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Leveraging an Empire examines the process of settler colonialism in the developing region of Oregon via its exclusionary laws in the years 1841 to 1859.
This edited collection explores what trauma-seen through an analytical lens-can reveal about the early modern period and, conversely, what conceptualizations of psychological trauma from the period can tell us about trauma theory itself.
Henry Knight Lozano explores how U.S. boosters, writers, politicians, and settlers promoted and imagined California and Hawai'i as connected places, and how this relationship reveals the fraught constructions of an Americanized Pacific West from the 1840s to the 1950s.
Robert Niebuhr explores the importance of the turbulent populist politics of the period after 1899 and the significance of the Chaco War as the most influential revolution in modern Bolivian history.
French St. Louis places St. Louis, Missouri, in a broad colonial context, shedding light on its francophone history.
Frank P. Barajas argues that Chicanas and Chicanos of the 1960s and 1970s expressed politics distinct from the Mexican American generation that came of age in the decades before.
Maestro is the first full-length biography on Andre Tchelistcheff (1901-94) that details the events of his life leading to his career as an expert winemaker, consultant, and mentor and how his wisdom helped revitalize a severely-damaged Napa Valley wine industry.
Felipe Valencia examines the construction of lyric as a melancholy and masculinist discourse that sings of and perpetrates symbolic violence against the feminine and the female beloved in key texts of Spanish poetry from 1580 to 1620.
Asphalt: A History demonstrates that roads, parking lots, and civilian and military runways constitute the central arteries of our environment. Kenneth O'Reilly argues that although asphalt creates our environment, it eventually threatens it.
Hostages of Empire is a social, cultural, and political history of the colonial prisoners of war.
Indian Soldiers in World War I follows the experiences of Indian soldiers deployed to battlefields in Europe, Africa, and the Middle East during World War I; the contested representations British and Indian audiences drew from the soldiers' wartime experiences; and the impacts these had on the British Empire's racial politics.
Pseudo-Memoir explores the return in the twentieth century of a genre that had largely gone out of fashion after the novel came of age in Europe in the eighteenth century.
Presents maps and commentary about a variety of physiographic, climatological, demographic, political, social, economic, cultural, and other features of Nebraska.
Everybody’s Jonesin’ for Something takes an imagistic leap through the darker side of our search for life, liberty, and the pursuit of happiness, perusing what we lose, what we leave behind, and what strange beauty we uncover.
The Life of the Afterlife in the Big Sky State is a groundbreaking history of death in Montana. It offers a unique, reflective, and sensitive perspective on the evolution of customs and burial grounds.
Black Snake tells the story of the controversial Dakota Access Pipeline through the activism of four women from Standing Rock and Fort Berthold Reservations.
In this visionary sequel to Castro's Curveball, former Minor League catcher Billy Bryan finds himself back in Havana in 2016 with a small film role. He soon realizes that this place and his past remain as star-crossed as when he played winter ball in the Cuban capital decades before.
Beloved Nebraska folklorist Roger Welsch explores our passion and love for dogs.
Your Crib, My Qibla interrogates loss, the death of a child, and a father's pursuit of language able to articulate grief.
Part memoir, part travelogue, Get Thee to a Bakery explores both humorous and harrowing aspects of growing older and making sense of social, technological, and environmental change.
Set in central rural Montana in 1925, Waltzing Montana follows midwife Mildred Harrington as she grapples with feelings for her old sweetheart while also trying to overcome the horrific abuse that she suffered as a young teenager.
The Leave-Takers is a twenty-first-century American love story and a tale of internal migration to the Great Plains.
Gregg Lambert offers an unprecedented inquiry into the evolution of Deleuze's hopes for the revolutionary goals of minor literature and the related notion of the missing people in the conjuncture of contemporary critical theory.
Dinty W. Moore asks: What would the world be like if eternal damnation was not hanging constantly over our sheepish heads? Why do we persist in believing something that only makes us miserable?
Ten years after the original publication of Good Neighbors, Bad Times, an unexpected letter leads Mimi Schwartz to revisit the story of her father's German village during the Third Reich.
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