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And Yet It Moves is a powerful combination of both absurdist and realist--stories that literally defy gravity.

B. J. Hollars's debut short story collection offers ten thematically linked tales, all of which are out to subvert conventional notions of the Midwestern coming-of-age story. The stories feature an assemblage of Bigfoot believers, Civil War reenactors, misidentified Eskimos, and grief-stricken clowns, among other outcasts incapable of finding a place in their worlds. In these marvelous stories, we can join a family on a very 21st-century trip along the Oregon Trail, watch as a boy builds a brother from a vacuum cleaner, follow a sandlot baseball team as it struggles to overcome an invasion by its Native American neighbors, and experience how a high school basketball squad takes to Sasquatch roaming its court. This genre-bending collection charts a bizarre pathway through the thickets of life on the road to adulthood. Pushing the limits of realism, these stories capture the peculiar rites of passage of growing up Midwestern.

While reluctantly accompanying her husband and daughter to freshman orientation at Indiana University, Nora Quillen hears someone call her name, a name she has not heard in more than 25 years. Not even her husband knows that back in the '60s she was Jane Barth, a student deeply involved in the antiwar movement. An American Tune moves back and forth in time, telling the story of Jane, a girl from a working-class family who fled town after she was complicit in a deadly bombing, and Nora, the woman she became, a wife and mother living a quiet life in northern Michigan. An achingly poignant account of a family crushed under the weight of suppressed truths, An American Tune illuminates the irrevocability of our choices and how those choices come to compose the tune of our lives.

Three years after earning a full-ride baseball scholarship to Ohio State, "e;Golden"e; Jake Standen has burned out. Working as a furniture mover and bouncing between meaningless relationships, he's convinced that his baseball dreams are over. But after the 1994 Major League Baseball strike prematurely ends the season, the playoffs, and even the World Series, Jake is about to get his lucky break. Strike be damned, the owners will have a team for the '95 season, even if they have to open tryouts and spring training to anyone who can hit or throw the ball.After scoring contracts for the Toronto Blue Jays, Jake, his best friend Brian Sloan, and an unlikely cast of new teammates have just six weeks to learn how to play like never before, amid a slowly building crescendo of public curiosity, media scrutiny, and a labor dispute that could put them on the field come Opening Day-or dash their dreams at any minute. Based on the true stories of the 1994-95 replacement players, Chasing the Big Leagues is an exciting novel about shared dreams and competing interests, best friends and second chances, growing up and finding love.

Unsettling and perceptive, these short stories challenge American girlhood in all its delusions, conflicting messages, and treacherous terrain. Wide- and wise-eyed, mysterious girls leave their realities behind for strange and slightly unreal places at the edges of the country. Alternatively they hover over their Midwestern homes in interior worlds of their own creation. The stories in Elegies for Uncanny Girls stand at a boundary where both the girls' bodies and their tales are either their own or laid claim to by the culture and characters that surround them. A young woman whose body continually shrinks and expands moves to Los Angeles to make a movie about tragic merpeople; bewildered and seeking guidance, a new mom strikes up a conversation with a woman with detachable hands; and spurred on by a new ally who might just be a figment of her imagination, a girl decides she can choose her own friends.

It's the 1930s in Texas when Charlie Bader comes of age with urges he has struggled with since childhood and does not understand. After his new bride finds him wearing her own sexy lingerie and leaves him in disgust, he tries to move on. His efforts lead him to Chicago, where he stumbles on a community of cross-dressers and begins to attend their secret soirees. When Pearl Harbor is bombed, he volunteers for the army, serving as a dentist and trying once again to leave his obsession with soft clothes behind. Instead, his wartime experiences combined with the army's faulty record-keeping lead to his reappearance in the small town of Heaven, Indiana, as Charlene. There, Charlene opens a beauty shop where Heaven's women safely share their stories and secrets as she shampoos, clips, curls, and combs their hair. Charlene deftly manages to keep her own story hidden and her sexual desires quiet until she falls in love with a female customer and her life begins to change.

After the Plains queered him, Dave Madden decided to return the favor. This outstanding collection of short stories tells the tale of a different kind of difference-one not set in the glittering lights of New York or Los Angeles, but in the grand and wide American Midwest. For Madden's characters, their queerness is part of the environment, like the soil, the sky, and the supermarket: an HIV-positive chemist uses football to connect with his brothers; a 17-year-old girl tussles with a cartoon cobra to avoid thinking about the mother who abandoned her; and a hotel concierge starts attending Mass even though his partner was molested by a priest. In seeking out the ordinary struggles of extraordinary people trying to figure out their place within families and communities, Madden masterfully explores what it means to be an outsider always looking in.

Searing, troubling, and funny, these revolutionary, linked stories flit and dart among the shadows of small town life, and the touching and heartbreaking characters that occupy it. Employees use roadkill instead of faux pelts during a build-a-critter battle for mall supremacy. Former band geeks are harassed with mutilated musical instruments and then murdered. The collection is haunted by allusions to a fatal cannonball jump that crescendos in the explosive final story. An extraordinary addition to the canon of gonzo fiction, Congratulations on Your Martyrdom! introduces Zachary Tyler Vickers as an exciting new author whose unflinching prose grabs you and won't let go.

Claire and Jim were friends, lovers, and sometimes enemies for 27 years. In order to get health insurance, they finally married, calling their anniversary the "e;It Means Absolutely Nothing"e; day. Then Jim was diagnosed with cancer. With ever-decreasing odds of survival, punctuated by arcs of false hope, Jim's deteriorating health altered their well-established independence as they became caregiver and patient, sharing intimacy as close as their own breaths. A year and a half into their marriage, Jim died from lung/brain cancer. Sustained by good dogs and gardening through the two years of madness that followed, Claire soldiered through home repairs, career disaster, genealogy quests, and "e;dating for seniors"e; trying to build a better life on the debris of her old one.Leave the Dogs at Home maps and plays with the stages of grief. Delightfully confessional, it challenges persistent, yet outdated, societal norms about relationships, and finds relief in whimsy, pop culture, and renewed spirituality.

After a tragic loss, an American woman investigates her birth family in Paris: ';The novel's twists and turns are wonderfully unexpected' (Emma Straub, author of Modern Lovers). In her early forties, Emma has recently lost her husband and daughter to a tragic auto accident. When her elderly aunt visits her Indiana home to provide comfort, and instead blurts out the news that Emma was adopted, a new kind of shock sets in. Soon, a still-mourning Emma finds herself flying to Paris, where she will discover the twin brother whose existence she never knew about, and the identity of her birth parentsa White Russian film star of the 1920s and a French Stalinist. A story about identity and the relationship between art and life, My Life as a Silent Movie is ';a beautiful, evocative novel [that] melds the magic of old movies with the redemptive power of family' (Jonis Agee,author of The Bones of Paradise). ';In this sharply drawn chronicle of grief, a woman reassembles her identity through her father's art and her brother's tenuous offer of a new life... Kercheval delves deeply into the rawest of emotions and the most wrenching of choices, richly detailing each twist and turn with grace.' Kirkus Reviews

Are we responsible for, and to, those forces that have formed us-our families, friends, and communities? Where do we leave off and others begin? In The Tribal Knot, Rebecca McClanahan looks for answers in the history of her family. Poring over letters, artifacts, and documents that span more than a century, she discovers a tribe of hardscrabble Midwest farmers, hunters, trappers, and laborers struggling to hold tight to the ties that bind them, through poverty, war, political upheavals, illness and accident, filicide and suicide, economic depressions, personal crises, and global disasters. Like the practitioners of Victorian "e;hair art"e; who wove strands of family members' hair into a single design, McClanahan braids her ancestors' stories into a single intimate narrative of her search to understand herself and her place in the family's complex past.

A stunning, poetic memoir ';that will transport readers to a time when a nation's youth searched for meaning against the backdrop of the Vietnam War' (Publishers Weekly). When she joins a pair of hitchhikers on a trip to California, a young Midwestern woman embarks on a journey of memory, beauty, and realization. This true story, set in 1971, recounts a fateful, nine-day trip into the American counterculture that begins on a whim and quickly becomes a mission to unravel a tragic mystery. The narrator's path leads her to Berkeley, San Francisco, Mill Valley, Big Sur, and finally to an abandoned resort motel that has become a down-on-its-luck commune in the desert of southern Colorado. The Glimpse Traveler describes with wry humor and deep feeling what it was like to witness a peculiar and impossibly rich time. ';A perceptive, engaging, intimate chronicle of the early 1970s, the road-weary hippie hitchhikers, the anti-war sentiment, the dope-induced haze. Boruch... captures this very specific, significant time and place with exquisite clarity and lyric detail and description.' Dinty Moore, author of Between Panic and Desire

';Alternately funny, entertaining, and heartbreaking, The Swan is a fictional memoir about love, death and what a family canand cannotendure.' Publishers Weekly Indianapolis, 1957. Ten-year-old Aaron Cooper has witnessed the death of his younger sister, Pookie, and the trauma has left him unwilling to speak. Aaron copes with life's challenges by disappearing into his own imagination, envisioning being captain of the Kon Tiki, driving his sled in the snowy Klondike, and tiger hunting in India. He is guarded by secret friends like deposed Hungarian Count Blurtz Shemshoian and Blurtz's wonder dog, Nipper, who protect him from the Creature from the Black Lagoonwho hides in Aaron's closet at night. The tales he constructs for himself, the real life stories he is witness to, and his mother's desperate efforts to bring her son back from the brink, all come to a head at an emotional family dinner. ';Funny, poignant and as endearing as its central character, The Swan is a wholly original tribute to childhood resilience.' San Jose Mercury News ';Had Kurt Vonnegut, William Saroyan, J. D. Salinger, Carlos Castaneda, Raymond Carver and James Thurber ever gathered at a writer's workshop to co-author a short novel, the product might well have been The Swan.' Terre Haute Tribune Star ';A surreal study of a grief observed indirectly, The Swan serves as a testament to the unbridled power of childhood vision, even and especially in the wake of tragedy.' Bloom magazine

William O'Rourke's singular view of American life over the past 40 years shines forth in these short essays on subjects personal, political, and literary, which reveal a man of keen intellect and wide-ranging interests. They embrace everything from the state of the nation after 9/11 to the author's encounter with rap, from the masterminds of political makeovers to the rich variety of contemporary American writing. His reviews illuminate both the books themselves and the times in which we live, and his personal reflections engage even the most fearful events with a special humor and gentle pathos. Readers will find this richly rewarding volume difficult to put down.

In this novel of a woman in search of the meaning of family, ';Hemley draws a quirky, droll road map of the human heart, with all its foibles and dangers' (Publishers Weekly). In 1963, when Lois Kulwicki's father loses his job at Studebaker along with hundreds of other workers, he acts as if he has just been promoted. He buys a new car (the only non-Studebaker he's ever purchased) and takes his family on vacation. On the way home, Mom dumps Dad at a Stuckey's, and that's the last they see of him. Thirty years later, Lois has a family of her own, as fractured as her childhood family. Divorced but still living with her ex, she decides to move out with her two daughters and start over. But then a stranger named Henry enters their lives. As they create their own ersatz family, Lois tries to recover something of what she lost, beginning with a search for her abandoned father. The Last Studebaker is a heartfelt comic tale of lives changed forever, after the last Studebaker rolled off of the assembly line in South Bend, Indiana. ';[Hemley] has infused just the right amount of humor and pathos into his exploration of how people discover and maintain connections in these bewildering times.' The New York Times Book Review

Michael Martone is Professor of English at the University of Alabama¿Tuscaloosa. He is author of many books including Four for a Quarter: Fictions; Double-wide: Collected Fiction of Michael Martone (IUP, 2007); and editor of Not Normal, Illinois: Peculiar Fiction from the Flyover (IUP, 2009). Martone was the winner of the 2013 National Indiana Authors Award.Bryan Furuness teaches at Butler University and is author of The Lost Episodes of Revie Bryson.

Colin Rafferty teaches creative writing at the University of Mary Washington. His website is colinrafferty.com.

B. J. Hollars is author of two award-winning nonfiction books, Thirteen Loops: Race, Violence and the Last Lynching in America and Opening the Doors: The Desegregation of the University of Alabama and the Fight for Civil Rights in Tuscaloosa, as well as Sightings (IUP, 2013) and Dispatches from the Drownings: Reporting the Fiction of Nonfiction. He is Assistant Professor of English at the University of Wisconsin-Eau Claire.

Presents a collection of stories that celebrate an American region too often ignored in discussions about distinctive regional literature

The threatened loss of their land disrupts the lives of a rural family