Bøger udgivet af Syracuse University Press

The origins of technocracy are shrouded in controversy, but most of its leaders were inspired by their association with the social critic Thorstein Veblen between 1919 and 1921. Harold Loeb, an expatriate in Paris in the 1920s, was one of the more accomplished and interesting of the technocrats. In Life in a Technocracy, now a twentieth-century utopian classic, he expounds on the merits of creating a utopian society through technocracy, predicting the future of art, education, religion, and government under the leadership of technical professionals.

'The New Salmagundi Reader' comprises forty-three pieces in subject categories such as the Sense of the Past; Homelands; Writers; The Art Scene; Politics; and Varieties.

We devotees of SF enjoy its diversity of opinion, the bustle of bright and dark, the clash of progress and entropy, the clamour of theories about the past, the future, the ever-present present, everything. In this fascinating collection of essays, one of the world's pre-eminent SF writers explores a wide range of SF and fantasy writers and writing.

Despite the perennial interest in the American Civil War, historians have not examined sufficiently how Native American communities were affected by this watershed event in U.S. history. This ground-breaking book by one of>Both fascinating and fast-moving, The Iroquois in the Civil War exposes many myths about Native American soldiers. To correct old stereotypes about American Indians, Hauptman discusses the Iroquois' distinguished war service as commissioned and noncommissioned officers as well as ordinary cavalrymen and common foot soldiers. Drawing upon archival records and personal wartime letters and diaries never before used by ethnohistorians, Hauptman portrays the dilemma the Iroquois experienced during this era. He assesses the Iroquois' military volunteerism, their loyalty to the Union, and their concurrent effort to maintain their lands, sovereignty, and cultural identity just at a time when new pressures for tribal dissolution were increasing. He not only provides us with a remarkable glimpse into the hearts and minds of Iroquois Indians on the battlefield but also adds significantly to our understanding about the conflict affecting the women and children remaining on the reservations.

These short stories invite the reader to see Ireland afresh. Included are works by well-known authors such as Mary Lavin, Edna O'Brien, and Julia O'Faolain; the collection also showcases new writers such as Clare Boylan, Rita Kelly, and Una Woods. Repeatedly, the stories bring us up against the inherent contradiction of provincial Ireland and Ireland as a modern European state, and the complexities of women's lives in both. Helen Lucy>Ita Daly movingly portrays the problems of an educated, sensitive schoolteacher, resigned to her life in a country town. Anne Devlin handles yet another familiar theme: the Irelander in England, an England edgy about IRA bombings. A few stories deal with the "troubles" in Northern Ireland, while others address the troubles of the country as a whole: too many children, too much hypocrisy, too little communication, especially between women and men. The editors have provided an introduction that examines the role of women writers in Irish literature. T-hey have also supplied detailed biographical notes for each contributing author.

Roger Mitchell writes with a poet's eye for exact detail in his absorbing new book about his search for Israel Johnson--a ghostly presence who comes to haunt the reader as much as he did the author. This book might easily be thought of as a detective story in which the detective discovers himself at the center of a seeming crime. It's a lovely book, richly layered and beautifully written.

Here is one of the classics of modern Gaelic literature-the autobiography of Peig Sayers, a remarkable woman who lived forty years at the edge of survival on barren Great Blasket Island, and who came to be recognized as one of the last of Ireland's traditional storytellers.Here is a story as unforgettable as it is simple. It reveals with fidelity, humor, and poignancy a woman's life in a bleak world where survival itself was a triumph and death as familiar as life. Peig said of her son Tomás, who was killed in a fall from a clifftop: "Instead of his body being out in the broad ocean, there he was on the smooth detached stone. . . . laid out as expertly and as calmly as if twelve women had tended him." Her own farewell to life had the same clear-eyed simplicity: "People will yet walk into the graveyard where I'll be lying; I'll be stretched out quietly and the old world will have vanished."Peig died in 1958, when she was 85. She is buried a short distance from the townland where she was born, above the sea on the Dingle Peninsula, within sight of the Great Blasket Island.Through this American edition, Peig will reach a new international audience. As Eoin McKiernan, President of the Irish American Cultural Institute, notes in his introduction, Peig has the "quality of honesty and sincerity, of life lived at the bone." Long loved in Ireland, this autobiography will now be seen for what it truly is-one of the great heart-cries of the Irish people.

'In this beautifully illustrated book on the Dutch culinary tradition, Peter Rose has captured one important dimension of the proud legacy of Dutch contributions to American culture.' --Nancy Harmon Jenkins, Food Writer 'New York Times' and Editor, 'Journal of Gastronomy'

Edmund Wilson felt this collection of twenty-four stories, originally published in 1934, contains some of Walter Edmonds' best work. The AtlanticMonthly wrote thar "Upstate New York has provided Edmonds with an inexhaustible store of characters one would like co know." A number of the stories were award-winnrng and appeared in such collections as Best Stories of 1929 and The O. Henry Memorial Award Prize Stories."Black Wolf," The End of the Towpath," Death of Red Peril"-these and ochers faithfully depict an era and region for which Edmonds became chiefliterary spokesman. Episodic and anecdotal, chey catch in various ways something of the nuances of real life as it was in the days when the Erie Canaloffered a passage west for many travelers and settlers and a livelihood for many more.

Do institutions think? If so, how do they do it? Do they have minds of their own? If so, what thoughts occupy these suprapersonal minds? Mary Douglas delves into these questions as she lays the groundwork for a theory of institutions. Usually the human reasoning process is explained with a focus on the individual mind; her focus is on culture. Using the works of Emile Durkheim and Ludwik Fleck as a foundation, How Institutions Think intends to clarify the extent to which thinking itself is dependent upon institutions. Different kinds of institutions allow individuals to think different kinds of thoughts and to respond to different emotions. It is just as difficult to explain how individuals>Douglas forewarns us that institutions do not think independently, nor do they have purposes, nor can they build themselves. As we construct our institutions, we are squeezing each other's ideas into a common shape in order to prove their legitimacy by sheer numbers. She admonishes us not to take comfort in the thought that primitives may think through institutions, but moderns decide on important issues individually. Our legitimated institutions make major decisions, and these decisions always involve ethical principles.

Richard Garrity grew up on his father's boats on the Erie Canal in the early years of this century. From 1905 until 1916, when his father operated boats first in the lumber trade and later for gravel hauling, he was surrounded by the busy life of a now-bygone era in canal boating in Upstate New York. When the Barge Canal System opened in 1918, Garrity began a career that lasted until his retirement as a tug engineer in 1970.This story is chock full of Americana that is not only significant and authentic but engagingly written. Garrity's life and work have been intimately bound up with the famed Big Ditch, which has been referred to in more romantic literature as the "shining ribbon of water." It was a hard but happy life on the waterways of Upstate New York as seen in the text and dozens of illustrations included in this book.

Those who built and used the Erie Canal were a bizarre society, proud pioneers on the waterway known in song and story as "the Horse Ocean," "the Roaring Giddap," or "the Raging Erie." Their considerable influence on American life and literature is the basis of this book.Canallers were colorful characters, from the "hoggee" on the towpath to the "shipshape macaroni" with stovepipe hat and badge of service taking command of a packet with the pride of an admiral, even though he was restricted by law to a speed of four miles per hour!Games and diversions were rough-and-tumble, fighting being as natural as breathing to the canallers. Stories about heroes like Sam Patch and Paddy Ryan, or the big fish that could haul a canal boat, or the big pumpkin that drained the canal-these were logical products of this "frontier" atmosphere. So were the songs-carefree, bawdy, or sad, inspired by the canal and sung throughout the land.Photographs and drawings, music and words to folk songs, maps, notes, and index are included in this first paperback edition.

"Using stories as a framing concept, this collection of academic essays focuses on women's lives, work, and creative production during the seventeen-year Lebanese Civil War (1975-1992)"--

"In this groundbreaking collection of essays, interviews, and artwork, contributors draw upon a rich treasure trove of Jewish women's comics to explore the representation of Jewish women's bodies and bodily experience in pictorial narratives. Spanning national, cultural, and artistic borders, the essays shine a light on the significant contributions of Jewish women to comics"--

Hadiya Hussein's poignant 2017 novel plunges readers into a haunting and powerful story of resilience. Set at the end of Saddam Hussein's brutal reign, the novel follows Narjis, a young Iraqi woman, on her quest to discover what has become of the man she loves. Yusef, suspected by the regime of being a dissident, has disappeared-presumably either imprisoned or executed. On her journey, Narjis receives shelter from a Kurdish family who welcome her into their home where she meets Umm Hani, an older woman who is searching for her long-lost son. Together they form a bond, and Narjis comes to understand the depth of loss and grief of those around her. At the same time, she is introduced to the warm hospitality of the Kurdish community, settling into their everyday lives, and embracing their customs. Barbara Romaine's translation skillfully renders this complex, layered story, giving readers a stark yet beautiful portrait of contemporary Iraq.

In the tradition of Tim O'Brien's The Things They Carried, Brian O'Hare's Surrender is a rich collection of coming-of-age stories, a journey into the heart of the American hero myth, from the Friday night football fields of Western Pennsylvania to a battalion of Marines in the Persian Gulf and beyond. But what happens when the crowds stop cheering and the welcome home parades are over? Guilt, fear, and brutality collide with love and acceptance as a diverse cast of characters struggle to reconcile mythology with reality, and to find meaning in a uniquely American chaos. In bittersweet stories with surprising humor, the characters grapple with the choices they've made and a country they no longer understand. Written in spare and unsentimental prose, yet with a startling emotional punch, these stories, and the unforgettable characters who tell them, will live long in the reader's imagination.

Twenty-six-year-old college graduate, artist, and employee of the Ministry of Art and Culture, Hasti Nourian aspires to be a "e;new woman"e;-independent-minded, strong-willed, and in control of her own destiny. A destiny that includes Morad, an idealistic young architect and artist with whom Hasti is deeply in love. Morad is a sharp critic of Iran's Westernized bourgeois class, the one that Hasti's mother relishes. After Hasti's father died, her mother had married a wealthy businessman and moved to an exclusive neighborhood of northern Tehran.Socializing with a mixed group of Americans, English-speaking Iranians, and British expats, her mother's life revolves around gym visits, hairdressers, and party planning. When her mother persuades Hasti to join her at the spa, she introduces her to Salim, an eligible young man from a wealthy family whose British education and proper comportment, as well as his economic status, make him an ideal suitor for Hasti in her mother's eyes. Against her better judgment, Hasti finds herself attracted to Salim and tempted by her mother's comfortable lifestyle. As the novel unfolds, Hasti is torn between her first love and the radical politics of her university friends, and her love for her mother and the freedom economic security can bring. Set in Tehran in the mid-1970s, just a few years before the 1977-79 revolution, Daneshvar's unforgettable novel depicts the tumultuous social, cultural, and economic changes of the day through the intimate story of a young woman's struggle to find her identity.