Bøger i Ecocritical Theory and Practice serien

The book provides innovative pedagogical approaches and instructional tools for educators to inspire, motivate, and lead students to take active steps toward environmental respect, sustainability, and preservation.

This book examines the often-complex relationships between issues of gender and the environment in science fiction films and fiction. Its contributors discuss a range of texts: early apocalyptic science fiction, campy midcentury science fiction films, Silver Age superhero comics, and twenty-first-century science fiction films and literature.

Many contemporary environmental risks and global environmental changes occurring today are unprecedented in the history of human life on earth. However, the images and narratives through which humans relate to these phenomena are built on existing cultural tropes and narrative models. Cultural, social, and historical contexts strongly influence how we construct images and narratives of nature and the environment. It is therefore highly important to study such narratives in works of literature, film, and other forms of cultural expression in relation to the specific circumstances from which they arise.Nordic Narratives of Nature and the Environment is the first English language anthology that presents ecocritical research on northern European literatures and cultures. The contributors examine specifically Nordic narratives of nature and the environment, with a focus on the cultures and literatures of the modern northern European countries Denmark, Finland, Norway, and Sweden, including Sápmi, which is the land traditionally inhabited by the indigenous Sami people.Covering northern European literatures and cultures over a period of more than two centuries, this anthology provides substantial insights into both old and new narratives of nature and the environment as well as intertextual relations, the variety of cultural traditions, and current discourses connected to the Nordic environmental imagination. Case studies relating to works of literature, film, and other media shed new light on the role of culture, history and society in the formation of narratives of nature and the environment, and offer a comprehensive and multi-faceted overview of the most recent ecocritical research in Scandinavian studies.

Confronting Climate Crises through Education: Reading Our Way Forward examines ways fiction and non-fiction can shape an instructional lens designed to witness the environmental crises we face both culturally and globally while fostering a more ecologically conscious, globally-minded student body prepared to confront them.

Avenging Nature explores how nature strikes back against human domination. International experts examine, from a multipdisciplinary perspective, the insubordinate representations of nature in modern and contemporary art and literature, and advocate for the insurgence of nature within and outside the realm of culture.

The book offers a close examination of the rhetoric and discourses around the Bhopal disaster through a reading of numerous cultural texts-from fiction to protest effigies and posters - and maps the production of an ecological Gothic around the disaster.

This book explores the balancing function that horses play when they become central characters in literature and film. Through close readings of texts from the Middle Ages until the present, covering works from Eastern and Western cultures, the book examines the deep symbolic meaning, cultural significance, and projective power of these animals.

This book uncovers the tremendous importance of water for European medieval literature, focusing on a large number of writers and poets. Water proves to be highly meaningful in religious, literary, and factual narratives insofar as it emerges as a central catalyst to bring about epiphany and epistemological and spiritual illumination.

This book forges links between an author whose work belongs to indigenous literature, Native American literature, and Taiwanese literature. It does so by focusing on content that critically relates to the work of ecocritics, ecofeminists, ecojustice scholars, postcolonial ecocritics, and animal studies scholars.

This book affirms its feminist and activist roots, resists gender essentialisms, and companions the activist orientations of critical animal studies and environmental justice. It draws on feminist science and anticolonial studies, utilizing a posthumanist, queer feminist methodology to enhance discussions of today's ecopolitical challenges.

Why do we find so many references to nature and the environment in the many Caribbean literary texts that try to come to terms with the contemporary age of globalization? Even when these novels and poems do not seem to be concerned with environmental issues at all, they abound with fragrant, creepy or dark references to flowers, insects, trees, gardens, and mud. This book discusses a range of Anglophone and Dutch-language Caribbean literary texts to propose an answer. It shows that some writers evoke nature to question oppressive notions of what is natural, and what is not, when it comes to race, gender, and desire. Other writers choose to counter the destructive dichotomies of wildness/order, nature/culture, nature/human that marked colonialism. Instead, they represent the environment as a field of interconnectedness, marked by intense semiotic interaction, in which human beings are also implicated. But writing about nature can also be a means to reconnect with the very foundations of life itself. In the most dramatic cases, references to nature evoke an extra-discursive space that then functions to subvert existing discourses. That space may even mark the site of the annihilation of discourse, or of the self. These texts suggest that, in times of globalization, it is only the dark, queer turn to matter that will free the path to imagining human existence in a new way. The book's proposal to understand some of these fascinating texts as an effort to relate to the mind-baffling, explosive real is inspired by postcolonial trauma theory, posthumanism, and new materialism. However, Caribbean literature is a layered practice, that does much more than merely explore the world's materiality. It works simultaneously as cultural critique, counter-discourse, and as the manipulation of affect. This book therefore brings together ecocriticism with Caribbean and postcolonial studies, the study of globalization, trauma theory, the study of gender and sexuality, posthumanism and new materialism, to bring out the full complexity of these wise texts. Thus, it hopes to show its readers their extraordinary innovative potential.

The Mythology of the Animal Farm in Children's Literature: Over the Fence analyzes the ways in which myths about farmed animals' lives are perpetuated in children's materials. Specifically, this book investigates the use of five recurring thematic devices in about eighty books for young children published during the past five decades. The close readings of texts and images draw on a wide range of fields, including animal theory, psychoanalytic and Marxian literary criticism, child development theory, histories of farming and domestication, and postcolonial theory. In spite of the underlying seriousness of the project, the material lends itself to humorous and not overly heavy-handed explications that provide insight into the complex workings of a literary genre based on the covering up of real animal lives.

The philosophy of existentialism is undergoing an ecological renewal, as global warming, mass extinction, and other signs of the planetary scale of human actions are making it glaringly apparent that existence is always ecological coexistence. One of the most urgent problems in the current ecological emergency is that humans cannot bear to face the emergency. Its earth-shattering implications are ignored in favor of more solutions, fixes, and sustainability transitions. Solutions cannot solve much when they cannot face what it means to be human amidst unprecedented uncertainty and intimate interconnectedness. Attention to such uncertainty and interconnectedness is what ecological existentialism (Deborah Bird Rose) or coexistentialism (Timothy Morton) is all about. This book follows Rose, Morton, and many others (e.g., Jean-Luc Nancy, Peter Sloterdijk, and Luce Irigaray) who are currently taking up the styles of thinking conveyed in existentialism, renewing existentialist affirmations of experience, paradox, uncertainty, and ambiguity, and extending existentialism beyond humans to include attention to the uniqueness and strangeness of all beingsall humans and nonhumans woven into ecological coexistence. Along the way, coexistentialism finds productive alliances and tensions amidst many areas of inquiry, including ecocriticism, ecological humanities, object-oriented ontology, feminism, phenomenology, deconstruction, new materialism, and more. This is a book for anyone who seeks to refute cynicism and loneliness and affirm coexistence.

T. S. Eliot enjoyed a profound relationship with Earth. Criticism of his work does not suggest that this exists in his poetic oeuvre. Writing into this gap, Etienne Terblanche demonstrates that Eliot presents Earth as a process in which humans immerse themselves. The Waste Land and Four Quartets in particular re-locate the modern reader towards mindfulness of Earth's continuation and one's radical becoming within that process. But what are the potential implications for ecocriticism? Based on its careful reading of the poems from a new material perspective, this book shows how vital it has become for ecocriticism to be skeptical about the extent of its skepticism, to follow instead the twentieth century'smost important poet who, at the end of searing skepticism, finds affirmation of Earth, art, and real presence.

By pursuing an ecocritical reading, The Forest in Medieval German Literature examines passages in medieval German texts where protagonists operated in the forest and found themselves either in conflictual situations or in refuge. By probing the way the individual authors dealt with the forest, illustrating how their characters fared in this sylvan space, the role of the forest proved to be of supreme importance in understanding the fundamental relationship between humans and nature. The medieval forest almost always introduced an epistemological challenge: how to cope in life, or how to find one's way in this natural maze. By approaching these narratives through modern ecocritical issues that are paired with premodern perspectives, we gain a solid and far-reaching understanding of how medieval concepts can aid in a better understanding of human society and nature in its historical context. This book revisits some of the best and lesser known examples of medieval German literature, and the critical approach used here will allow us to recognize the importance of medieval literature for a profound reassessment of our modern existence with respect to our own forests.

A chief innovation of Explorations in Ecocriticism is to push ecological criticism beyond its focus on literary studies to engage with other arts and culture. One chapter closely examines the pictures commissioned by the U.S. Bureau of Reclamation to valorize its big dam projects. Previously, no one has written about the large art collection that toured the nation under the auspices of the Smithsonian in the early 1970s, when the Bureau of Reclamation was under fire and new environmental regulations were becoming law. Another chapter, ';An Iconography of Sabotage,' previously published in France as part of a Paris symposium, looks at the pictorial dimension of saboteurs throughout American history, with a special emphasis on the IWW and Earth First! The book draws extensively on the social sciences. Ecology and environment are treated too often as technical topics that go over the heads of lay readers. Many Americans care about air and water quality, the extinction of species, and the unfortunate politicization of science. But they also find the discourse daunting, the details exceedingly complex. By leavening such heavy subjects with current events, Explorations in Ecocriticism makes environmental issues accessible to lay readers and offers routes to sustainability in the United States today.

The romantic perception of the American Southwest as a wild and dangerous frontier where heroic settlers prove their endurance has often responded to a common human desire to escape from the pressures of civilization and experience an ';authentic' relationship with nature. This idealized notion about life in the Southwest, however, has contributed the subjugation of the indigenous populations and the natural world while helping rationalize the conquest of both. In Myth and Environment in Recent Southwestern Literature, Theda Wrede brings contemporary Southwestern American literature under the microscope to examine the ways in which the mythic narrative has influenced attitudes toward the land in the region. Focusing on popular novels by Corrmac McCarthy, Barbara Kingsolver, Leslie Marmon Silko, and Denise Chvez, Wrede explores the psychology behind the myth and discusses the ways in which the four authors deploy the mythic narrative, interrogate its validity, and offer visions for alternative modes of inhabiting the Southwest. In combining ideas from a culturally sensitive ecofeminist theory, psychoanalysis, postcolonial studies, and literary studies, the study offers an innovative conceptual framework for discussions about environmental responsibility in the twenty-first century. Finally, it also encourages its readers to partake in the process of mythogenesis by imagining ';sustainable' narratives to help rescue the promise of the Southwest for the new millennium.

In Transversal Ecocritical Praxis: Theoretical Arguments, Literary Analysis, and Cultural Critique, Patrick D. Murphy, Ph.D, utilizes ecocriticism and ecofeminism to develop his concept of transversal practice: an interdisciplinary combination of theory and applied criticism. He begins by explaining the necessity for cutting across disciplinary boundaries of all kinds in order to address the ecological dimensions of culture and literature. The dialogical foundation of this orientation is elaborated through a consideration of the theories of Mikhail Bkahtin, particularly in terms of the ethical responsibilities of the reader and critic. Murphy then takes up issues of identity and subject formation in relation to genetics, embodiment, and selfhood. These same issues play out in the history of the aesthetic category of the sublime, which the author critiques from an ecofeminist perspective. Following that, he turns attention to cultural issues of consumption, both at home and internationally, looking particularly at postcolonial literature and forms of resistance to globalizations and agricultural land grabs. Resistance and postcolonial literature is further analyzed through consideration of two book-length Latin American poetic sequences, one by Pablo Neruda and the other by Ernesto Cardenal. Switching from works focused on the present, Murphy turns his attention then to how these themes play out in the future oriented worlds of science fiction. He concludes with two chapters that combine ecocriticial cultural critique and economic analysis in studies of the destructive role of megadams, particularly in Asia, and the impact of the combined threats of peak oil and climate change on one islands tourist economy. The conclusion contains a discussion of further drivers of future ecocritical analysis. Traversing a wide range of examples, literary, cultural and economic, this work fleshes out the benefits of an ethically grounded interdisciplinary ecocriticism.

Persuasive Aesthetic Ecocritical Praxis continues Patrick D. Murphys focus on transversal ecocritical praxis by considering literature and cinema in terms of the persuasive force of aesthetic activity and whether or not artistic production and its criticism can be considered forms of activism. Murphy argues that literature and other forms of aesthetic production hold out the promise of being able to move some individuals deeply through both affective and intellectual engagement in ways that facilitate ideological reflection. To analyze aesthetic production ecocritically requires a transversal orientation in order to work continuously at accommodating a vast array of often seemingly disparate perspectives, disciplines, and contextual information, as well as the ever changing thematic, plot, setting, and contextual elements of the aesthetic works under consideration and the responses of changing audiences through time and across cultures. Murphy demonstrates this approach through presenting theories of transversality and applying them with attention to issues of propaganda, agitation, and persuasion, both in terms of artistic production and the criticism of such production. He also brings an ecofeminist orientation to the fore with particular attention to the gendered economic aspects of environmental issues in an age of land grabs and plantation economies. Along the way he treats a wide range of literary works, films and miniseries. In American literature he discusses realist and science fiction works, from Susan Fenimore Coopers Rural Hours to Paolo Bacigalupis The Windup Girl, Barbara Kingsolvers Flight Behavior to Kim Stanley Robinsons 2312, and Ana Castillos So Far from God to Leslie Marmon Silkos Gardens in the Dunes. In international literature, he analyzes Mo Yans The Garlic Ballads, Jiang Rongs Wolft Totem, Michiko Ishimures The Lake of Heaven, Miyuki Miyabes All She Was Worth, and other novels. The book concludes with a reading of Ernest Callenbachs Ecotopia and Ecotopia Emerging, an Afterword recommending further directions for transversal ecocritical research an and interview that discusses Murphys previous book, Transversal Ecocritical Praxis, and provides some personal background on the author.

Taking up the collective insistence on the centrality of story to extinction studies, this volume engages with what is traditionally understood as Anthropocene fiction and highlights the questions these fictions ask of extinction, while simultaneously bringing texts typically not thought of as Anthropocene fiction into fruitful discourse.

This anthology situates the cultural and literary theories of ecofeminism in an interdisciplinary and global dialogue. It brings ecofeminism into conversation with several areas of inquiry, including ecocriticism, postcolonialism, geography, environmental law, religion, geoengineering, systems thinking, family therapy, and environmental justice.

Rhetorical Animals explores what the study of communication and persuasion would look like if it included the voices of all persuasive species, from the microscopic gut bacteria to the charismatic megafauna we know so well.

This volume addresses the pressing need to continue the work of bringing sustainability into the college classroom. It provides accounts from a variety of instructors experiences with and best practices for incorporating climate change issues into writing-intensive courses.

This volume surveys the contribution of German literature and culture to the evolution of ecological thought from the age of Goethe to the present. In a broad spectrum of essays from different periods, disciplines, and genres, it conveys both the uniqueness and the transnational significance of German ecological thought.

Ecocriticism in Japan provides an answer to the question, "What can ecocriticism do when engaging with Japanese literature and culture?" Engaging works ranging from The Tale of Genji to Abe, Oe, Ishimure, and Miyazaki, this volume examines works Japanese people and culture in terms of nature and environment.

The Poetics and Politics of Gardening in Hard Times illuminates the ways in which the garden as a real and imagined space, and gardening as a practice or ethic, is changed under extreme conditions of economic and environmental austerity.

This book investigates an array of approaches to different scholarly discourses and accounts of activist engagements. Major concerns are biodiversity, preservation policies, mining industries, and climate change in relation to settler colonialism and indigenous knowledge systems in Australia.

An Island in the Stream, a collaboration between Cuban and American writers and scholars, is a diverse collection of ecocritical and literary responses to the natural environment in Cuba and to Cuban environmental culture.

This interdisciplinary collection explores Victorian literature and its connection to various fields such as environmental history, ecology, and evolutionary biology. Further, the edition features seminal nineteenth-century figures advancing the cause of early environmental justice linked to place.

This collection adds to the field of ecocritical theory by merging multidisciplinary approaches to food studies with the established ecocritical discourse of culture and the environment. With themes of confinement and control in the global industrial food systems, this book explores the role of consumption and commodification in contemporary life.