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Stephen is middle-aged. He's gay. He's content, except when he isn't. Stephen is a teacher. He's a poet. He has a new teaching job in Kamloops, BC. Stephen has HIV. DR SAD is the story of one man's journey across Canada and through his diagnosis. It is the story of discovering the self within the world, and the world within the self.
Written while at home full-time with two small children under five, the book of smaller is a collection of short, sharp, incredibly dense prose poems. Created in moments snatched from chaos, these poems challenge the possibilities of language in very small spaces.
Captures moments of joy and sadness that occur each day on city streets, exploring the humble triumphs and mundane tragedies of urban life. Photographs taken in locales from Regina to Venice, from Ottawa to Paris, inspire poems that reveal the unexpected beauty of the everyday experiences shaped by the cities we inhabit.
Relays a year in the life of a body in transition as it changes with other bodies; human, animal, and mineral. The book examines queer social spaces and contested natural spaces, asking how they affect each other. Using evocative metaphor and refreshing language, these poems make bodily experience new.
With fine-tuned vocabulary, far-reaching observation, and the dream-vision of the surrealist eye, Sheri-D delves into the personal and the universal, the everyday and the mythical in these poems. This book is full of poignant sensations and astonishing realizations.
Sense and sensuality. Body and embodiment. Fail Safe links human senses to the fecund world, examining plant and human bodies on the inside and the outside. Linguistically flourishing, sonically dense, this language is tactile. Dynamic and lush, these poems are inviting in their linguistic play.
Ransacks eighteenth-century literary culture for its rumbustious pleasures, baroque complications, gothic horrors, and even the odd quiet contentment. Inspired by Defoe, Haywood, Richardson, Sterne, and Scott, this book asks what the Enlightenment might have looked like if it had been just a little more enlightened.
In 1926, Margaret McPhail went on trial for the murder of her brother Alex, and throughout, maintained her innocence. Exhibit, more than a poetic retelling of her trial, chronicles the path to a verdict, misstep by misstep. Brother and sister become knotted aberrations, grotesqueries that are at times monstrous and at others stunning.
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