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Farther Brown may be walking into a trap when he tries to save his soul as his precious Blue Cross is targeted by the notorious criminal Flambeau.Gilbert Keith Chesterton was an English writer, often referred to as the prince of paradox. Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognized the wide appeal of such works as Orthodoxy and The Everlasting Man.

There was a brief period during which Father Brown enjoyed, or rather did not enjoy, something like fame. He was a nine days' wonder in the newspapers; he was even a common topic of controversy in the weekly reviews; his exploits were narrated eagerly and inaccurately in any number of clubs and drawing-rooms, especially in America. Incongruous and indeed incredible as it may seem to any one who knew him, his adventures as a detective were even made the subject of short stories appearing in magazines.Gilbert Keith Chesterton was an English writer, often referred to as the prince of paradox. Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognized the wide appeal of such works as Orthodoxy and The Everlasting Man.

Father Brown is a short, stumpy Roman Catholic Church priest, formerly of Cobhole in Essex, and now working in London, with shapeless clothes and a large umbrella, and an uncanny insight into human evil.Gilbert Keith Chesterton was an English writer, often referred to as the prince of paradox. Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognized the wide appeal of such works as Orthodoxy and The Everlasting Man.

It would not be fair to record the adventures of Father Brown, without admitting that he was once involved in a grave scandal. There still are persons, perhaps even of his own community, who would say that there was a sort of blot upon his name. It happened in a picturesque Mexican road-house of rather loose repute, as appeared later; and to some it seemed that for once the priest had allowed a romantic streak in him, and his sympathy for human weakness, to lead him into loose and unorthodox action.Gilbert Keith Chesterton was an English writer, often referred to as the prince of paradox. Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognized the wide appeal of such works as Orthodoxy and The Everlasting Man.

Flambeau, once the most famous criminal in France and later a very private detective in England, had long retired from both professions. Some say a career of crime had left him with too many scruples for a career of detection. Anyhow, after a life of romantic escapes and tricks of evasion, he had ended at what some might consider an appropriate address...Gilbert Keith Chesterton was an English writer, often referred to as the prince of paradox. Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognized the wide appeal of such works as Orthodoxy and The Everlasting Man.

Two men appeared simultaneously at the two ends of a sort of passage running along the side of the Apollo Theatre in the Adelphi. The evening daylight in the streets was large and luminous, opalescent and empty. The passage was comparatively long and dark, so each man could see the other as a mere black silhouette at the other end. Nevertheless, each man knew the other, even in that inky outline; for they were both men of striking appearance and they hated each other.Gilbert Keith Chesterton was an English writer, often referred to as the prince of paradox. Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognized the wide appeal of such works as Orthodoxy and The Everlasting Man.

To celebrate the 100th anniversary of G. K. Chesterton s Father Brown mysteries, BBC One Daytime has commissioned a new 10-part drama series for January 2013 to bring the priest-turned-detective back to life. BBC Books will be publishing a new edition of the original and complete short stories to tie-in to transmission.Set in the early-twentieth century, Father Brown's world is quintessentially English; crime scenes await in country houses, rural parish churches and quaint gardens as well as foggy London streets and shadowy railway stations. Father Brown may be a kindly cleric, but his bumbling nature disguises a detective mind to rival Sherlock Holmes... The character of Father Brown, brought to life by Mark Williams, is based on a real parish priest and the idea that priests, through hearing Confession, know the worst of human nature more than anyone, including the police. Father Brown uses his experiences to put himself into the mind of the criminal to solve each mystery and catch the perpetrators.

¿The Innocence of Father Brown¿ is a 1911 collection of mystery short stories by English writer G. K. Chesterton. Set in the early twentieth century, each of the stories centres around the cunning investigations of Father Brown, an amateur detective who uses his incredible intuition to solve a variety of perplexing mysteries. The stories include: ¿The Blue Cross¿, ¿The Secret Garden¿, ¿The Queer Feet¿, ¿The Flying Stars¿, ¿The Invisible Man¿, ¿The Honour of Israel Gow¿, ¿The Wrong Shape¿, ¿The Sins of Prince Saradine¿, ¿The Hammer of God¿, ¿The Eye of Apollö, ¿The Sign of the Broken Sword¿, and ¿The Three Tools of Death¿. Gilbert Keith Chesterton (1874¿1936) was an English philosopher, theologian, writer, and critic. Born in London in 1874, he studied at the Slade School of Art and began to work as a freelance journalist after graduation. Over the course of his life, his literary output was incredibly diverse and highly prolific, ranging from philosophy and ontology to art criticism and detective fiction. However, he is probably best-remembered for his Christian apologetics, most notably in ¿Orthodoxy¿ (1908) and ¿The Everlasting Man¿ (1925). Read & Co. Classics is proudly republishing this classic work now in a new edition complete with a specially-commissioned new biography of the author.