Bøger udgivet af Seagull Books London Ltd

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Discusses Buddhism, love, Henry James, and the tango. In this title, the eighty-four-year-old blind man's wit is unending and results in lively and insightful discussions that configure a loose autobiography of a subtle, teasing mind.

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Georg Trakl is an Austrian-German expressionist. This translation marks the hundredth anniversary of Trakl's death during the first months of World War I. It introduces readers to the powerful verses of this wartime poet.

Bringing his troubling, questing characters - souls who are fascinated by what preceded and conceived them, the author writes with a rich mix of anecdote and reflection, aphorism and quotation, offering enigmatic glimpses of the present, and confident, pointed borrowings from the past.

Offers a collection of poetry, which takes you to unexpected spaces-in exile, in the muezzin's call, and where morning dew is "sucked up by the eye of the sun-black often, pink from time to time." These poems strongly condemn the civil wars that have plagued East Africa and advocate tolerance and peace.

Johnny is from New Jersey, and Kari is from Oslo. They meet in New York in the late 1950s and soon fall in love, get married, and move to Asbury Park, where their life unfolds like a dream: Kari gives birth to two beautiful daughters, and Johnny is a wildly successful entrepreneur.

When Anna discovers a long letter that her mother, Marie, wrote, Marie has been dead for some time, and Anna is shocked to learn that her mother disappeared with a secret. The letter is addressed to Marie's first great love, a much older teacher who she describes as a great dinosaur.

The day after his ninety-fourth birthday, a man is sitting in a beautiful garden. It is a paradise where he often played during his childhood, and it is here that he is recording the story of his adventures with Mr Adamson.

Perros, is best remembered for the autobiographical poems, vignettes, short prose narratives, occasional diary-like notations, critical remarks, and personal essays. This title presents a selection of short texts alongside numerous maxims, a genre in which Perros excelled.

In Rechnitz, a chorus of messengers reports on the circumstances of the massacre of 180 Jews, an actual historical event that took place near the Austrian/Hungarian border town of Rechnitz. The author brings us a comedy of economics, where the babble and media spin of spectators leave small investors alienated.

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With subversive energy and masterful brevity, Mr Zed undermines arrogance, megalomania, and false authority. A determined speaker who doesn't care for ambitions, he forces topics that others would rather keep to themselves. This work collects the considerations and provocations of this squat park-bench philosopher.

Tells the moving tale of an Italian family living in Scotland during the rise of Mussolini and his rule in Italy. This story is told from the point of view of Lucia, the family's daughter, who, at 83, reflects on her childhood.

Taking you on a bizarre romp through the Chinese countryside, the author treats you to a cornucopia of cooked animal flesh - ostrich, camel, donkey, and dog, as well as the more common varieties. As the dual narratives merge into one another, each informing and illuminating the other, he probes the character and lifestyle of modern China.

Molissa Fenley, one of the most influential artists of postmodern dance, has had a lasting impact on performance. This is a vivid and probing portrait of Fenley's four-decade career, written by her fellow artists. It offers several scholarly analyses of the choreographer's work, and is, above all, a vibrant record from the field.

Rene Char (1907-88) is considered the most important French poet of his generation. A tribute to the individual men and women who fought at his side, this book is also a celebration of the power of art to combat terror and to transform our lives.

A novel, in which the narrator unexpectedly finds himself back in the world of his childhood: Switzerland in the 1940s. He returns to his childhood home to find his parents frantic because their son is missing. Then, in another switch, the young boy that he was back then turns up in the present of the early 1990s, during the Gulf War.

Throughout her distinguished career, the author has sought to locate and confront shifting forms of social and cultural oppression. In this book, she elaborates a utopian vision for the kind of deep and investigative reading that can develop a will for peaceful social justice in coming generations.

A collection of short stories that is about our globalizing and atomizing world - with stories set in India, Sweden, Australia, and Iran - that also looks at how we meet and fail to meet and what connects us to one another, as well as waste and communication, and, in turn, communication through waste.

The devil is a defiant, nefarious figure, the emblem of evil, and harbinger of the damned. However, the festive devil, turns the most hideous acts into playful transgressions. This volume presents a transnational and performance-centered approach to this character of fiestas, street festivals, and carnivals in North, Central, and South America.

Roland Barthes, whose centenary falls in 2015, was a restless, protean thinker. A constant innovator, often as a daring smuggler of ideas from one discipline to another, he first gained an audience with his pithy, semiological essays on mass culture, then unsettled the literary critical establishment with heretical writings on the French classics, before going on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century (Empire of Signs, S/Z, The Pleasure of the Text, Camera Lucida, Roland Barthes by Roland Barthes). In 1976, the one-time structuralist 'outsider' was elected to a chair at France's pre-eminent academic institution, the College de France, choosing to style himself its Professor of Literary Semiology, though this last somewhat hedonistic and more 'subjectivist' phase of his intellectual adventure was cut short by his untimely death in 1980. The greater part of Barthes's published writings have been available to a French audience since the publication in 2002 of the expanded version of his Oeuvres completes [Complete Works], edited by Eric Marty. The present collection of essays, interviews, prefaces, book reviews and other occasional journalistic pieces, all drawn from that comprehensive source, attempts to give English-speaking readers access to the most significant previously untranslated material from the various stages of Barthes's career. It is divided (not entirely scientifically) into five themed volumes entitled: Theory, Politics, Literary Criticism, Signs and Images (Art, Cinema, Photography), and Interviews. Barthes's earliest interest is in literature--in theatre and the classic realist novel, but also in the more experimental writers of the 1940s and 50s (literature of the absurd, nouveau roman etc.). The articles translated in this volume run from his mid-1950s writings on popular poetry, the giants of the nineteenth century novel (Hugo, Maupassant, Zola), and the narrative innovations of Robbe-Grillet and his associates through to writings from his later years on Sade, Rousseau and Voltaire, and the longer study 'Masculine, Feminine, Neuter' which is, in the words of his French editor, the 'first outline' of his remarkable critical work S/Z.

New York... I HATE IT... I LOVE IT... I DON'T KNOW...". These are the reflections of Max Frisch, writing from his apartment in the Big Apple near the end of the twentieth century. He kept a series of sketchbooks to record his reactions to events of the time and people he encountered in his daily life. This title presents these sketches.

The first volume of notes and reflections from one of Switzerland's most prominent and prolific men of letters. Seedtime--Jaccottet's notebooks--is an especially good introduction to this leading francophone Swiss author, containing the poet's observations of the natural world and his reflections on literature, art, music, and the human condition. In these explorations, he returns again and again to the fundamental, focusing his prodigious talents on describing the exact shade of light on a meadow, the sound of running water, the color of cherry and almond blossoms, or the cry of a bird in the stillness before dawn. In this translation by Tess Lewis, English readers will finally be able to join this poet as we follow in his footsteps of fifty years ago and find the still-viable seeds of his delicate and tenacious verse.