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In this engaging and accessible guide, Eugen Bacon explores writing speculative fiction as a creative practice, drawing from her own work, and the work of other writers and theorists, to interrogate its various subgenres.
This book is unique in offering practical advice on writing song lyrics within a critically informed framework. Part I provides the theoretical underpinning, while Part II covers the creative process, pulling together all the best songwriting advice and offering practical exercises.
This fresh approach to scriptwriting, innovative in style and approach, incorporates both creativity and critical appraisal as essential methods in writing for the screen. Contemporary case studies, in-depth analyses and interactive exercises create a wealth of ideas for those wishing to work in the industry or deepen their study of the practice.
Exploring writing as a practice, Boulter draws from the work of writers and theorists to show how cultural and literary debates can help writers enhance their own fiction. Negotiating the creative-critical crossover, this is an approachable book that helps students develop practical writing skills and a critical awareness of creative possibilities.
Writing for theatre is a unique art form, different even from other kinds of scriptwriting. Making theatre is a truly collaborative process which can be a tricky aspect to grasp when starting out. This book will take you on a journey from the origins of theatre to what it means to write for the stage today. It includes a series of interviews with writers, directors and dramaturgs, all of whom are making theatre now, providing an unrivalled glimpse into the world of contemporary theatre making. Kim Wiltshire explores the foundations, traits and skills necessary for playwriting alongside the creative possibilities of writing theatre in the digital age. Each part of the book ends with a series of exercises which students of the craft can use to practise their art and stretch their creativity.
Writing Poetry combines an accessible introduction to the essential elements of the craft, with a critical awareness of its underpinnings. The authors argue that separating the making of poems from critical thinking about them is a false divide and encourage students to become accomplished critics and active readers of poetic texts.
Exploring the practice of writing through stylistics, Jeremy Scott draws on the work of writers and theorists to show how stylistic techniques can help writers enhance their own fiction. Negotiating the creative-critical crossover, this book helps students develop practical writing skills and a critical awareness of creative possibilities.
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