Bøger i Critical Explorations in Science Fiction and Fantasy serien

Science and science fiction have become inseparable--with common stories, interconnected thought experiments, and shared language. This reference book lays out that relationship and its all-but-magical terms and ideas. Those who think seriously about the future are changing the world, reshaping how we speak and how we think. This book fully covers the terms that collected, clarified and crystallized the futurists' ideas, sometimes showing them off, sometimes slowing them down, and sometimes propelling them to fame and making them the common currency of our culture. The many entries in this encyclopedic work offer a guided tour of the vast territories occupied by science fiction and futurism. In his Foreword, David Brin says, "Provocative and enticing? Filled with 'huh!' moments and leads to great stories? That describes this volume."

A prolific author, Isaac Asimov is most admired for his science fiction, including his collection of short stories I, Robot and his Robot, Empire and Foundation series novels. While each of these narratives takes place in a different fictional universe, Asimov asserted at the end of his career that he had, with his last Robot and Foundation novels, unified them into one coherent metaseries. This reference work identifies and describes all of the characters, locales, artifacts, concepts and institutions in Asimov's metaseries. Mimicking the style of The Encyclopedia Galactica, the fictional compendium of all human knowledge that features prominently in the Foundation series, this encyclopedia is an invaluable companion to Asimov's science fiction oeuvre.

As a pop culture text, the animated series Star Wars: The Clone Wars offers critical commentary on contemporary issues, marking a moment of interplay whereby author and audience come together in collaborative meaning making. This book critically examines the series as a voice in the political dialogues concerning human cloning, torture, just war theory, peace and drone warfare.

Explores the connections between mythopoeic fantasy and the critical apparatuses of ecocriticism and posthumanism. Beginning with S.T. Coleridge's theories of the imagination as embodied in The Rime of the Ancient Mariner, the book moves on to explore standard mythopoeic fantasists such as George MacDonald, C.S. Lewis, and J.R.R. Tolkien. Taking a step outside these mythopoeic fantasists, the concluding chapters discuss Algernon Blackwood and Ursula Le Guin.

H. Beam Piper is one of science fiction's most enigmatic writers. In 1946 Piper appeared seemingly from out of nowhere, already at the top of his form. He published a number of memorable short stories in the premier science fiction magazine of the time, Astounding Science Fiction, under legendary editor John W. Campbell. Piper quickly became friends with many of the top writers of the day, including Lester Del Rey, Fletcher Pratt, Robert Heinlein and L. Sprague de Camp. Piper also successfully made the turn from promising short story writer to major novelist, authoring Four-Day Planet, Cosmic Computer, Lord Kalvan of Otherwhen and Little Fuzzy, which was nominated for a Hugo award. Even those who counted Piper among their friends knew very little about the man or his life as a railroad yard bull in Altoona, Pennsylvania. This biography illuminates H. Beam Piper, both the writer and the man, and answers lingering questions about his death. Appendices include a number of Piper's personal papers, a complete bibliography of Piper's works, and an essay on Piper's Terro-Human Future History series.

Suzette Hayden Elgin's Native Tongue trilogy, Suzy McKee Charna's Holdfast series, and Margaret Atwood's The Handmaid's Tale are analyzed, with a focus on how they cover the interrelated categories of gender, race and class, along with their relationship to classic literary dualism and the dystopian narrative.

Examines how women authors have explored fantasy fiction in ways that connect with feminist narrative theories.

A study of French-language science fiction from Canada that provides an introduction to the subgenre known as 'SFQ' (science fiction from Quebec). It demonstrates how these multivolume narratives of colonization and postcolonial societies exploit themes typical of postcolonial literatures.

Concentrating both on studies of Philip K. Dick's writing from recent critical perspectives, and on reassessing his legacy in light of his new status as a "major American author", these essays explore, just what happened culturally and critically to precipitate his extraordinary rise in reputation.

From the Star Wars expanded universe to Westworld, the science fiction western has captivated audiences for over fifty years. This unique collection concentrates on the female characters in the contemporary science fiction western, addressing themes of power, agency, intersectionality and the body.

We live in an information economy, a vast archive of data ever at our fingertips. In the pages of science fiction, powerful entities - governments and corporations - seek to use this archive to control society, enforcing conformity or turning citizens into passive consumers. Opposing them are protagonists fighting to liberate the collective mind.

Offers a critical study of the fantastic religions and religious themes present in the works of selected American and Canadian writers. The aim is to reveal and investigate these authors' references to biblical tradition and Christian teachings in order to examine their overall approach to Christianity and to comment on the relationship between Christianity and the fantasy genre.

What are the greatest, most widely read, most influential, most translated and most adapted children's classics? Lewis Carroll's Alice's Adventures in Wonderland and Through the Looking-Glass and Carlo Collodi's Le Avventure di Pinocchio are candidates, and through them this book explores what it means to be transnational fantasy icons.

This companion to Frank Herbert's six original Dune novels provides an encyclopaedia of characters, locations, terms and other elements, and highlights the series' underrated aesthetic integrity. An extensive introduction covers themes of ecology, chaos theory, concepts and structures, and Joseph Campbell's monomyth in Herbert's narrative.

Interpreted and adapted for more than a century, H.G. Wells' texts have resisted easy categorization and are perennial subjects for emerging critical and theoretical perspectives. The author examines Wells' works through the post-structuralist philosophy of Gilles Deleuze. Via this critical perspective, concepts now synonymous with science fiction demonstrate the intrinsic relevance of Wells.

From wondrous fairy-lands to nightmarish hellscapes, the elements that make fantasy worlds come alive also invite their exploration and study. This first book-length study of critically acclaimed novelist Patricia A. McKillip's lyrical other-worlds analyses her characters, environments and legends and their interplay with genre expectations.

Provides a study of Tolkien's life and influences through an analysis of ""The History of Middle Earth"". This title presents a biography and an analysis of the major influences in Tolkien's early life. It deals with elements common to Tolkien's popular works, including cosmogony, theogony, cosmology, metaphysics, and eschatology of Middle Earth.

One of the major figures in science fiction for more than sixty years, James Gunn has been instrumental in making the genre one of the most vibrant and engaging areas of literary scholarship. His genre history Alternate Worlds and his The Road to Science Fiction anthologies introduced countless readers to science fiction. He founded the Gunn Center for the Study of Science Fiction in 1982. But Gunn has also been one of the genre's leading writers. His classic novels Star Bridge (with Jack Williamson), The Joy Makers, The Immortals and The Listeners helped shape the field. Now in his nineties, he remains a prominent voice. His forthcoming novel is Transformation. Drawing on materials from Gunn's archives and personal interviews with him, this study is the first to examine the life, career and writing of this science fiction grandmaster.

A literary genre that pervades 21st-century popular culture, science fiction creates mythologies that make statements about humanity's place in the universe and embody an intersection of science, religion and philosophy. This book considers the significance of this confluence through an examination of myths in the writings of H.G. Wells, Arthur C. Clarke, Philip K. Dick and Frank Herbert.

Do you find yourself contemplating the imminent end of the world? Do you wonder how society might reorganize itself to cope with global cataclysm? (Have you begun hoarding canned goods and ammunition...?) Visions of an apocalypse began to dominate mass media well before the year 2000. Yet narratives since then present decidedly different spins on cultural anxieties about terrorism, disease, environmental collapse, worldwide conflict and millennial technologies. Many of these concerns have been made metaphorical: zombie hordes embody fear of out-of-control appetites and encroaching disorder. Other fears, like the prospect of human technology's turning on its creators, seem more reality based. This collection of new essays explores apocalyptic themes in a variety of post-millennial media, including film, television, video games, webisodes and smartphone apps.

Explores the construction of gendered heroic identity from both production and fan perspectives by applying a variety of critical lens (media, fan culture, and queer theory). In addition, fan fiction, criticism, and videos that celebrate and resist BBC SF television heroes and villains are considered.

Analyses the use of Joseph Campbell's monomyth in twenty-six films and two SciFi Channel miniseries released and aired between 1960 and 2009. Organised into an Introduction and nine chapters, this study examines the monomyth in the context of Campbell's The Hero with a Thousand Faces (1949) and then discusses the use of this versatile plot structure in these twenty-six films and two miniseries.

Spaces, as well as a sense of place or belonging, play major roles in many science fiction works. This book focuses especially on science fiction that includes depictions of the future that include, but move beyond, dystopias and offer us ways to imagine reinventing ourselves and our perspectives; especially our links to and views of new environments.

Presents the genre of mythopoeic fantasy from a holistic perspective, arguing that this subgenre of fantasy literature is misunderstood as a result of decades of incomplete and reductionist literary studies.

Reversing a common science fiction cliche, Farscape follows the adventures of the human astronaut John Crichton after he is shot through a wormhole into another part of the universe. Here Crichton is the only human being, going from being a member of the most intelligent species on our planet to being frequently considered mentally deficient by the beings he encounters in his new environment.

Addresses a broad range of topics in the BBC science fiction television series Doctor Who, both old (1963-1989) and new (2005-present). There are essays on how the show is viewed and identified with, fan interactions with each other, reactions to changes, the wilderness years when it wasn't in production. Essays then look at the ways in which the stories are told. After discussing the stories and devices and themes, the essays turn to looking at the Doctor's female companions and how they evolve, are used, and changed by their journey with the Doctor.

Examining ""Star Trek"" from various critical angles, this collection of essays provides insights into the myriad ways that the franchise has affected the culture it represents, the people who watch the series, and the industry that created it.

While Kim Stanley Robinson is best known for his hard science fiction works ""Red Mars"", ""Green Mars"" and ""Blue Mars"", the epic trilogy exploring ecological and sociological themes involved in human settlement of the Red Planet. This book examines Robinson's use of alternate history and politics, both in his many novels and in his short stories.

This book explores how contemporary fantastic fiction by women writers responds to the past and imagines the future. The first two chapters look at revisionist rewritings of fairy tales and historical texts; the third and fourth focus on future-oriented narratives including dystopias and space fiction. Writers considered include Margaret Atwood, Octavia E. Butler, Angela Carter, Ursula K. Le Guin, Doris Lessing, and Jeanette Winterson, among others. The author argues that an analysis of how past and future are understood in women's fantastic fictions brings to light an "ethics of becoming" in the texts--a way of interrupting, revising and remaking problematic power structures that are tied to identity markers like class, gender and race. The book reveals how fantastic fiction can be read as narratives of disruption that enable the creation of an ethics of becoming.