Bøger udgivet af Other Press

In this collection of new and previously published essays, political theorist Isaac D. Balbus deepens and extends the feminist neo-Kleinian account of sexual, political, and technological domination he developed in his earlier works. The first half of Mourning and Modernity responds to Marxist, nonpsychoanalytic, feminist, and post-structuralist criticisms of that psychoanalytic account. The second half applies Kleinian theory to a number of salient topics, including: the issue of reparations for slavery and racism, the fantasies of omnipotence fostered by computer-mediated communication, and the way in which deep ecology and 12-step recovery programs contest omnipotence in the realms of production and consumption.Balbus conceptualizes modernity as a manic cultural defense against mourning the very losses it mandates and as a source of reparative movements of mourning that challenge its contemporary configuration. This argument allows Balbus to transcend the tired debate between those scholars for whom modernity is an unambiguous emancipation and those for whom modernity is entirely bereft of emancipatory possibilities. Mourning and Modernity thus renews the tradition of critical cultural psychoanalysis that includes the works of Erich Fromm, Herbert Marcuse, Norman O. Brown, Christopher Lasch, and Dorothy Dinnerstein, and will be particularly provocative to readers who are familiar with that tradition as well as anyone who is interested in the intersection of psychoanalysis and social or political theory.

From the renowned Booker Prize–winning author, a powerful collection of poems covering topics of the day, such as the refugee crisis, Black Lives Matter protests, and COVID-19. In our times of crisis The mind has its powers This book brings together many of Ben Okri’s most acclaimed and politically charged poems.    “Grenfell Tower, June 2017” was published in the Financial Times less than ten days after the fire, and Okri’s reading of it was played more than six million times on Facebook.    “Notre-Dame Is Telling Us Something” was first read on BBC Radio 4, in the aftermath of the cathedral’s near destruction. It speaks eloquently of the despair that was felt around the world.    In “shaved head poem,” Okri writes of the confusion and anxiety felt as the world grappled with a health crisis unprecedented in our times.    “Breathing the Light” is his response to the events of summer 2020, when a Black man died beneath the knee of a white policeman, a tragedy sparking a movement for change.    These poems and others, including poems for Ken Saro-Wiwa, Barack Obama, Amnesty International, and more, make this a uniquely powerful collection that blends anger and tenderness with Okri’s inimitable vision.

Now a Major Motion Picture starring Julia Roberts, Nicole Kidman, and Chiwetel EijioforBenjamín Chaparro is a man haunted by his past-a retired detective, he remains obsessed with the decades-old case of the rape and murder of a young woman in her own bedroom. As he revisits the details of the investigation, he is reacquainted with his similarly long, unrequited love for Irene Hornos, then just an intern, now a respected judge. Absorbing and masterfully crafted, The Secret in Their Eyes is a meditation on the effects of the passage of time and unfulfilled desire.Eduardo Sacheri's tale is imbued with the subdued terror that characterized the Dirty War of 1970s Argentina, and was made into the Academy Award winning film of the same name in 2009. Julia Roberts, Nicole Kidman, and Chiwetel Eijiofor now star in the English language depiction of this gripping story, to be released in the Fall of 2015.

The Booker Prize–winning author, a child of the Nigerian Civil War, reinvents through the story of the Atlantic slave trade the beautiful soul and resilient culture of his country.A boy and a girl meet by chance on a riverbank in Africa. One is the son of a king, struggling to find his place in the world, the other the daughter of a craftsman from the secretive tribe of master artists. The prince, entranced, stays hidden in the bushes. The girl, knowing nothing of him but his voice, agrees to meet again. When she fails to appear the next day, he begins to search for her, tracing her at last to her village where, disguised as an apprentice, he finds a place in her father’s workshop.         But this is no fairy tale, no conventional love story. Their world—though they don’t know it yet—is ending. A strange wind has begun to blow, and in its wake, things are disappearing: songs, stories, artworks, and finally, people. Beautiful ships with white sails are glimpsed on the horizon…        When the novel was first published in the UK in 2007 under the title Starbook, the central role of the Middle Passage was overlooked. Okri has since rewritten the book, giving it a new dimension, more light, more acumen. In 2022 the deep political impact of this extraordinary tale won’t be missed.

This absorbing, heartfelt work uncovers the story of the real dancer behind Degas's now-iconic sculpture, shedding light on the struggles of late nineteenth-century Parisian life. She is famous throughout the world, but how many know her name? You can admire her figure in Washington, Paris, London, New York, Dresden, or Copenhagen, but where is her grave? We know only her age, fourteen, and the work that she didbecause it was already grueling work, at an age when children today are sent to school. In the 1880s, she danced as a ';little rat' at the Paris Opera, and what is often a dream for young girls now wasn't a dream for her. She was fired after several years of intense labor; the director had had enough of her repeated absences. She had been working another job, even two, because the few pennies the Opera paid weren't enough to keep her and her family fed. She was a model, posing for painters or sculptorsamong them Edgar Degas. Drawing on a wealth of historical material as well as her own love of ballet and personal experiences of loss, Camille Laurens presents a compelling, compassionate portrait of Marie van Goethem and the world she inhabited that shows the importance of those who have traditionally been overlooked in the study of art.

A classic of Holocaust literature, the eloquent, acclaimed memoir of childhood by a Pulitzer-winning historian, now reissued with a new introduction by Claire Messud Four months before Hitler came to power, Saul Friedlnder was born in Prague to a middle-class Jewish family. In 1939, seven-year-old Saul and his family were forced to flee to France, where they lived through the German Occupation, until his parents' ill-fated attempt to flee to Switzerland. They were able to hide their son in a Roman Catholic seminary before being sent to Auschwitz where they were killed. After an imposed religious conversion, young Saul began training for priesthood. The birth of Israel prompted his discovery of his Jewish past and his true identity. Friedlnder brings his story movingly to life, shifting between his Israeli present and his European past with grace and restraint. His keen eye spares nothing, not even himself, as he explores the ways in which the loss of his parents, his conversion to Catholicism, and his deep-seated Jewish roots combined to shape him into the man he is today. Friedlnder's retrospective view of his journey of grief and self-discovery provides readers with a rare experience: a memoir of feeling with intellectual backbone, in equal measure tender and insightful.