Bøger i Contemporary French and Francophone Cultures serien

Sex, Sea, and Self reassesses the place of the French Antilles and French Caribbean literature within current postcolonial thought and visions of the Black Atlantic.

This book argues that contemporary Haitian literature historicizes the political and environmental problems raised by the 2010 earthquake by building on texts of earlier generations. It contends that this literary "eco-archive" challenges universalizing narratives of the Anthropocene with depictions of migration and refuge within Haiti and around the Americas.

This exhaustive reading of the review Lignes provides the first in depth study of a French intellectual periodical publication form the 1980s to the contemporary moment.

This collection of essays explores historical and conceptual locations of Guyane, as a relational space characterised by dynamics of interaction and conflict. Does Guyane have, or has it had, its own place in the world, or is it a borderland which can only make sense in relation to elsewhere?

This book reconsiders authorship by the descendants of North African immigrants to France by consulting how these authors' novels have been discussed and promoted in the national audio-visual media.

This book explores the impossible dilemma facing Francophone intellectuals writing in the lead-up to decolonisation: How could they redefine their culture, and the 'humanity' they felt had been denied by the colonial project, in terms that did not replicate the French thinking by which they were formed?

A collection of 23 riveting essays on aspects of contemporary French culture by the superstars of the field.

This book proposes to examine French and Francophone intellectual history in the period leading to the decolonization of sub-Saharan Africa (1945-1960).

This book, a sensuous evocation of images of the reclining nude, claims a female-identified pleasure in looking. Agnes Varda, Catherine Breillat, and Nan Goldin are re-imagining images of female beauty, display, (auto)eroticism, and intimacy. The reclining nude is compelling, for female-identified artists in the ethically adventurous, politically complex feminist issues it engages.

This book takes a new look at the 'spatial turn' in French cultural and critical theory since 1968. It examines how key thinkers (inc. Henri Lefebvre, Michel de Certeau, Jean Baudrillard, Marc Auge, Paul Virilio, Bruno Latour and Etienne Balibar) reconsider the experience of space in the midst of considerable political and economic turmoil.

The question `What is Quebecois literature?' may seem innocent and answerable, yet Rosemary Chapman's compelling study shows that to answer it is to chart the cultural history of French Canada, to put francophone writing in Canada in postcolonial context and to ask whether literary history, with its focus on the nation, is in fact obsolete.

A monograph that is dedicated to the work of Valentin Yves Mudimbe. It charts the history of the seminal Congolese philosopher, epistemologist, and philologist from the late 1960s to the present day, exploring his major essays and novels. It highlights Mudimbe's trajectory through major debates on African nationalism, and Panafricanism.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. French Cycling: a Social and Cultural History aims to provide a balanced and detailed analytical survey of the complex leisure activity, sport, and industry that is cycling in France.

Exile and Post-1946 Haitian Literature reinterprets and analyses post-1946 Haitian writing as a literature of exile. The breadth and scope of this book will attract scholars and students with interests in fields such as Caribbean studies, postcolonial studies, francophone studies, migration studies, and African-American studies.

A full-length account of Barthes' lecture courses given in Paris,1977-80, placing his teaching within institutional, intellectual and personal contexts. Analysing texts and recordings of the four lectures together with his 1970s output, it brings together all the strands of Barthes' activity as writer, teacher and public intellectual.

This book analyses how the idea - or the problem - of belonging is articulated in a range of contemporary francophone Mauritian novels. Waters explores how forms of affective belonging intersect with the exclusionary 'politics of belonging' in novels by Nathacha Appanah, Ananda Devi, Shenaz Patel, Bertrand de Robillard, Amal Sewtohul and Carl de Souza.

Traces of War examines how the trauma of the Second World War influenced the work of the brilliant generation of writers and intellectuals who lived through it.

Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, departmentalization, dictatorship, overseas collectivity and occupation. Given the strictures and structures of colonialism long imposed upon the colonized subject, the (re)makings of identity have proven anything but evident when it comes to determining authentic expressions and perceptions of the postcolonial self. By way of close readings of both constructions in literature and the construction of literature, Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean proposes an original, informative frame of reference for understanding the long and ever-evolving struggle for social, cultural, historical and political autonomy in the region. Taking as its point of focus diverse canonical and lesser-known texts from Guadeloupe, Martinique and Haiti published between 1958 and 2013, this book examines the trope of the house (architecture) and the meta-textual construction of texts (architexture) as a means of conceptualizing and articulating how authentic means of expression are and have been created in French-Caribbean literature over the greater part of the past half-century - whether it be in the context of the years leading up to or following the departmentalization of France's overseas colonies in the 1940's, the wrath of Hurricane Hugo in 1989, or the devastating Haiti earthquake of 2010.

This book provides a vital new reading of documentary and realist fiction film of the French 1930s that focuses on how these genres interlock their representations of urban spaces and places.

Considered by many as one of the most innovative writers to hit the French literary scene in over 40 years, Chamoiseau made his name with his book Texaco (published in 1992 and winner of the highest literary prize in France, the Prix Goncourt). This book examines the work of the award-winning writer Patrick Chamoiseau.

Over the past two decades interest in travel has developed significantly. As well as exploring the reasons for Africans' exclusion from the genre, the book examines the important relationship between ethnicity and travel and identifies the concerns and preoccupations that define African writers' approaches to travel.

Historically and contemporarily, politically and literarily, Haiti has long been relegated to the margins of the so-called 'New World.' This book looks at the works of three such writers: the Haitian Spiralists Franketienne, Jean-Claude Fignole, and Rene Philoctete.

At a time when the world is contemplating the depletion of non-renewable natural resources, the consumer society is increasingly being called into question.