Bøger i Critical Studies in Latin American and Iberian Culture serien

Jorge Luis Borges is generally acknowledged to be one of the 20th century's most significant writers. But, the fact that he is an Argentine writer is rarely discussed. This is an introduction to the work of Jorge Luis Borges.

Presents a chronicle of contemporary life in Mexico, ranging from popular music, Latino hip hop, the murals of Siquerios, film stars, the painter Frida Kahlo, the writer Juan Ruldo, life on the border with the USA and the organization of Mexico City's urban poor in the wake of an earthquake.

Recent international interest in the painters of the Mexican mural movement, such as Rivera and Orozco, has brought Latin American art to a wider audience than ever before but has often failed to confront its continuing marginalization within art criticism.Drawing the Line is an exploration of the areas occupied by Latin American art and culture between the ongoing traditions of its indigenous inhabitants, its colonial heritage and its contemporary relationship to the cultural politics of North America and Europe. It looks at the way cultural identity has been constructed by artists from the 1940s to the present day and challenges the way art criticism has hitherto dealt with Latin American art.Established stereotypes of Latin American culture are discussed in terms of their relevance to contemporary artists. The book looks at the frequent subversion of dominant images and conventions of European art—such as the political significance of landscape painted as an attempt to define a specifically Latin American reality, or the constant reworking of familiar icons of European art—and explores the importance of Latin America to the European surrealist movement. The authors examine the significance of popular art—such as the Chilean arpilleras which commemorate the ¿disappeared¿ of Pinochet’s regime—and relate it to the traditional ¿high art/low art¿ dichotomy.Including new perspectives on race and gender, Drawing the Line is the most comprehensive account of contemporary Latin American art ever to appear in English.

A guide to the history of poetic debate and practice in 20th-century Latin America. The book argues that the possibility of universal emancipation is evoked in the transformation of language. Each chapter focuses on key texts by poets such as Cardenal, Neruda, Vallejo and the Andrades.

"Misplaced Ideas" spans the 19th and 20th centuries, and examines the life and work of Brazil's most influential novelist, Machado de Assis, as well as Brazilian film, poetry, theatre and music. Among the recurrent themes are the dangers of nationalism, and the notion of "Third World" literature.