Bøger i Ecocritical Theory and Practice serien

The Green Thread is an interdisciplinary collection of essays that takes the risk of departing from the long-standing human perception of plants- including autonomy, agency, and consciousness-to explore new territories where the re-conceptualization of vegetable beings as active agents in social and cultural environments becomes possible.

This work presents ecocritical research on literature, film and other media from northern Europe. Examining the role of culture, history and society in the forming of Nordic narratives of nature and the environment, the anthology offers a comprehensive and multi-faceted overview of the most recent ecocritical research in Scandinavian studies.

The Human-Animal Boundary shifts the traditional anthropocentric focus of philosophy and literature by combining the question "what is human?" with the question "what is animal?" The objective is to expand the imaginative scope of human-animal relationships by combining perspectives from different disciplines, traditions, and cultural backgrounds.

Ecopoetics and the Global Landscape: Critical Essays is a collection of trans-national essays on the intersection of ecopoetics and foundational theoretical issues within ecocriticism, such as environmental justice, indigenous studies, animal studies, new materialism, as well as the local and global.

By focusing on ancient culture and its reception, this book integrates antiquity into our current ecocritical theory and practice to fill in a gap in our environmental debates. It aims at a re-evaluation of antiquity in the present-day environmental concerns and re-frames our modern outlook on the more-than-human world from different cultures.

The book provides innovative pedagogical approaches and instructional tools for educators to inspire, motivate, and lead students to take active steps toward environmental respect, sustainability, and preservation.

Focusing on the concept of "dark ecology" and its invitation to add an anti-pastoral perspective to ecocriticism, this collection of essays on American literature and culture offers examples of how a vision of nature's darker side can create a fuller understanding of humanity's relation to nature.

This book examines the often-complex relationships between issues of gender and the environment in science fiction films and fiction. Its contributors discuss a range of texts: early apocalyptic science fiction, campy midcentury science fiction films, Silver Age superhero comics, and twenty-first-century science fiction films and literature.

Narratives of Environmental Challenges in Brazil and India: Losing Nature is comprised of research on the representation and interrogation of environmental issues in both subcontinents, Brazil and India.

Italian writer and filmmaker Gianni Celati's 1989 philosophical travelogue Towards the River's Mouth explores perception, memory, place and space as it recounts a series of journeys across the Po River Valley in northern Italy. This edition, translated into English for the first time, features a selection of ten essays by various scholars.

This book explores models of fictional ecomasculinity in and through contemporary U.S. literature and cinema and intersections between ecomasculinities and other counter-hegemonic practices of manhood.

The essays in this collection address the militaristic discourse deployed by humans against invasive species and consider alternative relationships of cohabitation.

This book approaches portrayals of environmental crises in Latin American nations in literature, film, performance, and digital art within the context of the ongoing expansion of globalized neoliberal capitalism from and ecocritical perspective.

This book opens a conversation about the mediated relationship between culture and ecology. The terms ecology and culture are past separation. We are far removed from their prior historical binaric connection, and they coincide through a supplementary role to each other. Ecology and culture are unified.

The book examines the interpretations, functions and interactions of the Fall - physical, moral, artistic and otherwise - as represented through animals, or through human-animal interactions, in various religious contexts, art, and literature.

This book examines the influence of the science of the age upon a host of English and American authors. The collection develops transhistorical and transnational perspectives to examine the invaluable place of Romantic literary studies as inspiration behind the rise of early environmentalism in the nineteenth century and its subsequent legacies.

This volume surveys the contribution of German literature and culture to the evolution of ecological thought from the age of Goethe to the present. In a broad spectrum of essays from different periods, disciplines, and genres, it conveys both the uniqueness and the transnational significance of German ecological thought.

This anthology situates the cultural and literary theories of ecofeminism in an interdisciplinary and global dialogue. It brings ecofeminism into conversation with several areas of inquiry, including ecocriticism, postcolonialism, geography, environmental law, religion, geoengineering, systems thinking, family therapy, and environmental justice.

Rhetorical Animals explores what the study of communication and persuasion would look like if it included the voices of all persuasive species, from the microscopic gut bacteria to the charismatic megafauna we know so well.

Ecocriticism in Japan provides an answer to the question, "What can ecocriticism do when engaging with Japanese literature and culture?" Engaging works ranging from The Tale of Genji to Abe, Oe, Ishimure, and Miyazaki, this volume examines works Japanese people and culture in terms of nature and environment.

Through the lens of ecocriticism, history, memory, and gender studies, this book studies the many ways in which the image of the river has been integrated into Latin/o American literature from the period of exploration and colonization to modern times, examining the imagery and symbolism tied to rivers in the writings of the region.

Seeing Animals after Derrida marks a shift in studies of visuality in animal philosophy. Presenting an emergent set of questions for animal studies scholars, this volume intervenes in recent debates of the nonhuman turn that have been incited in the wake of a post-deconstructionist era.

This interdisciplinary collection explores Victorian literature and its connection to various fields such as environmental history, ecology, and evolutionary biology. Further, the edition features seminal nineteenth-century figures advancing the cause of early environmental justice linked to place.

This book offers a timely exploration of the rapidly growing field of ecocriticism and gives prominence to the writers, creators, theorists, traditions, concerns, and landscapes of Southeast Asia. The contributors emphasize the transnational flows between Southeast Asian countries and Australia, England, Taiwan (Formosa), and the United States.

Thinking about Animals in the Age of the Anthropocene makes connections between the Anthropocene discourse and human-animal studies, thus facilitating further interdisciplinary work on the topic of animals in the Anthropocene.

Romantic Ecocriticism: Origins and Legacies is unique due to its rare assemblage of essays, which has not appeared within an edited collection before. Romantic Ecocriticism is distinct because the essays in the collection develop transnational and transhistorical approaches to the proto-ecological early environmental aspects in British and American Romanticism. First, the editionΓÇÖs transnational approach is evident through transatlantic connections such as, but are not limited to, comparisons among the following writers: William Wordsworth, William Howitt, and Henry D. Thoreau; John Clare and Aldo Leopold; Charles Darwin and Ralph W. Emerson. Second, the transhistorical approach of Romantic Ecocriticism is evident in connections among the following writers: William Wordsworth and Emily Bronte; Thomas Malthus and George Gordon Byron; James Hutton and Percy Shelley; Erasmus Darwin and Charlotte Smith; Gilbert White and Dorothy Wordsworth among others. Thus, Romantic Ecocriticism offers a dynamic collection of essays dedicated to links between scientists and literary figures interested in natural history.

Ecoambiguity, Community, and Development extends the energetic and socially important tradition of postcolonial ecocriticism to regions of the world not normally considered in the postcolonial context, such as southern Japan and eastern Europe. The text expands Karen Thornber's notion of "ecoambiguity" from her own work on East Asian literature and culture to many other countries.

Although current environmental debates lay the focus on the Industrial Revolution as a sociopolitical development that has led to the current environmental crisis, many ecocritical projects have avoided historicizing their concepts or have been characterized by approaches that were either pre-historic or post-historic: while the environmental movement has harbored the dream of restoring nature to a state untouched by human hands, there is also the pessimistic vision of a post-apocalyptic world, exhausted by humanityΓÇÖs consumption of natural resources. Against this background, the decline of nature has become a narrative template quite common among the public environmental discourse and environmental scientists alike. The volume revisits Antiquity as an epoch which witnessed similar environmental problems and came up with its own interpretations and solutions in dealing with them. This decidedly historical perspective is not only supposed to fill in a blank in ecocritical discourse, but also to question, problematize, and inform our contemporary debates with a completely different take on ΓÇ£natureΓÇ¥ and humanityΓÇÖs place in the world. Thereby, a productive dialogue between contemporary ecocritical theories and the classical tradition is established that highlights similarities as well as differences. This volume is the first book to bring ecocriticism and the classical tradition into a comprehensive dialogue. It assembles recognized experts in the field and advanced scholars as well as young and aspiring ecocritics. In order to ensure a dialogic exchange between the contributions, the volume includes four response essays by established ecocritics which embed the sections within a larger theoretical and practical ecocritical framework and discuss the potential of including the pre-modern world into our environmental debates.

This book rethinks cities' relationships to sustainable development from a cultural studies perspective with social justice as its goal. Chapter authors are optimistic that cities can achieve sustainability, but insist that cities will if participation in the effort is inclusive of all groups.

The book provides ecocultural perspectives on ethics from a variety of cultural contexts. It argues that any ecological perspectives/issues/conditions cannot be separated from their cultural contexts and thus, we need to employ a culture-specific scrutiny to understand the ethics of ecoculture.