Bøger i Drama Classics serien

The story of Andromache, widow of the Trojan hero Hector. In the Drama Classics series.

A classic comedy of manners with two of the great comic roles of the English stage, published in the Nick Hern Books Drama Classics series.

Drama Classics: The World's Great Plays at a Great Little PriceA fresh, performable version by John Clifford of Goethe's 'unstageable' masterpiece.God and Mephistopheles vie for the mortal soul of Dr Faust. Signing a pact with the nihilistic spirit, Faust is privy to knowledge unbound and sensual delights of which most men can only dream. But before long, the Doctor comes to realise that you should always be very careful what you wish for.Goethe began working on Faust in about 1772-5. He published a first fragment of it in 1790, then the whole of Part One in 1808. He saw the first performance of Part One in Brunswick in 1829, and was still making minor revisions to Part Two shortly before his death in March 1832.This two-part English version by John Clifford, in the Nick Hern Books Drama Classics series, was first performed at the Royal Lyceum Theatre, Edinburgh, in February 2006.'A thoroughly modern interpretation, a litany of society's soul-selling compromises - sexual commoditisation, academic dumbing-down and capitalistic rapaciousness - that is entirely about today. It's frequently funny but never less than serious' - Guardian

John Gay's bawdy and burlesque pastiche of classical Italian opera, often regarded as the world's first ever musical.

The NHB Drama Classics series presents the world's greatest plays in affordable, highly readable editions for students, actors and theatregoers. The hallmarks of the series are accessible introductions (focussing on the play's theatrical and historical background, together with an author biography, key dates and suggestions for further reading) and the complete text, uncluttered with footnotes. The translations, by leading experts in the field, are accurate and above all actable. The editions of English-language plays include a glossary of unusual words and phrases to aid understanding. In The Alchemist Face, Subtle and Dol Common are three rogues intent on conning the gullible out of their money. Setting up a quack-doctor's practice in Lovewit's house they promise miraculous services that cost their customers dear. Everything goes swimmingly, until Lovewit returns and the three turn against each other. Edited by Simon Trussler, with an introduction by Colin Counsell.

A delightfully lewd city comedy by the co-author of The Changeling.

The best known play by one of the most performed French playwrights - a sparkling 18th-century comedy of manners. In the Nick Hern Books Drama Classics series.

A superlative farce by the master of the form, Moliere, written at the height of his powers, a masterclass in comic construction. In the Nick Hern Books Drama Classics series.

A Drama Classics edition.

Brand new translation of an influential forerunner of Romeo and Juliet

Euripides' version of the Ancient Greek myth of revenge on a murdering parent. In the Nick Hern Books Drama Classics series.

Announcing a new series of Drama Classic Collections.

The epic story of Peer's quest for the meaning of life as he staggers from the fjords of Norway to the deserts of Africa and back. Written in 1876.

A Chekhovian family drama, first staged in Russia in 1905.

Ben Jonson's 1616 comedy about a junior demon who persuades his master Satan to let him spend a day in London.

Aeschylus' great trilogy of Greek tragedies: Agamemnon, Choephori (Libation-Bearers) and Eumenides (The Furies).

Racine's reworking of Euripides' Hippolytus, celebrated for its tragic construction and the richness of its language.

Should the truth be pursued whatever the cost? The idealistic son of a wealthy businessman seeks to expose his father's duplicity and to free his childhood friend from the lies on which his happy home life is based.

The most Chekhovian of all Gorky's plays

A French farce with a crop of mistaken identities and attempted adulteries.

The classic 16th century morality play, recently revived by the Royal Shakespeare Company.