Bøger udgivet af University of Oklahoma Press

In this richly illustrated volume, Nicole Dawn Strathman explores how indigenous peoples throughout the United States and Canada appropriated the art of photography and integrated it into their lifeways. The photographs she analyses date to the first one hundred years of the medium, between 1840 and 1940.

As one of America's most prominent nineteenth-century painters, Albert Bierstadt (1830-1902) is justly renowned for his majestic paintings of the western landscape. This splendid colour volume highlights his achievements in chronicling a rapidly changing American West.

The stories of ten women healers form the core of this provocative journey into cultural healing methods utilized by women. In a truly grass-roots project, the authors take the reader along to listen to the voices of Native American medicine women, Southwest Hispanic curanderas, and women physicians as they describe their healing paths.

The son of white captive Cynthia Ann Parker, Quanah Parker rose from able warrior to tribal leader on the Comanche reservation. In this crisp and readable biography, William Hagan presents a well-balanced portrait of Quanah Parker, the chief, and Quanah, the man torn between two worlds.

Abundant color and b&w illustrations and photos accompany text tracing the evolution of the art of warfare in the Greek and Roman worlds between 1600 BC and AD 800. Describes military commanders such as Alexander the Great and Julius Caesar, and provides details on uniforms, equipment, weapons, war

In Cooperation with the National Cowboy and Western Heritage MuseumA cowboy''s life is more than steers, saddles, and spurs. There is also food, and lots of it, cooked out in the open after a rugged day on the range. The tradition lives on in the West and at the National Cowboy and Western Heritage Museum. Here genuine chuck wagon cooks gather each spring to share recipes, stories, and real cowboy fare. This cookbook features their recipes along with a colorful history of ranch and range cooking.Modern cowboy cooking blends simple, down-to-earth flavors with current tastes for a style that retains a distinct Western flavor. All the recipes included here have been adapted for home kitchens, but just in case, there are plenty of tips for preparing meals over an open fire. Ranging from classic cowboy favorites to the avant-garde in Western cuisine, these recipes demonstrate ranch-style cooking at its best.

Prudentius, one of the greatest Latin poets of late antiquity, was also a devoted Christian. His allegorical masterpiece, Psychomachia, combines epic language and theological speculation to offer a powerful vision of Roman and Christian triumphalism. This edition makes Psychomachia accessible to modern readers.

The Athenian democracy of the fifth and fourth centuries B.C. is the most famous and perhaps the most nearly perfect example of direct democracy. Covering the period 403-322 B.C., Mogens Herman Hansen focuses on the crucial last thirty years, which coincided with the political career of Demosthenes.

Elmer Thomas (1876-1965) represented the people of Oklahoma in the state's first legislature and in Congress. This memoir, written shortly after he left the U.S. Senate in 1951 but never before published, chronicles his long career and offers a wealth of information on people and events that helped shape the development of the state and the course of American history. Thomas became one of Oklahoma's first state senators in 1907 and was involved with financing the construction of public works. As a member of the U.S. Congress, he made it his business to understand the Federal Reserve System, and as the farm crisis of the 1920s worsened during the Great Depression, he consistently argued for inflating the currency to stimulate the economy--a struggle that became central to his career and that he eventually won. Thomas's panoramic look at the issues of his time includes a behind-the-scenes view of the Nürnberg War Crimes Trial and also tells how he helped push funding for the atomic bomb project through Congress without disclosing its true nature. Thomas dedicated his career to improving the lot of rural residents, Native Americans, and working people. Forty Years a Legislator is a rich source of insight for all concerned with twentieth-century politics or the early years of Oklahoma statehood.

Drawing on extensive research in her native Ecuador, Amalia Pallares examines the South American Indian movement in the Ecuadorian Andes and explains its shift from class politics to racial politics in the late twentieth century. Pallares uses an interdisciplinary approach to explore the reasons why indigenous Ecuadorians have bypassed their shared class status with other peasant groups and movements in favor of a political identity based on their unique ethnicity as Indians.In the 1960s and 1970s, land reform and the modernization of economic and political structures in Ecuador led to changes in the sense of self and community held by South American Indian activists. Pallares recounts how a campesinista (peasant-based) identification developed into an indianista (Indian-based) form of personal and communal self-definition. Ethnic identity was no longer conceived as a subset of class identity--a change that shifted the Indians' ideological focus from local struggles to pan-ethnic resistance. In the process, indigenous peoples created a positive Indian self-definition and a pan-ethnic Indian movement. They also reconceived their political identity, their cultural structures, and the relationship between their social movement and the state. Through this new sense of themselves, they sought to confront racism and obtain political autonomy.

The creation story of the Sahnis, or Arikara, people begins with a terrible flood, sent by the Great Chief Above to renew the world. Many generations later, another devastating flood nearly destroyed the Arikaras when the newly built Garrison Dam swamped the fertile land of the Fort Berthold Reservation in North Dakota. Between the Floods tells the story of this powerful Great Plains nation from its mythic origins to the modern era, tracing the path of the Arikaras through the oral traditions and oral histories that preserve and illuminate their past. The Arikaras, like their Hidatsa and Mandan neighbors on the northern plains, lived as both farmers and hunter-gatherers, growing corn and hunting buffalo. Pressure on their villages from other nations, including the Lakhotas, forced displacements and relocations, and once Euro-Americans entered their domain--French fur-traders, the Spanish, and especially Americans after Lewis and Clark--the Arikaras' strategic location on the Missouri River became both an asset and a liability. Between the Floods follows this resilient semi-sedentary people in their migration and settlement as they confront the challenges of white incursions, tribal conflicts, foreign diseases, the slave trade, and the introduction of horses and metal tools. In the Arikaras' oral traditions and histories, Mark van de Logt finds a key to their distant past as well as the cultural underpinnings of their resilience and persistence, as faith in their great prophet, Mother Corn, guides them and inspires hope for the future. Enhanced with the insights of archaeology, linguistics, and anthropology, and illustrated with Native maps and ledger art, as well as historic photographs and drawings, Between the Floods brings unprecedented depth, detail, and authenticity to its picture of the Arikaras in the fullness and living presence of their history.

Mention Woody Guthrie, and people who know the name are likely to think of the "Okie Bard," dust storms behind him, riding a boxcar or walking a red-dirt road, a battered guitar strapped to his back. But unlock Guthrie from the confines of rural folk and Hollywood mythology, as Will Kaufman does here, and you'll find an abstract painter and sculptor who wrote about atomic energy and Ingrid Bergman and developed advanced theories of dialectical materialism and human engineering--in short, a folk singer who was deeply engaged with the art, ideas, and issues of his time. Guthrie may have been born in the Oklahoma hills, but his most productive years were spent in the metropolitan centers of Los Angeles and New York. Machines and their physics were among his favorite metaphors, fast cars were his passion, and airplanes and even flying saucers were his frequent subjects. His career-long immersion in radio, recording, and film inspired trenchant observations concerning mass media and communication, and he contributed to modern art as a prolific abstract painter, graphic artist, and sculptor. This book explores how, through multiple artistic forms, Guthrie thought and felt about the scientific method, atomic power, and war technology, as well as the shifting dynamics of gender and race. Drawing on previously unpublished archival sources, Kaufman brings to the fore what Guthrie's insistently folksy popular image obscures: the essays, visual art, letters, verse, fiction, and voluminous notebook entries that reveal his profoundly modern sensibilities. Woody Guthrie emerges from these pages as a figure whose immense artistic output reflects the nation's conflicted engagement with modernity. Capturing the breathtaking social and technological changes that took place during his extraordinarily productive career, Woody Guthrie's Modern World Blues offers a unique and much-needed new perspective on a musical icon.

Vocal Republican, accomplished gardener, lover of large cars, Ernest Haycox was nothing if not three-dimensional. Despite a haphazard childhood that included abandonment by his parents, Haycox (1899-1950) decided early on to be a writer. Once he began he did not stop, approaching writing with both an unparalleled passion and a keen business sense that included normal business hours in a downtown Portland office.Until now little has been written about Haycox, the famed Collier's and Saturday Evening Post contributor who wrote twenty-four novels and more than two hundred short stories. Bridging the gap between the formula Western and the literary western novel, Haycox frequently incorporated actual historical events into his works: Trouble Shooter documents the building of the Union Pacific railroad, The Border Trumpet covers the Apache wars in Arizona, and Bugles in the Afternoon draws upon the Battle of the Little Bighorn. Director John Ford adapted Haycox's work for Stagecoach (1939, starring John Wayne), as did Cecil De Mille for Union Pacific (1939, starring Barbara Stanwyck).Ernest Haycox Jr. describes his father's life, work, and views on the craft of writing. In a remarkably candid biography, original photographs of Hollywood stars and excerpts from Haycox's correspondence, including letters from the last years of his life, round out this incisive look at a literary giant.

Best known to Americans as the "singing cowboy," beloved entertainer Gene Autry (1907-1998) appeared in countless films, radio broadcasts, television shows, and other venues. While Autry's name and a few of his hit songs are still widely known today, his commitment to political causes and public diplomacy deserves greater appreciation. In this innovative examination of Autry's influence on public opinion, Michael Duchemin explores the various platforms this cowboy crooner used to support important causes, notably Franklin D. Roosevelt's New Deal and foreign policy initiatives leading up to World War II. As a prolific performer of western folk songs and country-western music, Autry gained popularity in the 1930s by developing a persona that appealed to rural, small-town, and newly urban fans. It was during this same time, Duchemin explains, that Autry threw his support behind the thirty-second president of the United States. Drawing on a wealth of primary sources, Duchemin demonstrates how Autry popularized Roosevelt's New Deal policies and made them more attractive to the American public. In turn, the president used the emerging motion picture industry as an instrument of public diplomacy to enhance his policy agendas, which Autry's films, backed by Republic Pictures, unabashedly endorsed. As the United States inched toward entry into World War II, the president's focus shifted toward foreign policy. Autry responded by promoting Americanism, war preparedness, and friendly relations with Latin America. As a result, Duchemin argues, "Sergeant Gene Autry" played a unique role in making FDR's internationalist policies more palatable for American citizens reluctant to engage in another foreign war. New Deal Cowboy enhances our understanding of Gene Autry as a western folk hero who, during critical times of economic recovery and international crisis, readily assumed the role of public diplomat, skillfully using his talents to persuade a marginalized populace to embrace a nationalist agenda. By drawing connections between western popular culture and American political history, the book also offers valuable insight concerning the development of leisure and western tourism, the information industry, public diplomacy, and foreign policy in twentieth-century America.

There is the story the Lone Star State likes to tell about itself--and then there is the reality, a Texas past that bears little resemblance to the manly Anglo myth of Texas exceptionalism that maintains a firm grip on the state's historical imagination. Lone Star Mind takes aim at this traditional narrative, holding both academic and lay historians accountable for the ways in which they craft the state's story. A clear-sighted, far-reaching work of intellectual history, this book marshals a wide array of pertinent scholarship, analysis, and original ideas to point the way toward a new "usable past" that twenty-first-century Texans will find relevant.Ty Cashion fixes T. R. Fehrenbach's Lone Star: A History of Texas and the Texans in his crosshairs in particular, laying bare the conceptual deficiencies of the romantic and mythic narrative the book has served to codify since its first publication in 1968. At the same time, Cashion explores the reasons why the collective efforts of university-trained scholars have failed to diminish the appeal of the state's iconic popular culture, despite the fuller and more accurate record these historians have produced.Framing the search for a collective Texan identity in the context of a post-Christian age and the end of Anglo-male hegemony, Lone Star Mind illuminates the many historiographical issues besetting the study of American history that will resonate with scholars in other fields as well. Cashion proposes that a cultural history approach focusing on the self-interests of all Texans is capable of telling a more complete story--a story that captures present-day realities.

Tornadoes, nature's most violent and unpredictable storms, descend from the clouds nearly one thousand times yearly and have claimed eighteen thousand American lives since 1880. However, the U.S. Weather Bureau--fearing public panic and believing tornadoes were too fleeting for meteorologists to predict--forbade the use of the word "tornado" in forecasts until 1938.Scanning the Skies traces the history of today's tornado warning system, a unique program that integrates federal, state, and local governments, privately controlled broadcast media, and individuals. Bradford examines the ways in which the tornado warning system has grown from meager beginnings into a program that protects millions of Americans each year. Although no tornado forecasting program existed before WWII, the needs of the military prompted the development of a severe weather warning system in tornado prone areas. Bradford traces the post-war creation of the Air Force centralized tornado forecasting program and its civilian counterpart at the Weather Bureau. Improvements in communication, especially the increasing popularity of television, allowed the Bureau to expand its warning system further.This book highlights the modern tornado watch system and explains how advancements during the latter half of the twentieth-century--such as computerized data collection and processing systems, Doppler radar, state-of-the-art television weather centers, and an extensive public education program--have resulted in the drastic reduction of tornado fatalities.

Texas is a solid red state. Or trending purple. Or soon to be blue. One thing is certain: as Texas looms ever larger in national politics, the makeup of its electorate increasingly matters. At a critical moment, as migration, immigration, and a maturing populace alter the state's political landscape, this book presents a deeply researched, data-rich look at who Texas voters are, what they want, and what it might mean for the future of the Republican and Democratic parties, the state, and the nation. Battle for the Heart of Texas goes beyond the pronouncements of leaders and pundits to reveal voters' nuanced opinions--about the 2020 Democratic primary candidates, state and national Republicans' responses to the Covid-19 pandemic, and issues such as immigration and gun policy. Working with an unprecedented cache of polling figures and qualitative data from surveys and focus groups--the product of a cooperative effort between the Dallas Morning News and The University of Texas at Tyler--Mark Owens, Kenneth A. Wink, and Kenneth Bryant Jr. provide an in-depth examination of what is reshaping voter preferences across Texas, including the partisan impact of the urbanization and nationalization of state politics. Their analyses pinpoint the influence of race, media exposure, ideological diversity within the parties, and geographic variation across the state, detailing how Texas politics has changed over time. Race may not have typically defined Texas politics, for instance, but the authors find that rhetoric on policies related to race are now shaping the electorate. The diversity in civic engagement among the Latino community also emerges from the data, compounded and complicated by the growth of the Latino population of voting age. The largest red state in the country, with the second-largest population, Texas is crucial to the way we think about political change in America--and this book amply and precisely equips us to understand the bellwether state's changing politics.

Academia is not, by and large, a kind place. Individualism and competition are what count. But without kindness at its core, Catherine Denial suggests, higher education fails students and instructors--and its mission--in critical ways. Part manifesto, part teaching memoir, part how-to guide, A Pedagogy of Kindness urges higher education to get aggressive about instituting kindness, which Denial distinguishes from niceness. Having suffered beneath the weight of just "getting along," instructors need to shift every part of what they do to prioritizing care and compassion--for students as well as for themselves. A Pedagogy of Kindness articulates a fresh vision for teaching, one that focuses on ensuring justice, believing people, and believing in people. Offering evidence-based insights and drawing from her own rich experiences as a professor, Denial offers practical tips for reshaping syllabi, assessing student performance, and creating trust and belonging in the classroom. Her suggestions for concrete, scalable actions outline nothing less than a transformational discipline--one in which, together, we create bright new spaces, rooted in compassion, in which all engaged in teaching and learning might thrive.

Oklahoma is currently home to 117 known species of mammals, representing one marsupial (opossums; Didelphimorphia), seven insectivores (shrews and moles; Soricomorpha), twenty-three bats (Chiroptera), one armadillo (Cingulata), four rabbits (Lagomorpha), fifty-one rodents (Rodentia), twenty-two carnivores (Carnivora), and eight artiodactyls (deer, pronghorn, sheep, and bison; Artiodactyla). For the professional mammalogist and amateur naturalist alike, Mammals of Oklahoma provides a clear, comprehensive, illustrated guide to Oklahoma's diverse native fauna, as well as introduced species and extirpated and unverified mammals cited in the state's records. Incorporating the latest data, this second edition includes up-to-date descriptions and identification keys; line drawings and full-color photos and distribution maps; life history information; and ecological notes on such things as dens, nests, burrows, food habits, reproduction, pathogens and parasites, and predators. The book's etymology offers insight into each species' scientific name, and its natural history describes habitat and diseases, among other distinguishing characteristics. A glossary provides guidance on technical terms. This accessible and authoritative volume marks a significant update and expansion of the knowledge of mammals in Oklahoma. It will be the definitive desk reference and field guide to the state's rich mammalian diversity.

In the nineteenth and early twentieth centuries, the Indigenous peoples of the Great Plains practiced an archival art--narrating war exploits in large-scale paintings executed on animal hide robes, shirts, tipi covers, and tipi liners. Essentially autobiographical, the paintings were worn and lived in by the men whose war exploits they portrayed, and were made to be "read" by the public at large. Executed in a pictorial narrative style and documenting actual events, these paintings blend visual art and history. Indigenous War Painting of the Plains is the first comprehensive look at this important North American art form, covering the full corpus of war paintings from fourteen tribes across the plains. Two impediments have previously made such a book impractical: photography alone falls short of rendering war paintings for the printed page, and only about half of the surviving works have reliable documentation on their cultural origins. Arni Brownstone surmounts these difficulties by producing precise electronic redrawings and by using well-documented paintings to inform poorly documented examples, bolstered by a careful examination of collection histories. Featuring some 300 photographs and electronic redrawings, the book focuses on 83 paintings organized into four chapters covering the paintings of tribes associated with a specific geographical sphere of artistic influence. Four appendixes feature paintings combined with "translations" by Indigenous collaborators who had intimate knowledge of the depicted events. Offering vivid access to the key works of war painting preserved in 37 museums throughout North America and Europe, Indigenous War Painting of the Plains illuminates distinctions between painting styles of different tribes, reveals how they influenced one another and changed over time, and conveys a deep understanding of how war painting developed in relation to profound social changes in Plains Indian cultures.

In Handmaid to Divinity, Desiree Hellegers establishes seventeenth-century poetry as a critical resource for understanding the debates about natural philosophy, astronomy, and medicine during the Scientific Revolution. Hellegers provides important insights into seventeenth-century responses to the emergent discourses of western science and into the cultural roots of the current environmental crisis.Drawing on recent cultural and feminist critiques of science, Hellegers offers finely nuanced readings of John Donne's Anniversaries, John Milton's Paradise Lost, and Anne Finch's The Spleen.

A year after John Bradstreet's raid of 1758-the first and largest British-American riverine raid mounted during the Seven Years' War (known in North America as the French and Indian War)-Benjamin Franklin hailed it as one of the great "American" victories of the war. Bradstreet heartily agreed, and soon enough, his own official account was adopted by Francis Parkman and other early historians.In this first comprehensive analysis of Bradstreet's raid, Ian Macpherson McCulloch uses never-before-seen materials and a new interpretive approach to dispel many of the myths that have grown up around the operation. The result is a closely observed, deeply researched revisionist microhistory-the first unvarnished, balanced account of a critical moment in early American military history.Examined within the context of campaign planning and the friction among commanders in the war's first three years, the raid looks markedly different than Bradstreet's heroic portrayal. The operation was carried out principally by American colonial soldiers, and McCulloch lets many of the provincial participants give voice to their own experiences. He consults little-known French documents that give Bradstreet's opponents' side of the story, as well as supporting material such as orders of battle, meteorological data, and overviews of captured ships. McCulloch also examines the riverine operational capability that Bradstreet put in place, a new water-borne style of combat that the British-American army would soon successfully deploy in the campaigns of Niagara (1759) and Montreal (1760).McCulloch's history is the most detailed, thoroughgoing view of Bradstreet's raid ever produced.

The story of the United States Air Force stretches back to aerial operations prior to the First World War-well before the USAF became a separate service-and looks forward to a new era of air power in space. Fighting from Above presents a concise account of this expansive history, offering a new perspective on how the air forces of the United States created an independent way of warfare over time.From the earliest battles of the USAF's predecessor organizations to its modern incarnation, Brian D. Laslie identifies four distinct and observable ways of war that developed over four distinct epochs. Beginning with the development of early air power (1906-1941), he highlights the creation of roles and missions, with bombardment theory and practice ascendant. An era of strategic dominance (1942-1975) followed, in which the ideas of strategic bombardment ruled the United States Air Force; when such notions were unceremoniously proven false during the Vietnam-era conflicts, a period of tactical ascendancy (1975-2019) began. Finally, Laslie considers the current environment, where much of the story of the USAF remains unwritten, as we are still grappling with the challenges posed by an unmanned future with drones and realization of the promises of a final frontier.While detailing combat operations, Fighting from Above also pays close attention to technology, politics, rivalries, logistics, policy, organization, equipping, and training. Thorough, concise, and innovative in its approach, it is an authoritative, exceptionally readable history of the development of American air power.