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Contributors examine how international theatre festivals have been organised and how they have affected the evolution of sustainable theatre.
A key volume for Shakespeare, African theatre and postcolonial cultural scholars, promoting debate on the role of Western cultural icons in contemporary postcolonial cultures.
Directors and collaborators assess and comment on the production of plays by West Africa's Nobel Laureate Wole Soyinka and East Africa's most influential author Ngugi wa Thiong'o.
Looks at the lives, challenges and contributions of African women from across the continent to making and participating in theatre in the 21st century.
Extends the study of China's "soft power" into theatre studies and looks more widely at syncretic traditions evolving in other long-term historic exchanges between Asia and Africa.
African dance is discussed here in its global as well as local contexts as a powerful vehicle of aesthetic and cultural exchange and influence.
Highlighted in this volume is the detective play The Inspector and the Hero by Femi Osofisan, one of Africa's leading playwrights. The play has until now only been published in Nigeria.
Compelling inside views of what characterises opera and music theatre in African and African diasporic contexts.
Includes the playscript of Glass House by Fatima Dike with a brief introduction by Marcia Blumberg.
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