Bøger i Diversity and Plurality in South Asia serien

Rural India Facing the 21st Century is a unique study of rural development in South India, concluded over a twenty-year period. Set against the context of international, national and state policies, the book focuses on a wide number of themes, including the stagnation of the ‘green revolution’, growing differentiation and inequality, the ecological crisis, resistance to reform, corruption and the enduring need for state intervention in rural development. Written by an international team of young scholars under the direction of Professor Harris-White, Rural India Facing the 21st Century draws together a profound analysis of a broad range of issues to provide a masterly overview of overall rural development. Its highly original methodology and findings will be of considerable interest for development policy.

'Art, Politics and the Environment in Bangladesh' features original research of a new generation of scholars of Bangladesh. The chapters collectively engage with many enduring topics of academic interest, such as violence, poverty, environment, development, democracy, religion and human rights from the vantage point of Bangladesh.

A profound analysis of a broad range of issues, providing a masterly overview of rural development in India.

This book assesses the validity of anti-politics critiques of development, first popularised by James Ferguson, in the peculiar context of India. Fergusons memorable metaphor of development as an Anti-Politics Machine that serves to entrench state power and depoliticize development continues to appeal to those cynical of the widespread tendency of development discourses to treat various issues apolitically. The book examines this problem in India, a country where development planners after independence adopted a scientific stance and claimed to distance themselves from mass politics, but also one where the groundswell of democratic political mobilization has been considerable in recent decades. In a country with an extremely differentiated landscape of authority and diverse politics, what does it mean for the state to undertake a project (or indeed, projects) of depoliticization; for as scholars inspired by Foucault and Gramsci have variously agreed, depoliticization is a tentative project where outcomes are far from certain. The book examines these questions within the new context provided by decentralization, the potential of which to reorganize relationships amongst different levels of the state greatly complicates the very pursuit of depoliticization as a coherent state practice. It looks at these issues through a highly technocratic state watershed development programme in India that has witnessed key transformations towards participation in recent years.

Has Indias shift to neoliberalism since the 1990s led to a heightened awareness of time and its passing, an intense preoccupation with youth, and anxieties over the relations between generations? The Politics of Time and Youth in Brand India discusses the politics of time that have emerged in popular discourses across cinema, television, print and consumer culture, arguing that contests over conceptions of time are, in fact, sites of battle between labour and capital.Kapur shows how the recent political-economic shift in India is accompanied by a new emphasis on youth and a preoccupation with change, novelty and the acceleration of time. This perception of time is examined through an interdisciplinary approach, drawing on critical theory and cinema and media studies, as well as two concepts from Marxist-feminist theory. The first focuses on the notion of capitalist development as a systemic form of underdevelopment, which perpetuates a radicalised individualism while simultaneously erasing selfhood, as each life-time is reduced to homogenous, commodified units of time, each with a varying price dependent upon ones position in the market. The second is the critique of the time-orientation of capitalism and its promise of freedom through novelty where, in fact, its reliance upon a system of private accumulation based on exploitation favours calculations of profits in the present over investing in the future. Together, these approaches shed light on Indias contemporary cultural politics, explaining how the countrys shift to neoliberalism is deeply intertwined with profound conflicts over conceptions of time, youth and the relations between generations.

The Mahatma Misunderstood studies the relationship between the production of novels in late-colonial India and nationalist agitation promoted by the Indian National Congress. The volume examines the process by which novelists who were critically engaged with Gandhian nationalism, and who saw both the potentials and the pitfalls of Gandhian political strategies, came to be seen as the Mahatmas standard-bearers rather than his loyal opposition.In doing so, the volume challenges the orthodoxy in postcolonial and subaltern studies which contends that nationalists and nationalisms use independence to bring to power a bourgeois elite, who produce a story about the nation that erases the unevenness of minority experiences and demands in favor of simplified, majoritarian citizenship. Instead The Mahatma Misunderstood demonstrates that nationalist fiction (and by extension the nationalist political movement) was marked from the beginning by a deep ambivalence about the relevance of nationalist agitation and mainstream nationalist politics for minorities in colonial India, and sought to recast anticolonial politics through novelistic debates with the spokesman for Indian nationalism, Mohandas Karamchand Gandhi.The volume thus articulates a recuperative theory of nationalism in the Indian case, in order to move thinking about nationalism beyond the current impasse produced by postcolonial theory in an era of transnational capitalism that too frequently forgets, underestimates or represses the national in the transnational.

This volume offers a collection of lucid, theoretically stimulating articles that explore and analyse the institutions and values which are salient in understanding political practices in South Asia. Combining a wide range of theoretical and empirical approaches, and blending the work of experts long established in their respective fields with refreshing and innovative approaches by younger scholars, this collaborative and cross-disciplinary endeavour facilitates a deeper understanding of the subcontinent's diverse and complex political and democratic practices in the 21st century.

In Kolkata's traditional potter quarter of Kumartuli, a modern and a competitive market oriented approach to life is concealed behind tradition. Among the potters inhabiting the dirt-floored workshops of this caste-based neighbourhood, the history of a modern and economicly neoliberal-minded India unfolds. To these contemporary potters, caste is in their blood, caste is about being a creative and independent artist, and caste is about business as they engage in a competitive market to sell their artworks. This ethnographic study presents an analysis of these potters' lives and the related commodification and instrumentalization of caste. An important insight is that Kumartuli consists of a group of artisans turned artists who do not display passive responses to colonial and capitalist encounters. On the contrary, this monograph unearths an ingenious and business-minded group that engages actively with the modern and economic developments of society at large, and, in the process, redefines the concept of caste identity. This study suggests a new academic direction for the study of modern India, and of caste in particular, through an empirically grounded portrayal of the synthesis of traditional categories and contemporary realities.

In this important study, Muhammad Moj explores the Deobandi sect within Islam and its relationship to Pakistani society in an innovative way. The Deoband Madrassah Movement (DMM) has largely been studied as a political and religious reform movement, but this book interprets it rather as a counterculture, drawing on the counterculture theory of Milton Yinger.Using analyses of Deobandi journals and interviews with madrassahs and college students, this book comprehends the DMM from a broader perspective to discover the reasons behind its clash with the mainstream society in which it operates.