Bøger udgivet af Syracuse University Press

Big Moose Lake in the Adirondacks transports the reader back in time to the days when steamboats, buckboards, and gas lighting were common. Jane and Mark Barlow deliver tales of one-room schools, of ice harvesting, of women who managed households accessible only by boat, of families struck by deaths from tuberculosis or from drowning, of uncontrollable fires and stories of exuberant amusements such as primitive motorboat regattas. People arrived on the first railroad to stretch through the uninhabited Adirondack wilderness and helped establish a thriving community. Early trappers and hunters of the Adirondacks became guides there, eventually establishing permanent camps and hotels. Prosperous businessmen brought their families and built private summer homes. This is the story of Big Moose Lake brought to life by 259 antique postcards and family photographs and previously unpublished memoirs, oral histories, diary entries, and personal correspondence of the men and women who settled the area.

This volume makes available critical documents from a period of time when the Dutch played a major role in building the New World. The documents cover a number of topics, including religious issues, the General Assembly and its legal system, the council and courts, and Indian and French relations.

Of great importance to scholars, collectors, dealers, and others interested in the history of ceramics, the decorative arts, and industrial culture, Syracuse China examines the birth, growth, and remarkable resilience over more than a century of one of America's major manufacturers of ceramic tableware. Drawing on the company's archives and historical collection of ware, the authors explore not only the history of its products but also the people who designed, made, decorated, sold, and used them.Syracuse China was the pioneer manufacturer of a distinctively American type of vitrified fine china, as well as the first American "rolled edge" shapes which revolutionized hotel and restaurant dining. The company was also a great leader in labor relations and marketing within its industry.Cleota Reed and Stan Skoczen's lively account of this fascinating chapter in the history of American material culture spans the Victorian age to the present. Collectors and enthusiasts will find the following features invaluable: -- 30 color plates-- 128 black-and-white photographs-- A comprehensive visual listing of Syracuse China's back stamps-- An appendix that enables the reader to identify Syracuse China shapes and patterns.

The only comprehensive volume of Homer's magazine illustrations, with extensive scholarly treatment. Winslow Homer (1836-1910), arguably the best-known American artist of the nineteenth century, created three distinctly different bodies of work in the course of his long career: paintings, book illustrations, and illustrations for the pictorial press, the magazine-like illustrated journals of his day. A number of books and exhibition catalogues have dealt with his career as a painter, and historian David Tatham treated all of Homer's work as an illustrator of literature in his Winslow Homer and the Illustrated Book. Now, ten years later, Tatham has completed a full, scholarly account of Homer's work for pictorial magazines such as Harper's Weekly, Appleton's Monthly, and Every Saturday. Homer's work for pictorial magazines is substantial, to say the least. It amounts to some 250 wood-engraved images published between 1857 and 1875. These wood engravings are collected assiduously and are exhibited frequently in museums. They differ from Homer's book illustrations in that they are independent from the texts; Homer chose and treated the great majority of his magazine subjects much as he did his paintings. They are, in essence, original works of graphic art. The illustrations reproduced here cover a remarkable range. They constitute the first substantial body of American art about the life of the city streets, the Thanksgiving and Christmas holidays, abolition, and the New Woman. They include compelling treatments of the Civil War, rural childhood, and wilderness. They also comprise an essential contribution to the study of one of the masters of American art.

The records in this volume represent the oldest surviving archival papers of the Dutch community that eventually became Albany.

In the mid 1800s, deep in the Long Island pine barrens, Modern Times was established as an experimental community whose members would not be bound by any government, church, constitution, or bylaws. Never more than 150 strong, set on a plat of only 90 acres, here was a haven for nonconformists. Its currency was words; its religion was discussion; its standard of conduct was unfettered individual freedom. Low Living and High Thinking at Modern Times, New York rescues this model village from obscurity and demonstrates its importance in the history of American communitarianism and social reform, especially in its pursuit of economic justice, women's rights, and free love. The first full-length study of Modern Times, Wunderlich's account offers telling portraits of this small but significant group of reformers, pioneers, freethinkers, and sexual radicals. For 13 years they tested the precepts of the founders of the community, the philosophical anarchists Josiah Warren and Stephen Pearl Andrews, who advocated the sovereignty of the individual and private, but profitless enterprise. Each person lived as he or she pleased, provided this did not impair the right of another to do the same; and each traded goods and services at cost, rather than market value, enabling cash-poor pioneers to own homesteads. The community championed every kind of reform, from abolitionism, women's rights, and vegetarianism to hydropathy, pacifism, total abstinence, and the bloomer costume. Indifference to marital status and the advocacy of a free-love vanguard contributed to the community's controversial and somewhat illicit reputation. In 1864, seeking to remove themselves from the limelight, Modern Times'sremaining settlers renamed the village Brentwood. Wunderlich pieces together the village, person-by-person, by relying on primary sources such as land deeds, census entries, and eyewitness accounts. He also sheds new light on Warren and Andrews, two key figures in the communitarian movement, and discusses at length such important contemporaries as Thomas and Mary Gove Nichols, Robert Owen, John Humphrey Noyes, Horace Greeley, John Stuart Mill, Henry David Thoreau, Ralph Waldo Emerson, and George Ripley.

Taking sharp aim at complacent geography scholars, this irreverent hook turns the world of academic geography upside down. The author, a foremost figure in the field, joins forces with his alter ego, the incorrigible Korski, to draw fire from his own personal and professional experience. No one knows better than they the stuffy censorship and skewed logic that inform the geography establishment and stifle the valiant geographer -- and they tell all.With an unsparing eye, Geography Inside Out exposes a discipline soiled by cerebral litter and shamed by intellectual cowardice. Symanski shows no mercy for the pompous, the mediocre, or the hypocritical. And he reveals the devastating truth about a geographer blackballed for life for writing about prostitution and for his intellectual attack of a major figure within the discipline.

A colorful portrait of a vanished time and a way of life as a child in the 1930s on Upper Saranac Lake.

A collection of essays written by well-known contemporary Irish women poets about their lives in relation to their own poetics.

Like André Schwarz-Bart's previous book, Last of the Just, which traced the Jewish experience of martyrdom, this book recreates through fact and myth people's enslavement, humiliation and survival.

Dan Miron's erudite and rich essay chronicles and analyzes the rise and fall of the prophetic poem in modern hebrew literature. While focusing on H. N. Bialik's contribution to the rise and decline of the prophetic poem, Miron analyzes the historical, literary, and artistic factors influencing the fate of the prophetic poem from its ascendancy during the period of Hebrew Romanticism of the late 1890s and early 1900s to its decline in the post-World War I era and its eventual demise with the rise of the new poetics and the establishment of the State of Israel.In addition to Bialik, Miron discusses the works of Avraham Mapu, M.L. Lilienblum, Issac Irter, Shaul Tchernikhovsky, A. Shlonsky, U. Z. Greenberg, Yonatan Ratosh, Haim Gouri, and Amir Gilboa, among others.

New critical readings of Black Elk, which show his profound influence on mainstream American thought and culture.

As a college student Martin Buber was a leader in the early Zionist movement. During the period between 1898 and 1902 he published a series of Zionist writings that were clearly meant to be confrontational and challenge those who embraced traditional Judaism.

Toba Pato Tucker, who has photographed the Navajo in the Southwest, the Shinnecock and Montauk Indians on eastern Long Island, and the Pueblo people of New Mexico and Arizona, now creates a record of the Onondaga Nation, the Native people who have inhabited the hills of central New York for fifteen thousand years. Using a simple black backdrop and available daylight, her portraits show the timeless contemplative images that reify the spirit that has maintained the Onondaga for centuries.

Sholem Aleichem romanticized shtetl life. Isaac Bashevis Singer eroticized it. In the novel Bociany and its sequel, Of Lodz and Love, Chava Rosenfarb brings a vanished world to vibrant, compelling life. Rosenfarb follows the destinies of characters from the Polish town of Bociany as they grow up, grow old, and leave the shtetl for the city.

A moving memoir, Dreaming of Columbus illuminates place as a force that shapes lives. Through recollection and reportage, Michael Pearson recreates the Bronx of the 1950s and 60s, the place of his youth, that "precisely known world, safe and claustrophobic, " an Irish Catholic culture filled with light and shadows.Pearson renders time and place vividly through his lyrical narrative voice and generous spirit toward his characters. In a work that is both comic and sad, he juxtaposes descriptions of adolescent escapades with the grim discipline of parochial schools. It is in this Bronx that dreams of escape fuse with bittersweet memories.The driving force behind Pearson's story is its people -- an enigmatic father, a steadfast mother, an eccentric and influential writing teacher, the boys and girls who shared his neighborhood, the high school girl who shared his vision and his life -- and the books that made escape and return seem possible.Few writers go home again as successfully as Michael Pearson. When he literally and imaginatively revisits the all-but-unrecognizable Bronx of his youth, longing for its intense life, he concedes it was "close to paradise." We understand perfectly.

A collection of nine essays that delve into the relationship between Jewish Americans and the culture of sports. The book analyzes assimilation and acculturation, discrimination, gender, social class, and the building of a Jewish American community.

In simple, darkly faceted stories, Philander Deming writes as a person whose childhood knowledge of the Adirondacks has been honed to a fine sense for its potential human tragedy.In this, the first collection of his best work, a haunting vision of the Adirondacks comes through that is hard to forget. Deming's themes revolve around deception and self-deception, loneliness, and good intentions gone awry. Most of his stories occur just before or after the Civil War. In almost every story, however, Deming shows his characters looking back towards the mountains, from the Mohawk or St. Lawrence Valley or from lonely settlements on the edge of the forest, or across Lake Champlain.Few Adirondack writers have been so convincing in conveying the keen isolation of life in the northern forest and its peculiar effects on the human mind. The wilderness community is cruel, fostered by ignorance and isolation. In the end, the mountains, seemingly a neutral back drop against which individuals confront a collective morality, are the real source of his inspiration.

A collection of magazine articles and literary essays by Hochschild, previously published in 1997.

The essays in this groundbreaking work constitute a serious look at this controversial-and phenomenally popular -- television show. The authors tackle such questions as: Why is The X-Files so popular Now? How does the show portray women's roles? Is The X-Files a modern myth?