Bøger i British Popular Cinema serien

British comedy cinema has been a mainstay of domestic production since the beginning of the last Century and arguably the most popular and important genre in British film history. This edited volume will offer the first comprehensive account of the rich and popular history of British comedy cinema from silent slapstick and satire to contemporary romantic comedy.

British Women's Cinema examines the place of female-centred films throughout British film history, from silent melodrama and 1940s costume dramas right up to the contemporary British 'chick flick'.

Going beyond the Hammer, this book investigates a wealth of horror filmmaking in Britain from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man.

This book explores the breadth of British sci-fi films through readings of key films, examining the factors that shaped them, and the concerns they reflect, through the postwar boom years to the more sporadic production of recent times.

Including interviews with key directors including Mike Hodges and Donald Cammel, this book analyzes films such as Shallow Grave, Brighton Rock and The Ladykillers to present the first substantial study of British cinema's most neglected genre.

Drawing together a range of essays, this is the history of lesbian, gay and queer representation in British cinema. From the early years of 'Pre-Gay, through the post-war gay liberation, and the 'post-AIDS' queer generations, it provides an historical perspective on queer cinema. It is for students of queer studies and British cinema history.

From Elizabeth to Carry On Up The Khyber, and from the heritage-film debate to issues of authenticity and questions of genre, British Historical Cinema explores the ways in which British films have represented the past on screen.

British Women's Cinema examines the place of female-centred films throughout British film history, from silent melodrama and 1940s costume dramas right up to the contemporary British 'chick flick'.

Going beyond the Hammer, British Horror Cinema investigates a wealth of horror filmmaking in Britain from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man.

The first substantial study of this neglected genre, British Crime Cinema stresses the centrality of the crime film to understanding masculinity in British cinema, and the shifting gender relations of postwar Britain.

Explores the breadth of British sci-fi films through readings of key films, examining the factors that shaped them, and the concerns they reflect, through the postwar boom years to the more sporadic production of recent times.

Drawing together a range of essays, this is the history of lesbian, gay and queer representation in British cinema. From the early years of 'Pre-Gay, through the post-war gay liberation, and the 'post-AIDS' queer generations, it provides an historical perspective on queer cinema. It is for students of queer studies and British cinema history.