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"This volume is the first to bring together the entire extant correspondence of one of the most significant women in early modern Ireland, Elizabeth Butler, first Duchess of Ormonde. She was the wife of James Butler, twelfth Earl and first Duke of Ormonde, who, as Ireland's only duke and three times its lord lieutenant, was a figure of considerable importance in seventeenth-century Ireland. But far from being overshadowed by her powerful husband, Butler was a person of significant power and influence in her own right. Descended from the tenth Earl of Ormonde, she brought a hefty portion of the Ormonde estate to the marriage. As Countess, Marchioness, then Duchess of Ormonde, as well as three times vicereine and a high-status courtier, she sat at the pinnacle of Irish and English society, unmatched by any other Irish woman of the period in terms of her wealth, social standing, and power. Her surviving correspondence reveals her importance within the Ormonde-Butler family and in the social, cultural, and political life of seventeenth-century Ireland. The volume comprises more than three hundred letters written by Ormonde to her husband and family, agents and servants, and friends and clients. Spanning six decades, these letters are meticulously transcribed, edited, and annotated, and the volume includes a substantial scholarly introduction, family trees, a glossary, and other resources"--

"This volume presents the first printed edition of a late sixteenth-century poetic miscellany and provides invaluable insight into understanding the literature of the period. Its owner and principal scribe, Humfrey Coningsby, drew on texts circulating in manuscript, predominantly by contemporary writers of the time-including Philip Sidney, Edward Dyer, Arthur Gorges, Walter Ralegh, Elizabeth I, the Earl of Oxford, Nicholas Breton, George Peele, and Thomas Watson. Coningsby also added at least two of his own compositions, along with anonymous poems not found in any other manuscripts or printed books. This edition preserves the appearance, spelling, and punctuation of the original manuscript while expanding antiquated contractions to provide an easily readable text. Textual notes appear on the page, and in-depth contextual notes and word glosses are provided in the commentary section. The analyses add to our knowledge of early modern manuscript culture and literary manuscript transmission, and a substantial introduction provides context for the compilation of the anthology"--