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The following bibliography, arranged chronologically, permits the reader to follow the development of phenomenological studies in Italy in parallel with other, contemporary, cultural currents.
This Ingardenia volume is the second in the Analecta Husserliana series that is entirely devoted to the phenomenology of Roman Ingarden.
and the one in the middle which judges as he enjoys and enjoys as he judges. Our investigations answer our fundamental inquiry: What makes a literary work a work of art? What makes a literary work a literary work, if not aesthetic enjoyment?
Art as mirror of life, human life as participating in a stage play, corresponds to the fervent search human being of the causes, reasons, puzzles of our existence which elude us in the concrete life.
The controversy of flux and stasis as the groundwork of reality of Greek ancient philosophy reached its crux in the all encompassing doctrine of the logos by Heraclitus of Ephesus.
There would be no reason to resurrect this question of modernity from its historical oblivion were it not for the fact that recent evolution in science and technology, impregnating culture, makes us wonder about the nature of reality, of the world we are living in, and of our status as living beings within it.
Phenomenology of Space and Time
This work celebrates the investigative power of phenomenology to explore the phenomenological sense of space and time in conjunction with the phenomenology of intentionality, the invisible, the sacred, and the mystical.
Phenomenology is the philosophy of our times. We then proceed to the culminating work of this philosophy, to the phenomenological life engagements so vigorously advocated by Husserl, to the life-significant issues phenomenology addresses and to how it has enriched the human sciences.
Art's creative perduring constructs are intentional marks of the aesthetic significance attributed to the flux of human life and reflect the human quest for repose.
Studies on different aspects of Roman Ingarden's Philosophy have been published during the last thirty years. The publication by the present editor of For Roman Ingarden: Nine Essays in Phenomenology, a Festschrift for his 65th birthday, marked the beginning of an interest in his thought.
In this post-modern darkness, the Phenomenology of Life and of the Human Condition excavate and bring to light the Logos of Life in its entire harmonizing interplay.
This is an exceptional volume which expands upon the World Phenomenology Institute's recent research: the study of the beautiful intertwining of the skies and the cosmos with the human pursuits of philosophy, literature and the arts.
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