Bøger i Disruptions serien

Data Journalism and the Regeneration of News traces the emergence and flourishing of data journalism through a scholarly lens.

Making Nonprofit News examines the essence of nonprofit journalism on multiple levels of analysis, explaining how individuals, routines, organizational makeup and outside institutions all affect news production at nonprofit news organizations.The book argues that the market model itself - not simply the journalism industry - impacts news workers, news content and outside influence on the organization. Essentially, nonprofit journalism organizations are influenced by forces consistently impacting the industry as well as those previously not involved in journalism. Drawing on three years of in-depth interviews with more than 30 journalists at nonprofits, site visits and more broad research on nonprofit journalism, this book is a sociological study of how nonprofit status affects journalistic work. The book further conceptualizes the forces impacting newswork and examines the social institutions now on the boundaries of journalism due to their connection to nonprofit journalism.Exploring how nonprofit news is disrupting the industry's very idea of news, news values and news processes, this is a helpful text for academics and researchers with an interest in journalism, media industries, media sociology and not-for-profits.

This book presents the history of virtual reality and its introduction into journalism, exploring the challenges posed by pushing to make the experience of news a full body event. The problem of interpretation versus objectivity is discussed, as well as the associated ethical responsibilities.Immersive journalism offers the vicarious reliving of a news event with the full body through virtual reality technologies. As virtual reality devices become more accessible, major news organizations such as the New York Times, The Guardian, Al Jazeera, CNN, and many more are starting to experiment with this new form of journalism. This book discusses theoretical issues significant to immersive journalism's goal of using virtual reality to transport audiences into a news site. These include ethical issues concerning image manipulation and the place of the audience's body in the presentation of a news event. To approach these issues, the book presents foundational concepts of VR technologies that have helped establish the achievability of being virtually present in a simulated reality, as well as current research about immersive media's manipulative potential. Using a case-based analysis of how immersive journalism clashes or coincides with the goals of journalism in democratic societies, the book examines the possibilities and ethics of such experiences in journalism and news.Original and intellectually provocative, Conceptualizing Immersive Journalism is an important study of this emerging field for students, scholars and researchers in the areas of Journalism and Media Studies.

A Short History of Disruptive Journalism Technologies provides a swift analysis of the computerization of the newsroom, from the mid-1960s through to the early 1990s. It focuses on how word processing and a number of related affordances, including mobile-reporting tools, impacted the daily work routines of American news workers.The narrative opens with the development of mainframes and their attendant use as databases in large, daily newspapers, It moves on to the "minicomputer" era and explores initial news-worker experiences with computers for editing and publication. Following this, the book examines the microprocessor era, and the rise of "smart" terminals, "microcomputers," and off-the-shelf hardware/software, along with the increasing use of computers in smaller news organizations. Mari then turns to the use of pre-internet networks, wire-services and bulletin boards deployed for user interaction. He looks at the integration of decentralized computer networks in newsrooms, with a mix of content-management systems and PCs, and the increasing use of pagers and cellphones for news-gathering, including the shift from "portable" to mobile conceptualizations for these technologies.A Short History of Disruptive Journalism Technologies is an illuminating survey for students and instructors of journalism studies. It represents an important acknowledgement of the impact of pre-internet technological disruptions which led to the even more disruptive internet- and related computing technologies in the latter 1990s and through the present.

This edited collection brings together journalism scholars from mainland China, Hong Kong, the UK and Australia to address a variety of pressing issues and challenges facing digital journalism in China today.While China shares certain affinities with the digital disruption of media in other settings, its experience and articulation of change is ultimately unique. This volume explores the implications of digital media technologies for journalists' professional practice, news users' consumption and engagement with news, as well as the shifting institutional, organizational and financial structures of news media. Drawing on case studies and quantitative and qualitative approaches, contributors address questions concerning: whether China is witnessing 'disruptive' or 'sustainable' journalism; if, and in what ways, digital technologies may disrupt journalism; and whether Chinese digital journalism converges with or diverges from Western experiences of digital journalism.Digital Journalism in China is an important addition to the literature on digital journalism, comparative media analysis, the Chinese Communist Party's social media strategies, tabloidization trends, and the conflict between newsroom and classroom in journalism education, and will be of interest to advanced students, scholars, and practitioners alike.

Considering the interactions between developments in open data and data journalism, Data for Journalism: Between Transparency and Accountability offers an interdisciplinary account of this complex and uncertain relationship in a context of tightening the control over data and weighing transparency against privacy.As data has brought both promise and disruptive changes to societies, the relationship between transparency and accountability has become complicated, and data journalism is practised alongside the contradictory needs of opening up and protecting data. In addition to exploring the benefits of data for journalism, this book addresses the uncertain nature of data and the obstacles preventing data from being fluently accessed and properly used for data reporting. Because of these obstacles, it argues individual data journalists play a decisive role in using data for journalism and facilitating the circulation of data. Frictions in data access, newsrooms' resources and cultures and data journalists' skill and data literacy levels determine the degree to which journalism can benefit from data, and these factors potentially exacerbate digital inequalities between newsrooms in different countries and with different resources. As such, the author takes an international perspective, drawing on empirical research and cases from around the world, including countries such as the UK, the US, Germany, Sweden, Australia, India, China and Japan.Introducing a new dimension to the study of developments in journalism and the role of journalism in society, Data for Journalism will be of interest to academics and researchers in the fields of journalism and the sociology of (big and open) data.

Drawing on expert contributions from around the UK, this collection brings together a series of insights into the contemporary local and community news media landscape in the UK.

This book provides a close look at the challenges posed by pushing to make the experience of news a full bodily event.

Using the Nordic media model as an empirical backdrop, Journalism Between the State and the Market defines and analyses journalism's fundamental problem - its shifting location between the state and the market.

Photojournalism Disrupted addresses the unprecedented disruptions in photojournalism over the last decade, with a particular focus on the Australian news media context.

Citizen Journalism explores citizen participation in the news as an evolving disruptive practice in digital journalism.

Social Media Livestreaming: Design for Disruption? addresses a host of emerging issues concerning social media livestreaming, exploring this technology as a disruption and its potential to shape journalism practice and influence society.

Words are everywhere. Ubiquitous, pervasive. Yet our relations with words are narrowly defined. How does the sound, feel, touch, taste, place, position, speed, and direction of words come to matter in their uses? Word begins from the premise that, if we consider words only in terms of language and as images, we overlook a range of bodily, sensory, affective and non-conscious relations with words. We overlook, too, their epistemological, methodological, experiential and political implications. This book seeks to redress this neglect by exploring words themselves in histories of language and contemporary theory, in print and typography, and through a series of empirical examples which include religion, embodiment, photography and performance. Word is a reminder that words live richly in the world. It is an invitation to recognise those non-linguistic word-relations that are already existing, and to bring new and generative encounters with words into being.

A Short History of Disruptive Journalism Technologies provides a swift analysis of the computerization of the newsroom, from the mid-1960s through to the early 1990s.

A multi-disciplinary and inter-disciplinary volume exploring the damage to the arts, arts' funding and education through the rhetoric, manipulation and auditing of value. The collection includes contributions from anthropology, the history of art, literature, education, musicology, political science, and philosophy.

This book offers an innovative interdisciplinary perspective in the study of Roberto Saviano as a media/literary phenomenon. It includes a thorough analysis of Saviano's public personality and production with accurate references to key semiotic and cultural studies notions such as body, agency, audience, empowerment.

This book is an anthropological analysis of female-to-male gender transition in the UK. The book counters assumptions around identity, the body and gender to explore transitioning as an open-ended process that often defies political and social conventions. It will be relev...

The conviction that we all have, possess or inhabit a discrete culture, and have done so for centuries, is one of the more dominant default assumptions of our contemporary politico-intellectual moment. However, the concept of culture as a signifier of subjectivity only entered the modern Anglo-U.S. episteme in the late nineteenth century. Culture and Eurocentrism seeks to account for the term's relatively recent emergence and movement through the episteme, networked with many other concepts nature, race, society, imagination, savage, and civilization at the confluence of several disciplines. Culture, it contends, doesn't describe difference but produces it, hierarchically. In so doing, it seeks to recharge postcoloniality, the critique of eurocentrism.

Explores the visual ways in which the concept of revolution is appropriated through public images across the globe using a diverse range of case studies.

A multi-disciplinary and inter-disciplinary volume exploring the damage to the arts, arts' funding and education through the rhetoric, manipulation and auditing of value. The collection includes contributions from anthropology, the history of art, literature, education, musicology, political science, and philosophy.

What for decades could only be dreamt of is now almost within reach: the widespread provision of free online education, regardless of a geographic location, financial status, or ability to access conventional institutions of learning. But does open education really offer the openness, democracy and cost-effectiveness its supporters promise? Or will it lead to a two-tier system, where those who can't afford to attend a traditional university will have to make do with online, second-rate alternatives?Open Education engages critically with the creative disruption of the university through free online education. It puts into political context not just the Massive Open Online Courses (MOOCS) but also TED Talks, Wikiversity along with self-organised ';pirate' libraries and ';free universities' associated with the anti-austerity protests and the global Occupy movement. Questioning many of the ideas open education projects take for granted, including Creative Commons, it proposes a radically different model for the university and education in the twenty-first century.

The phrase ';martial arts studies' is increasingly circulating as a term to describe a new field of interest. But many academic fields including history, philosophy, anthropology, and Area studies already engage with martial arts in their own particular way. Therefore, is there really such a thing as a unique field of martial arts studies?Martial Arts Studies is the first book to engage directly with these questions. It assesses the multiplicity and heterogeneity of possible approaches to martial arts studies, exploring orientations and limitations of existing approaches. It makes a case for constructing the field of martial arts studies in terms of key coordinates from post-structuralism, cultural studies, media studies, and post-colonialism. By using these anti-disciplinary approaches to disrupt the approaches of other disciplines, Martial Arts Studies proposes a field that both emerges out of and differs from its many disciplinary locations.

By what aesthetic practice might post-politics be disrupted? Now is a moment that many believe has become post-racial, post- national, post-queer, and post-feminist. This belief is reaffirmed by recent events in the politics of diminished expectations, especially in the United States.What Lies Between illustrates how today's discourse repeats the post-politics of an earlier time. In the aftermath of World War II, both Communism and Fascism were no longer considered acceptable, political extremes appeared exhausted, and consensus appeared dominant. Then, unlike today, this consensus met a formal challenge, a disruption in the shape of a generative and negativist aesthetic figurethe void.What Lies Between explores fiction, film, and theory from this period that disrupted consensual and technocratic rhetorics with formal experimentation. It seeks to develop an aesthetic rebellion that is still relevant, and indeed vital, in the positivist present.

Through original analysis of three contemporary, auteur-directed melodramas (Matthew Weiner's Mad Men, Lars von Trier's Melancholia and Todd Haynes's Mildred Pierce), Living Screens reconceives and renovates the terms in which melodrama has been understood. Returning to Jean-Jacques Rousseau's foundational, Enlightenment-era melodrama Pygmalion with its revival of an old story about sculpted objects that spring to life, it contends that this early production prefigures the structure of contemporary melodramas and serves as a model for the way we interact with media today. Melodrama is conceptualized as a ';plastic' form with the capacity to mould and be moulded and that speaks to fundamental processes of mediation. Living Screens evokes the thrills, anxieties, and uncertainties accompanying our attachment to technologies that are close-at-hand yet have far-reaching effects. In doing so, it explores the plasticity of our current situation, in which we live with screens that melodramatically touch our lives.

Political and economic models of society often operate at a level of abstraction so high that the connections between them, and their links to culture, are beyond reach. Bearing Society in Mind challenges these disciplinary boundaries and proposes an alternative frameworkthe social formation. The theory of social formation demonstrates how the fabric of society is made up of threads that are simultaneously economic, political, and cultural. Drawing on the work of theorists including Marx, Althusser, Butler, Zizek and Ranciere, Bearing Society in Mind makes the strongest case possible for the theoretical importance and political necessity of this concept. It simultaneously demonstrates that the social formation proves to be a very particular and peculiar type of ';concept'it is not a reflection or model of the world, but is definitively and concretely bound up with and constitutive of the world.