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In West Java, Indonesia, all it takes is a woman's voice and a drumbeat to make a man get up and dance. The author draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing that Sundanese men use dance to explore and enact contradictions in their gender identities.
Audio, video, and musical examples may be accessed on the accompanying website, https:///sites.tufts.edu/ambientsufis
Focusing on popular huayno music and the ways it has been promoted to Peru's emerging middle class, the author tells a complex story of identity making and the marketing forces entangled with it, providing crucial insights into the dynamics among art, class, and ethnicity that reach far beyond the Andes.
The contributors explore the intimate relationships between music & gender, across the wide range of cultures around the Mediterranean. Essays examine musical behaviour as representation, assertion, and transgression of gender identities.
Presents an account of the healing trance music created by the descendants of sub-Saharan slaves brought to Tunisia during the eighteenth and nineteenth centuries. Part ethnography, part history of the complex relationship between Tunisia's Arab and sub-Saharan populations, this book is also suitable for students of ethnomusicology, and religion.
Explores how musicians, both individually and collectively, learn to improvise. Chronicling musicians from their first encounters with jazz to the development of a unique improvisatory voice, Berliner demonstrates that a lifetime of preparation lies behind the skilled improviser's every note.
Presents the voices of three musicians - queer nightclub star Zeki Muren, arabesk originator Orhan Gencebay, and pop diva Sezen Aksu - who collectively have dominated mass media in Turkey since the early 1950s. Using these three singers as a lens, the author examines Turkey's repressive politics and civil violence as well as its public life.
In 1978, four musicians crowded into a cramped basement theater in downtown Seoul, where they, for the first time, brought the rural percussive art of p'ungmul to a burgeoning urban audience. This title traces this reinvention through the rise of the Korean supergroup.
Describes the development of chimaycha, a Quechua-language music genre, over the last fifty years, in order to show how changes in performance track and drive evolving conceptions of Andean indigeneity over the same period.
"A companion to The Art of Mbira, Mbira's Restless Dance features thirty-nine of master musician Cosmas Magaya's full-length mbira compositions, plus Magaya's commentaries on them--a patchwork of observations, reflections, analyses, performer's notes and pedagogical advice--along with Paul Berliner's notes and interpretations of various features of the music"--Publisher's info.
Representing a broad range of academic disciplines and geographic regions, this work examines how the imagination of race has influenced musical production, reception, and scholarly analysis. It reviews the history of race in European and American, non-Western and global music.
Examines art music by Haitian and African American composers who were inspired by Haiti's history as a nation created by slave revolt. This title also highlights the contributions of many Haitian and African American composers who wrote music that brought rhythms and melodies of the Vodou ceremony to local and international audiences.
Illustrating the practices and processes of musical improvisation, this text includes contributions by 17 scholars and improvisers. It offers a history of research and an overview of the different approaches to the topic that can be used, ranging from cognitive study to detailed musical analysis.
Umm Kulthum was a celebrated musical performer in the Arab world, and her songs still permeate the international airwaves. This, the first English-language biography, chronicles her life and career. In particular, it examines her success in a society which discouraged women from public performance.
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