject is taboo. A Portrait of Defiance defiantly looks at the world before voice and the world after voice, and the worlds in between. What will human beings be without voice? Even nothingness has a voice!

"When I vision through the seas of oppression and the grinding poverty I write not out anger but righteous indignation." Jabulani Mzinyathi was born of isiNdebele and ChiShona speaking parents in the Midlands Province of the then Rhodesia (now Zimbabwe). He has published pieces in various journals and anthologies over the years and his maiden collection of poetry Under The Steel Yoke, was published in 2018.

When Escape Becomes the only Lover is a continuation and crystallization of issues dealt with in A Portrait of Defiance. The poet deals with a broad subject matter, love in all its forms, spirituality; this spirituality is individual it is the artist's spiritual world. He deals with dreams, voice, word, numbers, poet's vocation, wars, language, etc… He is the prophet of his dreams, his world, his future… There is strong experimentation and innovativeness in the writing, in the text, in form, in style, in content matter, the writer is a discoverer, every horizon is a life horizon. There is the dissecting of that space where art criticism meets art mimesis, and this space is offered as the future of art criticism. The storyteller refuses to die thus the collection proffers escape as the ultimate lover who can help us deal with the insanities of our time.

Writing Grandmothers, Africa Vs Latin America Vol 2 is a continuation of the cross-continental anthologies series, particularly focussing on African and Latin American writers. It continues on from where Experimental Writing, Africa Vs Latin America, Vol 1. The anthology has 6 nonfiction pieces, 10 fiction pieces, and 67 poems and translations of poems in the two dominant languages of the two continents, English and Spanish. There is work from poets and writers from Honduras, Mexico, USA, UK, Cuba, Costa Rica, El Salvador, Peru, Argentina, Brazil, Chile Puerto Rico, Spain, Nigeria, South Africa, Malawi, Zimbabwe, Kenya, Equatorial Guinea, and Ghana all collaborating on the theme of using the folktale or oral African story telling traditions and finding solutions to problems bedeviling the two continents, which were felt as a result of colonialism and or post colonialism.

Drawing Without Licence is a collection of Zimbabwean artist, Tendai Rinos Mwanaka's first 51 drawings and interpretations of his them. Most of the drawings have been published in literary and art journals over the years worldwide and this book will serve as an open ended public exhibition platform for these drawings. The collection contains pieces which deal with the supernatural world, spirituality, philosophy, memory, relationships, love…, and acts as the search for sanctuary and forgiveness for our past failures and fears; and to help us understand our reality and humanity.

Smeetha Bhoumik is an artist celebrating her deep engagement with poetry. Her main theme of work is the Universe Series, exploring the mystery, oneness and unifying energies of the universe in oils and new media, shown in national and international exhibitions.

Vote rigging, voter apathy, intimidations, biased reporting, hubristic political leaders, political gerrymandering, a confused world, and a tired and timid electorate: add to this the decay or death of every governance system or structure in Zimbabwe alongside an economy that is all but dead. These are the issues addressed in this poetry collection Mad Bob Republic. Is there an end to Zimbabwe's problems? The poet contributes to ongoing discourses on the country.

Africanization and Americanization Anthology, Volume 1: Searching for Inter-racial, Interstitial, Inter-sectional, and Interstates meeting spaces, Africa Vs North America, comprises of 107 pieces from 43 poets, 4 essayists, 6 storytellers, and 1 playwright from North America and Africa regions: professors, leading theorists and researchers. The contributors are: Barbara Foley, Barbara Howard, Biko Agozino, poets; A.D Winans, Tim Hall, C Liegh McInnis, Nat Turner, Allan Kolski Horwitz, Changming Yuan, Tiel Aisha Ansari, Diane Raptosh, Wanjohi wa Makokha, storytellers; Paris Smith, Sheree Renée Thomas, and journalists; Kenneth Weene and several other essayists, street poets, academicians, musicians, visual artists... This collection is vibrant, discursive, penetrating, and is invaluable to literary and language experts, poetry collections, social and human scientists, political theorists, race theorists, development practioners, students, general readers and many others.

"In poet and artist Elena Botts' new poetry collection: epochs of morning light, we see a shimmering, variegated new voice; we hear: "where the trees still talk to each other, and winter feels like a song..." (from When I have died we will be here). We feel the weather of her emotions; a contract with the ethereal and the visceral, as when we stand within the short but large poem: blossoms back to under the earth: "I felt your ghost move through me out past the Baltic as though you had been in my heart the whole time." In this sensual canvas, beauty never suffers from loneliness, nor the sublime. Each poem herein as Botts wanders memory and weaves tapestries of word worlds, reveals a true and original voice in modern poetry: allowing light to conquer darkness; darkness to defy the estate of the sun, and colors mixed in ways only an artist of the pen could fathom…" - Robert Milby, Hudson Valley New York poet, Poet Laureate, Orange County, NY 2017-2019

Clashes between vendors and authorities have become a common feature of Zimbabwe society. Though vending brings some undesirable effects such as chaotic and disorderly business practices it is noted that vending has a particular role to play in times of high unemployment. The relationship between vendors and the local authorities is reminiscent of a "cat and mouse affair"; high costs are incurred in carrying out the fights, property at times is destroyed, there are injuries and in some rare cases fatalities and arrests are made. This book offers practical solutions and way in which vending can be organised, systematic and much to the economic benefit of society. With cases examined from all over the word, entrepreneurs, the policy maker, the civic society and students will find this book useful. Its contribution adds much value towards formulating sustainable methods in transforming Zimbabwe's economy and society .

Keys in the River: New and Collected Stories, is a cycle of stories about life, love and spirituality, told as if the reader were sitting and listening to neighbors and friends talking about life. Some stories are tender, even comic; in others, tragedy and outrage lurk. The stories share a common thread, a noble stance in the struggle to find love, freedom, completeness, humanness and satisfaction.