Bøger i Comparative Cultural Studies serien

Faust Adaptations, edited and introduced by Lorna Fitzsimmons, takes a comparative cultural studies approach to the ubiquitous legend of Faust and his infernal dealings. Including readings of English, German, Dutch, and Egyptian adaptations ranging from the early modern period to the contemporary moment, this collection emphasizes the interdisciplinary and transcultural tenets of comparative cultural studies. Authors variously analyze the Faustian theme in contexts such as subjectivity, genre, politics, and identity. Chapters focus on the work of Christopher Marlowe, Johann Wolfgang von Goethe, Adelbert von Chamisso, Lord Byron, Heinrich Heine, Thomas Mann, D. J. Enright, Konrad Boehmer, Mahmoud Aboudoma, Bridge Markland, Andreas Gossling, and Uschi Flacke. Contributors include Frederick Burwick, Christa Knellwolf King, Ehrhard Bahr, Konrad Boehmer, and David G. John. Faust Adaptations demonstrates the enduring meaningfulness of the Faust concept across borders, genres, languages, nations, cultures, and eras. This collection presents innovative approaches to understanding the mediated, translated, and adapted figure of Faust through both culturally specific inquiry and timeless questions.

Focusing on the Anglophone Caribbean, this book describes the rise and gradual consolidation of the visual arts avant-garde, which came to international attention in the 1990s. The book is centred on the critical and aesthetic strategies employed to repudiate the previous generation's commitment to modernism and anti-colonialism.

Why are twentieth-century novelists from former British colonies in the Americas preoccupied with British Romantic poetry? In Romantic Revisions, Lauren Rule Maxwell examines five novels-Kincaid's Lucy, Atwood's The Handmaid's Tale, McCarthy's Blood Meridian, Fitzgerald's The Great Gatsby, and Harris's Palace of the Peacock-that contain crucial scenes engaging British Romantic poetry.

While a large amount of scholarship about Milan Kundera's work exists, in Liisa Steinby's opinion, his work has not been studied within the context of (European) modernity as a sociohistorical and a cultural concept. Steinby's book fills this vacuum by analysing Kundera's novels from the viewpoint of his understanding of the existential problems in the culture of modernity.

A historical-textual study about transformations of the aesthetics of the sublime - the literary and aesthetic quality of greatness under duress - from early English Romanticism to the New Poetry Movement in twentieth-century China.

Drawing from Anglo-American, Asian American, and Asian literature as well as J-horror and manga, Chinese cinema and Internet, and the Korean Wave, Sheng-mei Ma's Asian Diaspora and East-West Modernity probes into the conjoinedness of West and East, of modernity's illusion and nothing's infinitude.

Analyses historical, architectural, visual, literary, and philosophical perspectives on the Western-styled garden that formed part of the great Yuanming Yuan complex in Beijing. Through detailed examination of historical literature and representations, it explores the ways in which the Jesuits accommodated their design within the Chinese cultural context.

A collection of essays that continues Steven Kellman's work in the fertile field of translingualism, focusing on the phenomenon of switching languages. Topics covered include the significance of translingualism; translation and its challenges; immigrant memoirs; and Ilan Stavans, a prominent translingual author and scholar.

Examines how Afghanistan has been imagined in texts that were published after the 9/11 attacks and the subsequent US-led invasion. Through an analysis of fiction, graphic novels, memoirs, drama, and film, the book demonstrates that writing and screening ""Afghanistan"" has become a conduit for understanding our shared post-9/11 condition.

Examines a key moment in the development of the modern gay novel by analysing four novels by German, British, and American writers. James P. Wilper studies how the texts are influenced by and respond and react to four schools of thought regarding male homosexuality in the late nineteenth and early twentieth centuries.

In Women's Tanci Fiction in Late Imperial and Early Modern China, Li Guo presents the first book-length study in English of women's tanci fiction, the distinctive Chinese form of narrative written in rhymed lines during the late imperial to early modern period (related to, but different from, the orally performed version also called tanci). She explores the tradition through a comparative analysis of five seminal texts. Guo argues that Chinese women writers of the period position the personal within the diegesis in order to reconfigure their moral commitments and personal desires. By fashioning a "e;feminine"e; representation of subjectivity, tanci writers found a habitable space of self-expression in the male-dominated literary tradition.Through her discussion of the emergence, evolution, and impact of women's tanci, Guo shows how historical forces acting on the formation of the genre serve as the background for an investigation of cross-dressing, self-portraiture, and authorial self-representation. Further, Guo approaches anew the concept of "e;woman-oriented perspective"e; and argues that this perspective conceptualizes a narrative framework in which the heroine (s) are endowed with mobility to exercise their talent and power as social beings as men's equals. Such a woman-oriented perspective redefines normalized gender roles with an eye to exposing women's potentialities to transform historical and social customs in order to engender a world with better prospects for women."e;This work will be a significant contribution to scholarship. Chinese women's tanci novels in late imperial Qing and early twentieth-century China are numerous in collections; however, their scholarly studies are still insufficient. This book covers some understudied tanci texts and sheds new insights in the studied area. It also brings in association study with other Chinese writing genres during the late Qing period, as well as comparative perspective within the world culture when possible."e; Qingyun Wu, California State University, Los Angeles

In Transcultural Writers and Novels in the Age of Global Mobility, Arianna Dagnino analyzes a new type of literature emerging from artists increased movement and cultural flows spawned by globalization. This "e;transcultural"e; literature is produced by authors who write across cultural and national boundaries and who transcend in their lives and creative production the borders of a single culture. Dagninos book contains a creative rendition of interviews conducted with five internationally renowned writersInez Baranay, Brian Castro, Alberto Manguel, Tim Parks, and Ilija Trojanowand a critical exegesis reflecting on thematical, critical, and stylistical aspects.By studying the selected authors corpus of work, life experiences, and cultural orientations, Dagnino explores the implicit, often subconscious, process of cultural and imaginative metamorphosis that leads transcultural writers and their fictionalized characters beyond ethnic, national, racial, or religious loci of identity and identity formation. Drawing on the theoretical framework of comparative cultural studies, she offers insight into transcultural writing related to belonging, hybridity, cultural errancy, the "e;Other,"e; worldviews, translingualism, deterritorialization, neonomadism, as well as genre, thematic patterns, and narrative techniques. Dagnino also outlines the implications of transcultural writing within the wider context of world literature (s) and identifies some of the main traits that characterize transcultural novels.

Brazil and France have explored each other's geographical and cultural landscapes for more than five hundred years. In this volume, international scholars evaluate these reciprocal transnational explorations, from the earliest French interventions in Brazil in the sixteenth century to the growing mutual influence that the nations have exerted on one another in the twenty-first century.

Adopting an empirical and systematic approach, this interdisciplinary study of medieval Persian Sufi tradition and Attr (1145-1221) opens up a new space of comparison for reading and understanding medieval Persian and European literatures. The book invites us on an intellectual journey that reveals exciting intersections that redefine the hierarchies and terms of comparison.

Explores the intersection between scientific understanding and cultural representation from an interdisciplinary perspective. Contributors analyse representations of science and scientific discourse from the perspectives of rhetorical criticism, comparative cultural studies, narratology, educational studies, discourse analysis, naturalized epistemology, and the cognitive sciences.

Fills an important gap in Roth scholarship, placing Roth's major works of fiction in the context of a generational interest in religious redemption among the Jewish intellectuals of Central Europe. Piloiu argues that Roth's literary output is the result of an attempt to recast moral, political, and historical realities of an empirically observable world in a new, religiously transfigured reality.

Fojas engages the work of Enrique Gomez Carrillo, the travel writings of Aurelia Castillo de Gonzalez, and Rodo's Ariel, which share a common principle of the practical application of cosmopolitanism. They sometimes conceptualize models of hospitality and sometimes fail, but keep the broken promise of utopist spaces and their imagined cities.

The studies presented in the collected volume are intended as an addition to scholarship in (comparative) cultural studies. More specifically, the articles represent scholarship about Central and East European culture with special attention to Hungarian culture, literature, cinema, new media, and other areas of cultural expression.

Berlin, Budapest, Prague, and Warsaw are cities indelibly marked by more than forty years of Soviet influence. This title explores the ways in which these major urban centres have redefined their identities over the years.

Discusses aspects of terror with regard to human rights events across the globe, but especially in the United States, Latin America, and Europe. This title demonstrates that the need to question continuously and to engage in permanent critique does not contradict the need to seek answers, to advocate social change, and to intervene critically.

A comprehensive account of the writing and thought of the Polish writer Witold Gombrowicz.

Shows readers how ideas of Asia operate in Shakespeare performances and how Asian and Anglo-European forms of cultural production combine to transcend the mode of inquiry that focuses on fidelity. This book shows how the history of how Shakespeare became a signifier against which Asian and Western cultures defined themselves.

Contains papers by scholars working in Holocaust Studies in Australia, Germany, Hungary, Israel, Serbia, the United Kingdom, and the US.

Analyzes contemporary texts that bond together two seemingly antithetical sensibilities: the sentimental and the postmodern. This book presents case studies of audience responses to ""The Piano"", ""Kiss of the Spider Woman"", and ""Northern Exposure"". It argues that sentimental postmodernism deepened leftist political engagement.

Provides a comparative cultural analysis of the unprecedented success of the Jewish novel in the postwar United States by situating the process and event in the context of three closely-related American cultural movements: the popularity in the US of French philosophical and literary existentialism, the increasing visibility of the Holocaust in US-American life, and the advent of radical theology.

Provides a tangible and workable philosophical and cultural discourse within which to present an alternative understanding of subjectivity by engaging in a theoretical discussion with the philosophical discourse on potentiality and immanence, of which the writings of Gilles Deleuze and Giorgio Agamben are among the most advanced and innovative examples to date.

This collection of papers follows the objectives of a work published in ""CLCWeb: Comparative Literature and Culture - a WWWeb Journal"", namely, the publishing of new work in comparative literature, cultural studies and comparative cultural studies.