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1864. In a Santa Fe gulley, scalped Scots thirteen-year-old Robert McGee lies bleeding to death. The Last Wolf of Scotland is his dream, etched onto the plate of pioneer America, his scalp lock speaking back to him, a hallucination projected in a near-death cinema.This shocking real-life incident is our point of departure into the ritualistic imagination of MacGilivray. In this, her first collection, she dissects the Scottish imaginary and builds it up anew, creating a poetic panorama which stretches from the Highlands to the Wild West.
Ideas are dangerous . . .James Appleby’s career as a social historian is drifting into mediocrity until the phone call that changes his life forever.Appleby uncovers a dangerous secret hidden deep in a chest of 400-year-old documents. To his horror, its discovery ignites a global firestorm that threatens to engulf all that he loves.Expertise in Elizabethan country life wasn’t supposed to be controversial. But when Appleby and his Dutch colleague Van Stumpe find evidence about the suppression of a heretical cult, they arouse the ire not just of Machiavellian academics, but a worldwide swathe of religious fundamentalists.As the discoveries inspire thousands of followers, their enemies begin a murderous hunt from Amsterdam, to Washington, New York, and all over England.And Appleby discovers just how dangerous ideas can be . . .
"Through a series of love letters and individual poems that are both conversational and extraordinary, Cleary beautifully explores the ghosts of his past and what it means to experience a loss, promising to leave readers dewy-eyed with a deep yearning for more"--
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