Bøger i Cambridge Studies in Sociology serien

This final book in The Affluent Worker series was originally published in 1969. It contains the findings and conclusions on the issues the research was specifically designed to investigate - the extent of working class embourgeoisment. This thesis is examined in the several contexts of work, sociability, social aspirations and imagery.

This book tells the story of the complete move in 1965/1966 of Alfred Bird and Sons Limited from central Birmingham to Banbury, in which a large proportion of the labour force was successfully transferred. Focusing on the relocation decision made by individual employees, the author also contributed to many varied areas of debate.

Robert Reiner addresses the way in which police unions had become increasingly militant and formed a significant political force, demanding better pay, conditions and a say in social and penal policy. This 1978 study considers the development of British police unionization, and the views of the police themselves towards unionism.

This book represents an advance in our knowledge of the labour market. For the first time it demonstrates the segmented character of the youth labour market and the significance of the local labour markets.

Dancing was an essential part of life in Shakespeare's England. Town and country folk danced at weddings, Maydays and other festivities. Queen Elizabeth prided herself on her skill (and danced galliards in the morning to keep fit), and dancing was the soul of the extravagant masques which so delighted King James. Puritans might furiously denounce it but it was part of the ceremonial of the Inns of Court and a necessary accomplishment for a gentleman. At the same time, as Alan Brissenden shows in this book, the dance was an accepted symbol of harmony, and it was in this way that Shakespeare used it to express one of his major themes: the attempt to achieve order in a discordant world. He included it in at least a dozen of his plays and referred to it in thirty. A valuable source for his imagery, it also illuminates character and action and in some plays helps to forward the plot. In the history plays allusions to country dance, (especially the morris, and court dances like the lavolta) support ideas of conflict and the presentation of characters, especially Henry V. While there is no dancing itself in the histories there is plenty to be found in the comedies and two chapters of the book closely examine the relation of dance to dialogue, character and plot, particularly in "Love's Labour's Lost," "A Midsummer Night's Dream" and "Much Ado About Nothing." In the tragedies dancing becomes a powerful ironic visual symbol, especially in Romeo and Juliet, Macbeth and Timon of Athens. After 1607 dance occurs in almost all of Shakespeare's plays, in such a way that it reflects and expresses the fusion of tragic and comic elements which characterize most of them. The closing chapters show how the dance relates to the cosmic ideas and imagery of these last plays from Perides to Henry VIII and suggest certain influences from the spectacular court masques of the time. In presenting his argument the author, who is a dance critic as well as an Elizabethan scholar, has drawn on manuscript sources, a wide range of contemporary writing, including dance manuals, and his own ideas in dance and theatre. This is a book for students and scholars, for editors, for theatre directors and for those interested in Renaissance dance. It is a book for everyone who delights in the riches of Shakespeare and the age in which he lived.

Originally published in 1970, this book deals with the problems of men aged 35-40 who have invested half a work-life in one type of career and may now be at a turning-point. It juxtaposes the viewpoints of senior management and the man whose career is simultaneously a building block in a task-centred system and the repository of his identity.

An analysis of change in the middle levels of the American class structure. Dr Mackenzie's study is designed to test the common assertion in the press and in recent American academic sociology that the line separating the working class from the middle class is becoming increasingly blurred.

The affluent workers studied in this book, originally published in 1968, were employees of three major industrial concerns sited in Luton at the time. the authors examine in detail workers' experience of their industrial jobs, their relations with workmates, and the nature of their attachment both to the organizations which employ them and to their trade unions.

This 1968 volume, the second of The Affluent Worker monographs, reports on the voting and political attitudes of highly paid manual workers in Luton. On the basis of material from interviews, the authors give an account of the workers' political orientations and analyse voting in relationship to income house ownership, social origin and trade union membership.

This book represents an advance in our knowledge of the labour market. For the first time it combines the analysis of both quantitative and qualitative data to produce an explanation of the main changes which have transformed the labour market during the recession. For the first time it demonstrates the segmented character of the youth labour market and the significance of the local labour markets. The result is a substantial contribution to labour market segmentation theory and to the analysis of social policy in this field.