Bøger i Analecta Husserliana serien

Literature seeks in numerous channels of insight the dominant threads of "the sense of life", "the inward quest", "the frames of experience" in reaching the inward sources of what we call 'destiny' inspired by experience and temporality which carry it on.

This volume presents discussions on a wide range of topics focused on eco-phenomenology and the interdisciplinary investigation of contemporary environmental thought.

Poetry of life in literature and through literature, and the vast territory in between - as vast as human life itself - where they interact and influence each other, is the nerve of human existence. It is in honour of this search that this collection focuses on the creative imagination at work in literature and aesthetics.

This collection offers a critical assessment of transcendentalism, the understanding of consciousness, absolutized as a system of a priori laws of the mind, that was advanced by Kant and Husserl.

From Aristotle to the present, memory has been grasped as a trace or impression of lost reality - bridging physiological experience and consciousness.

Stresses that Man must ceaselessly unravel his mysteries and strive for a new and more mature expression of his nature. This book sees this expression as an emphasis on the significance of the individual living in community and on the person in the process of performing an action.

The nature of life consists in a constructive becoming (see Analecta Husserliana vol. In this selection of studies we proceed, in contrast, to envisage life in the Aristotelian perspective in which energia, forces, and dynamisms of life at work are at the fore.

In medicine the understanding and interpretation of the complex reality of illness currently refers either to an organismic approach that focuses on the physical or to a 'holistic' approach that takes into account the patient's human sociocultural involvement.

From Aristotle to the present, memory has been grasped as a trace or impression of lost reality - bridging physiological experience and consciousness.

Poetry of life in literature and through literature, and the vast territory in between - as vast as human life itself - where they interact and influence each other, is the nerve of human existence. It is in honour of this search that this collection focuses on the creative imagination at work in literature and aesthetics.

Prepared by the investigation of the first two matrixes (the "Womb of Life" and "Sharing-in-Life"), this collection of essays focuses upon the third and crowning creative matrix "Imaginatio Creatrix" that proves itself to be the source and driving force which brings us to the origins of the human mind - human life.

The challenge presented by the recent tendencies to "naturalize" phenomenology, on the basis of the progress in biological and neurological sciences, calls for an investigation of the traditional mind-body problem.

With a wealth of papers in its pages, this book examines that fundamental of human philosophy, the relationship between human beings and time.

It would seem that modern humanity has unthroned the human spirit, undercutting the very foundation of the validity of truth, moral values and principles.

This volume presents discussions on a wide range of topics focused on eco-phenomenology and the interdisciplinary investigation of contemporary environmental thought.

Is it a small plot of land that we put aside to cultivate our favorite vegetables or to grow flowers for our personal enjoyment? The topic of the present volume is the mysterious ways in which Imaginatio Creatix plays within the human ingrowness in natural life, transposing dreams, nostalgias, and enchantments.

Phenomenology is the philosophy of our times. We then proceed to the culminating work of this philosophy, to the phenomenological life engagements so vigorously advocated by Husserl, to the life-significant issues phenomenology addresses and to how it has enriched the human sciences.

Let us revive the true sense of fine arts: enchantment! In the conceptualised, commercialised, artificial approach to fine arts, we forgot its authentic experiential sense. It lies at the imaginative heart of all arts there to be retrieved by the creative recipient as the very 'truth of it all'.

Transcendental phenomenology presumed to have overcome the classic mind-body dichotomy in terms of consciousness. Should we indeed dissolve the specificity of human consciousness by explaining human experience in its multiple sense-giving modalities through the physiological functions of the brain?

What is art? This perennial question is forcefully thrown open by the electronic expansion of its field and proliferation of arts. This book addresses this question with philosophical underpinnings.

Employing her original concept of the ontopoiesis of life, the author uncovers the intrinsic law of the primogenital logos - that which operates in the working of the indivisible dyad of impetus and equipoise.

The discussion on the phenomenology of life will continue to be crucial to the general outlook and direction of phenomenological investigations.

The world was first introduced to the expertise and originality of Japanese scholars in phenomenology in Analecta Husserliana Vol.

Let us revive the true sense of fine arts: enchantment! In the conceptualised, commercialised, artificial approach to fine arts, we forgot its authentic experiential sense. It lies at the imaginative heart of all arts there to be retrieved by the creative recipient as the very 'truth of it all'.