Bøger i Akron Poetry serien

"Emily Corwin's sensorium is a gurlesque party, is lush and anxious and blossoming with rot. In her second collection, Corwin investigates the textures of physical and psychic pain-the celluloid of classic horror films, greasy computer screens and text messages, ballrooms and hallways and pig blood, surgical instruments, lipsticks, medication, teenage romance and demons. Sensorium considers the beauty in body horror, the viscera boiling under a pretty crust"--

An ambitious collection of genre-bending poems exploring the experience of midlife, Instructions Between Takeoff and Landing explores the intersection of the personal and political in a world bending toward justice.

"Unhistorical draws on historical narrative, confessional poetry, and detective fiction to tell the story of a contemporary romantic relationship that begins in Scotland and falls apart in America, as the narrator finds herself in the role of spectator to her partner's genius. Many of these poems draw from the elegiac tradition, following a speaker who is, at turns, tourist in and historian of a landscape that is foreign to them. The middle section of this manuscript, entitled 'The Resurrectionists,' follows an alternate version of Sir Arthur Conan Doyle's Holmes and Watson as they journey to solve a mystery in Scotland while grappling with their own anguished friendship"

In Free Clean Fill Dirt, Pagel dwells in the anti-ordinary ordinary strata of Midwestern mythologies, emergencies, landscapes, and crises. Using a blend of ecopoetic, visual, and archival modes, Free Clean Fill Dirt is a collection of poems making intimacy of deep time and vanitas of vision.

How do you map grief? Dear Outsiders explores how we are part of and stranger to our environments and to our families and how identities form by where and who we come from. Told through two siblings' perspectives of the loss of their parents, the book is a map of isolation, longing, and what it means to be deserted and alive.

"What does it mean to make something to share publicly when you are unsure of your own presence? If I Could Give You a Line cultivates the strangeness of presence in motherhood when the self is hyper-aware of its erasure. The collection explores its obsession with the physicality of visual art, down to the line, asserting and creating a voice that longs to be as present as a waver in the line of an Agnes Martin painting. A line that pulls you in to see the hand that made it. For Oeding's speakers, to look at art as mothers gives them permission to make it. Through humor, provocation, and uncertainty, this associative work builds momentary worlds of looking and connecting. The voice in these poems are confident in their performance and gesture to the reader to participate in their world-building, using materials like toddler garbage, preliterate scribbles, boiled green beans, James Turrell's skies, Cara Delevingne's eyebrows, and Yayoi Kusama's mirrors"--

"Everwhen is an anxious, verdant poetry collection that is preoccupied with a chthonic era-when the secrets of long ago catch up to now, and when the past, present, and future collapse into what's long been identified by indigenous cultures and early naturalists as Uncreation or Deep Time. Driven by the voice of the betrayed Roman goddess Ceres, these poems consider what it is like to live out of time, to suffer unnamed illnesses of the female body, to love and grieve at the end of the world, and to even find hope and joy in "the way an apocalypse can mean/ to reveal.""--

Marbles on the Floor: How to Assemble a Book of Poems offers practical and ingenious models of craft from established practitioners, seasoned advice, and creative prompts for poets at any stage in their career who are assembling a poetry manuscript.

Marble Orchard explores physical and psychic pain through ekphrastic poems (in response to film and to paintings), crowd-sourced writing from overheard conversations, and formal pieces that use the vessels of traditional poetic forms.