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Hannibal's enduring reputation as a man and as a general is due to his enemies' fascination with him. The issue of whether he might indeed have changed history had he postponed conflict with Rome and concentrated first on Carthage's own prosperity and safety is explored in this volume as vigorously as the military questions.
They are seven unique works, only alike in the fact that they are all major masterpieces.Focusing on the tragedies' dramatic power and the challenges with which they confront an audience, Morwood refuses to confine them within a supposedly Sophoclean template.
Based on analysis of the visual and narrative fabric of seven films set in Ancient Rome, 'Ancient Rome at the Cinema' demonstrates how cinematic versions of Ancient Rome have been able to captivate us, and inscribe their versions of the city and its history onto our imagination.
Explains just how and why Augustine came to abandon a successful career and the personal enjoyments of a largely secular existence to follow a life of prayer and study, leading to a true comprehension of God and the Bible. This title deals with Augustine's own experiences of religion, philosophy and Christian faith.
Garland pays particular attention to the day of Caesar's death, which can, like no other day of the ancient world, be re-constructed on an almost hour-by-hour basis.
Of all the Roman poets Catullus is the most accessible for the modern reader. In six concise chapters Godwin deals with the cultural background to Catullus' poetic production, its literary context, the role of love, Alexandrian learning and obscenity and, in the final chapter, considers the coherence and rationale of the collection as a whole.
The tyrants of Greece are some of the most colourful figures in antiquity, notorious for their luxury, excess and violence, and provoking heated debates among political thinkers. Greek Tyranny examines the phenomenon of autocratic rule outside the law in archaic and classical Greece, offering a new interpretation of the nature of tyranny.
Starting from the premise that we must cease to view the classical Greek house through the lens of contemporary Western notions of the household, Janett Morgan provides a fresh evaluation of what 'home' meant to different communities in the ancient Greek world.
Rome's first emperor, Augustus, the adopted son of Julius Caesar, has probably had the most lasting effect on history of all rulers of the classical world. He also considers the contrasting fates of the main poets of Augustus' reign, Virgil and Ovid, and the public monuments that - as much as poetry -- served to shape his reputation.
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