Bøger i Crux: The Georgia Series in Literary Nonfiction Ser. serien

The Sum of Her Parts explores how women's body parts and the roles/parts that women play have been deployed toward political ends. One essay examines Sarah Winchester and the lore that sprung up around her most famous-and most falsely mythologized-home, the Winchester Mystery House, to suggest that the woman and her house have been used as vessels to hold the nation's ongoing gun guilt. Another essay springboards from a personal encounter into etymological history, tracing how the word "e;cunt"e; went from being a relatively benign description of a body part to the word the Oxford English Dictionary cites as the most vile invective in the English language. Connecting topics as diverse as bra shopping, Wonder Woman, and a Metallica rockumentary, Griffiths explores what women's parts mean in contemporary America.Griffiths uses humor and sincerity to approach the topic of the female body through a wide variety of essay forms, blending lyric and narrative modes. Using fragmentation as well as traditional argumentation, the collection invites the reader to think ambiguously and explosively, allowing complication rather than easily connected dots. The result is a discussion of the female body that is varied, complex, nuanced, and thoughtful.

A tireless and discerning advocate for contemporary practitioners of creative nonfiction, Ned Stuckey-French was at the center of every national discussion about the genre. He greatly contributed to our scholarly understanding of the history of the essay and was working on his first essay collection when he died of cancer in 2019. That collection, One by One, the Stars, presents new, highly personal essays tracing Stuckey-French's childhood in Indiana and a burgeoning interest, during adolescence, in politics and social justice to his life as a father, teacher, and writer. Thematic threads connect these elements, and foremost is his growing commitment to activism on behalf of the disadvantaged, overlooked, or threatened. The volume also features some of Stuckey-French's "e;greatest hits"e; as a public scholar and writer, including "e;Don't Be Cruel: An Argument for Elvis,"e; "e;Our Queer Little Hybrid Thing: Toward a Definition of the Essay,"e; and his popular essay on his Facebook addiction-for which he was widely known.Along the way, his stories and reflections offer fascinating and timely insights into family dynamics, history, politics, ecology, social justice, and literature. All of it is infused with Ned Stuckey-French's guiding spirit, full of curiosity, compassion, and conviction.

They called him 'pale faced'. They called him 'light, bright, almost white'. But most of the time his family called him 'high yella'. Steve Majors was the white passing, youngest son growing up in an all-Black family. This is the poignant account of how he tried to leave his troubled childhood and family behind to create a new identity.

The twenty essays in this collection tackle white feminism at a national feminist organisation, the early years of the AIDS epidemic in the South, voter suppression, gun violence, the whitewashing of southern literature, social media's role in political accountability, evangelical Christianity's marriage to extremism, and the rise of nationalism.

Cecile Pineda - award-winning novelist, memoirist, theatre director, performer, activist - felt rootlessness throughout much of her life. In Entry without Introspection, Pineda reconciles her past while tracing how she formed her own identity through prose and theatre in the absence of known roots.

Oysters are a narrative food: in each shuck and slurp, an eater tastes the place where the animal was raised. But that's just the beginning. Andre Joseph Gallant uses the bivalve as a jumping of point to tell the story of a changing southeastern coast, the bounty within its waters, and what the future may hold for the area and its fishers.