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After several years of silence and seclusion in Beetlecreek's black quarter, a carnival worker named Bill Trapp befriends Johnny Johnson, a Pittsburgh teenager living with relatives in Beetlecreek. Bill is white. Johnny is black. Both are searching for acceptance, something that will give meaning to their lives. Bill tries to find it through good will in the community. Johnny finds it in the Nightriders, a local gang. David Diggs, the boy's dispirited uncle, aspires to be an artist but has to settle for sign painting. David and Johnny's new friendship with Bill kindles hope that their lives will get better. David's marriage has failed; his wife's shallow faith serves as her outlet from racial and financial oppression. David's unhappy routine is broken by Edith Johnson's return to Beetlecreek, but this relationship will be no better than his loveless marriage. Bill's attempts to unify black and white children with a community picnic is a disaster. A rumor scapegoats him as a child molester, and Beetlecreek is titillated by the imagined crimes.This novel portraying race relations in a remote West Virginia town has been termed an existential classic. "e;It would be hard,"e; said The New Yorker, "e;to give Mr. Demby too much praise for the skill with which he has maneuvered the relationships in this book."e; During the 1960s Arna Bontemps wrote, "e;Demby's troubled townsfolk of the West Virginia mining region foreshadow present dilemmas. The pressing and resisting social forces in this season of our discontent and the fatal paralysis of those of us unable or unwilling to act are clearly anticipated with the dependable second sight of a true artist."e;First published in 1950, Beetlecreek stands as a moving condemnation of provincialism and fundamentalism. Both a critique of racial hypocrisy and a new direction for the African American novel, it occupies fresh territory that is neither the ghetto realism of Richard Wright nor the ironic modernism of Ralph Ellison. Even after fifty years, more or less, William Demby said in 1998, "e;It still seems to me that Beetlecreek is about the absence of symmetry in human affairs, the imperfectability of justice the tragic inevitability of mankind's inhumanity to mankind."e;

Exploring the diverse landscape of American life, the stories in Blues and Trouble: Twelve Stories capture the lives of people caught between circumstance and their own natures or on the run from fate, from a Jewish couple encountering a dealer in Nazi memorabilia to the troubled family of a Gulf Coast fisherman awaiting a hurricane. Tom Piazza's debut short story collection, originally published in 1996, heralded the arrival of a startlingly original and vital presence in American fiction and letters. Set in Memphis, New Orleans, Florida, Texas, New York City, and elsewhere, the stories echo voices from Ernest Hemingway to Robert Johnson in their sharp eye for detail and their emotional impact. New to this volume is an introduction written by the author. Drawing themes, forms, and stylistic approaches from blues and country music, these stories present a tough, haunting vision of a landscape where the social and spiritual ground shifts constantly underfoot.

"Ashton, Mississippi, provides the deceptively sterile, conforming, and blindly respectable background in The Welcome, a novel written by Hubert Creekmore in 1948. The Welcome tells of the dramatic relationship between Don Mason and Jim Furlow that subverts the traditional conventions of marriage plots in novels of the time. After moving to New York following Jim's wedding, Don returns home, routed by the Depression of the 1930s. He finds Jim stuck in an unhappy marriage, and his arrival intensifies Jim's misery. As Jim sinks into alcoholism, Don connects with a new love interest, and their mutual friends persistently try to unlock the secrets between Don and Jim. Ahead of its time in the depiction of same sex relationships, the novel caused a scandal upon release. As Phillip "Pip" Gordon says in the new introduction written for this edition, "the majority of gay fiction prior to The Welcome structured tragedy as a natural outcome for being gay. Creekmore aimed higher and sought a narrative that does not show the same-sex lovers as flawed for their desires; rather, the problem is context." Creekmore was a prolific writer, literary critic, editor, translator, photographer, and librettist, and was good friends with famed Mississippi author Eudora Welty. However, Creekmore never had the success of his peers, and his work has been forgotten, most of it falling out of print. This new edition recovers a significant addition to the canon of LGBTQ southern literature and a forgotten Mississippi author for a generation of new readers and scholars"--

Elizabeth Spencer presents a vital, moving story set in the deep South--the Delta and Mississippi hill country. Amos Dudley was a farm boy in the Delta country at the turn of the century until he started working for his brother Ephraim in the store by the railroad. It was an ordinary enough environment in which to begin to feel the strange forces that move a man to set his course in the world.But the forces working within Amos were by no means ordinary. Sometimes cruel, sometimes suddenly tender, they were strong and willful, so that Amos became a man to reckon with--to Ary, his beautiful, plantation-born wife, to the woman in the bayou, to the shiftless philosopher, Arney. Even the rich black swamp soil which he wrested from the forest and gave to his cotton seemed to respond with awe and eagerness to Amos's will. His sensuous, wayward daughter and the man she loved especially felt the full shattering drama of the violence which had evidently been building--building in the fate of a man who, regardless, takes his own crooked way.

Nat Stonebridge is a thirtyish divorcee who, because of her sexy good looks and incorruptible disregard for convention, has stayed in trouble most of her life. Stranded at home in Philippi, a small town in the Mississippi Delta, after a divorce from her well-to-do husband, she is broke, bored, and unconcerned for anyone except herself. Looking for excitement, she becomes involved with Floyd Shotwell, the strange, solitary son of a rich and ruthless businessman.By turns ironic and funny and threatening as the raw land in which it takes place, the couple's story moves toward a violent climax in which not only Nat's physical safety, but the financial security of her family, are at stake. Douglas explores the theme of moral commitment as Nat is confronted with a decision, a sacrifice, which she knows will earn her only contempt. In turn, her friend, the gentle and reflective Wilburn Griffith, is forced to face the obsessive Shotwell with a weapon he abhors.

So spontaneous is the writing in A Lifetime Burning, one might believe these are indeed words of a woman desperately trying to understand what has happened to her life, beginning with the fact that her husband has stopped sleeping with her.Why? Is there a rival--perhaps "e;The Toad,"e; the unattractive housewife next door--or someone else, who will completely surprise the reader, as do many of the events of the protagonist's story? At age sixty-two, Corinne must grapple with the most painful truth that her lifelong passion--which is anyone's passion, to love and be loved, body and soul--could burn unquenched forever. Her imaginative narrative even when she is lying is as revealing as bedrock truth. A Lifetime Burning is as real as life itself--a novel shimmering and vital and recognizably true. Gripping, smart, suspenseful, and at times, wonderfully witty, Douglas's widely acclaimed book forms a searching and searing record of love, anger, confession, and discovery.

This story of the modern South, of love denied and love fulfilled, is a powerful account of the potential for violence that underlies this country's passionate history. Ellen Douglas, a native of Mississippi and a prize-winning novelist of rare distinction, reveals the turbulent changes that rocked the South in the sixties and continue to this day.No event is predictable in this powerful novel. A young man who has spent several years in the North returns to his native Mississippi seeking rural peace. But solitude is not to be his, for soon he is caught up again in a traumatic event that happened seven years before in 1964--the death in an auto accident of the beautiful young cousin whom he loved.As the story unfolds, the people who were involved in that senseless tragedy reveal their part in it, and as they do, the reader becomes intensely involved not only in their lives but in what it means to be black or white in the modern South.

Admirers of Elizabeth Spencer's writing will welcome back into print her first novel, and her new readers will discover the sources of her notable talent in this book. Published in 1948 to extraordinary attention from such eminent writers as Robert Penn Warren, Eudora Welty, and Katherine Anne Porter, this father-and-son story revolves around an old southern theme of family grievances and vendettas.Fire in the Morning recounts the conflict between two families extending over two generations up to the 1930s.The arrival of an innocent stranger flares old arguments and ignites new passions. In Spencer's compelling tale of the half-forgotten violence, the well-deep understanding of father and son, Kinloch Armstrong, the young hero, confronts mysteries of the past. His wife, a newcomer to the area and its legacies, makes friends with a family of traditional rivals. After she is involved in a nighttime wreck and the death of a local man, the past gradually comes to light, and the two families once again become caught up in revelations, hatreds, and conflicts. Spencer faithfully renders the setting--a small, dusty Mississippi town--and the surrounding countryside as it was in the early twentieth century.

The magnetic appeal of land, sea, and sky along the southern coast has drawn Elizabeth Spencer many times to this lush and semitropical setting. This collection brings together six of her stories set amid terrain lapped by the warm coastal currents. These stories all happen on the shoreline of the Gulf of Mexico, from New Orleans to Florida. In each a girl or young woman gives voice to the narrative, probing and groping for a secure place and identity.The six stories included here are "e;On the Gulf,"e; "e;The Legacy,"e; "e;A Fugitive's Wife,"e; "e;Mr. McMillan,"e; "e;Go South in the Winter,"e; and "e;Ship Island."e; Each reveals the special allure of the Gulf Coast region through the author's depiction of character and engagement with the complexities of plot. In these stories that illuminate the lives of sundry females--from insecure waifs to novice seductresses--Spencer investigates female psyche, a topic which lies at the core of much of her fiction.

Jack Butler's Jujitsu for Christ--originally published in 1986--follows the adventures of Roger Wing, a white born-again Christian and karate instructor who opens a martial arts studio in downtown Jackson, Mississippi, during the tensest years of the Civil Rights era. Ambivalent about his religion and his region, he befriends the Gandys, an African-American family--parents A. L. and Snower Mae, teenaged son T. J., daughter Eleanor Roosevelt, and youngest son Marcus--who has moved to Jackson from the Delta in hopes of greater opportunity for their children.As the political heat rises, Roger and the Gandys find their lives intersecting in unexpected ways. Their often-hilarious interactions are told against the backdrop of Mississippi's racial trauma--Governor Ross Barnett's "e;I Love Mississippi"e; speech at the 1962 Ole Miss-Kentucky football game in Jackson; the riots at the University of Mississippi over James Meredith's admission; the fieldwork of Medgar Evers, the NAACP, and various activist organizations; and the lingering aura of Emmett Till's lynching.Drawing not only on William Faulkner's gothic-modernist Yoknapatawpha County but also on Edgar Rice Burroughs's high-adventure Martian pulps, Jujitsu for Christ powerfully illuminates vexed questions of racial identity and American history, revealing complexities and subtleties too often overlooked. It is a remarkable novel about the civil rights era, and how our memories of that era continue to shape our political landscape and to resonate in contemporary conversations about southern identity. But, mostly, it's very funny, in a mode that's experimental, playful, sexy, and disturbing all at once.Butler offers a new foreword to the novel. Brannon Costello, a scholar of contemporary southern literature and fan of Butler's work, writes an afterword that situates the novel in its historical context and in the southern literary canon.

A call with no steeple from the preacher with no pulpit

Parisian Pauline Guyot (1805-1886), who wrote under the nom de plume Camille Lebrun. Among her works is a hitherto-untranslated 1845 French novel, Amitie et devouement, ou Trois mois a la Louisiane. E. Joe Johnson and Robin Anita White have recovered this work, providing a translation, an accessible introduction, and period illustrations.

A paean to the vanishing family cotton farm

Readers captivated by this book will be happy that Bill Ferris found Ray Lum and that he thought to turn on a tape recorder. This delightful book, first published in 1992 as You Live and Learn. Then You Die and Forget It All, preserves Lum's colourful folk dialect and captures the essence of this one-of-a-kind figure.

This fascinating history set in the Reconstruction South is a testament to African-American resilience, fortitude, and independence. It tells of three attempts to create an ideal community on the river bottom lands at Davis Bend south of Vicksburg.

Elizabeth Spencer is captivated by Italy. For her it has been a second home. A one-time resident who returns there, this native-born Mississippian has found Italy to be an enchanting land whose culture lends itself powerfully to her artistic vision. This is a collection of her Italian tales.

In this subtle and illuminating work Michael Kammen traces the evolving concept of liberty throughout American history and provides a solid framework for understanding the meaning of the term today.

In 1925 William Faulkner began his professional writing career in earnest while living in the French Quarter of New Orleans. In his first six months in New Orleans, Faulkner made his initial foray into serious fiction writing. Here in one volume are the pieces he wrote while in the French Quarter.

On August 10, 1856, the Gulf of Mexico reared up and hurled itself over Last Island, near New Orleans. The storm essentially split the island in half and swept much of it away. Lafcadio Hearn used these basic historical facts to create Chita. Originally published in 1889, this novella is a minor masterpiece that is by turns mysterious, mesmerizing, and tragic.

Will D. Campbell writes about his life growing up poor in Amite County, Mississippi, during the 1930s alongside his older brother, Joe. Brother to a Dragonfly serves as a historical record. Though Will's love and dedication to his brother are the primary story, interwoven throughout the narrative is the story of the Jim Crow South and the civil rights movement.