Bøger i Continuum Renaissance Drama serien

"A Midsummer Night's Dream" is one of Shakespeare's most widely studied comedies. This guide offers students an introduction to its critical and performance history, including notable stage productions, TV, and film versions as well as opera and ballet. It includes a keynote chapter outlining major areas of research on the play.

Presents a comprehensive introduction to Ben Jonson's "Volpone" - introducing its critical history, performance history, critical landscape and new directions in research on the play. This guide offers students an introduction to its critical and performance history, including recent versions on stage and screen.

"King Lear" is one of Shakespeare's most performed and studied plays - seen as one of the most significant and universal tragedies of all time. This guide introduces the play's critical and performance history, including notable stage productions alongside TV, film and radio versions.

"Doctor Faustus" is Christopher Marlowe's most popular play and is often seen as one of the overwhelming triumphs of the English Renaissance. This book presents an introduction to Marlowe's "Doctor Faustus" - introducing its critical history and performance history.

John Ford's tragedy "Tis Pity She's A Whore" was first performed between 1629 and 1633 and since then its themes of incest, love versus duty and forbidden passion have made it a widely studied and performed play. This guide offers students an introduction to its critical and performance history, including TV and film adaptations.

"Doctor Faustus" is Christopher Marlowe's most popular play and is often seen as one of the overwhelming triumphs of the English Renaissance. This book presents an introduction to Christopher Marlowe's "Doctor Faustus" - introducing its critical history, performance history, the critical landscape and directions in research on the play.

As perhaps the best-known and most-studied work in the canon of Shakespeare's leading contemporary rival, Ben Jonson's "Volpone" (1606) is a particularly important play for thinking about early modern drama as a whole. This guide offers students an introduction to its critical and performance history, including recent versions on stage and screen.

John Ford's tragedy "Tis Pity She's A Whore" was first performed between 1629 and 1633 and since then its themes of incest, love versus duty and forbidden passion have made it a widely studied and performed play. This guide offers students an introduction to its critical and performance history, including TV and film adaptations.

"A Midsummer Night's Dream" is one of Shakespeare's most widely studied comedies. This guide offers students an introduction to its critical and performance history, including notable stage productions, TV, and film versions as well as opera and ballet. It includes a keynote chapter outlining major areas of research on the play.

Thomas Middleton's intense study of betrayal, corruption, lust and violence, "Women Beware Women", is one of the revenge tragedies most commonly studied and performed. This guide offers an introduction to its critical and performance history, including notable stage productions, TV, audio and film versions and dramatic and text adaptations.

Thomas Middleton's intense study of betrayal, corruption, lust and violence, "Women Beware Women", is one of the revenge tragedies most commonly studied and performed. This guide offers an introduction to its critical and performance history, including notable stage productions, TV, audio and film versions and dramatic and text adaptations.

"The Duchess of Malfi" was first performed in 1614 and published in 1623. This guide offers students and scholars an introduction to its critical and performance history, including recent versions on stage and screen. It includes an annotated bibliography that provide a basis for further individual research.

"I Henry IV" has always been one of Shakespeare's most popular plays and this critical guide offers a comprehensive guide to the wide range of criticism on the play and its central figures, including Falstaff. This book introduces the play's critical and performance history, including stage productions alongside TV, film and radio versions.