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Traces of Disappearing (in Three Acts) - Igor Grubic - Bog

- Catalogue of the Croatian Pavilion at the 58th Venice Biennale

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Igor Grubic's project for the Venice Biennale, documenting Croatia's transition to capitalism.Igor Grubic has been actively working as a multimedia artist from the beginning of the 1990s. His work includes photography, film, and site-specific interventions in public spaces. Since 2000 he has been a producer and author of documentaries, TV reports, and socially committed commercials. Grubic's project for the Venice Biennale, Traces of Disappearing in Three Acts (2006-19), is already thirteen years in the making. It consists of three interrelated photo essays and an animated film, set in a specially designed mise-en-scène. The project began in 2006 when the artist began documenting the transition Croatia was facing after the war, with a particular focus on the shift from socialism to capitalism, from a central, stated-planned system to a free market economy. It explores how this has affected changes in habitation, the urban fabric, public space, and social relations. Also included are essays by Katerina Gregos and WHW.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9783956794926
  • Indbinding:
  • Hardback
  • Sideantal:
  • 432
  • Udgivet:
  • 24. september 2019
  • Størrelse:
  • 173x236x41 mm.
  • Vægt:
  • 1315 g.
  • Ukendt - mangler pt..
Forlænget returret til d. 31. januar 2025

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Beskrivelse af Traces of Disappearing (in Three Acts)

Igor Grubic's project for the Venice Biennale, documenting Croatia's transition to capitalism.Igor Grubic has been actively working as a multimedia artist from the beginning of the 1990s. His work includes photography, film, and site-specific interventions in public spaces. Since 2000 he has been a producer and author of documentaries, TV reports, and socially committed commercials.
Grubic's project for the Venice Biennale, Traces of Disappearing in Three Acts (2006-19), is already thirteen years in the making. It consists of three interrelated photo essays and an animated film, set in a specially designed mise-en-scène. The project began in 2006 when the artist began documenting the transition Croatia was facing after the war, with a particular focus on the shift from socialism to capitalism, from a central, stated-planned system to a free market economy. It explores how this has affected changes in habitation, the urban fabric, public space, and social relations. Also included are essays by Katerina Gregos and WHW.

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