Bøger i Freeman's serien

"Published in collaboration with the MFA in Creative Writing at The New School"--Title page verso.

We live today in constant motion, traveling distances rapidly, small ones daily, arriving in new states. In this inaugural edition of Freeman's, a new biannual of unpublished writing, former Granta editor and NBCC president John Freeman brings together the best new fiction, nonfiction, and poetry about that electrifying moment when we arrive.Strange encounters abound. David Mitchell meets a ghost in Hiroshima Prefecture; Lydia Davis recounts her travels in the exotic territory of the Norwegian language; and in a Dave Eggers story, an elderly gentleman cannot remember why he brought a fork to a wedding. End points often turn out to be new beginnings. Louise Erdrich visits a Native American cemetery that celebrates the next journey, and in a Haruki Murakami story, an aging actor arrives back in his true self after performing a role, discovering he has changed, becoming a new person.Featuring startling new fiction by Laura van den Berg, Helen Simpson, and Tahmima Anam, as well as stirring essays by Aleksandar Hemon, Barry Lopez, and Garnette Cadogan, who relearned how to walk while being black upon arriving in NYC, Freeman's announces the arrival of an essential map to the best new writing in the world.

The third literary anthology in the series that has been called “ambitious” (O Magazine) and “strikingly international” (Boston Globe), Freeman’s: Home, continues to push boundaries in diversity and scope, with stunning new pieces from emerging writers and literary luminaries alike.As the refugee crisis continues to convulse whole swathes of the world and there are daily updates about the rise of homelessness in different parts of America, the idea and meaning of home is at the forefront of many people’s minds. Viet Thanh Nguyen harks to an earlier age of displacement with a haunting piece of fiction about the middle passage made by those fleeing Vietnam after the war. Rabih Alameddine brings us back to the present, as he leaves his mother’s Beirut apartment to connect with Syrian refugees who are building a semblance of normalcy, and even beauty, in the face of so much loss. Home can be a complicated place to claim, because of race—the everyday reality of which Danez Smith explores in a poem about a chance encounter at a bus stop—or because of other types of fraught history. In “Vacationland,” Kerri Arsenault returns to her birthplace of Mexico, Maine, a paper mill boomtown turned ghost town, while Xiaolu Guo reflects on her childhood in a remote Chinese fishing village with grandparents who married across a cultural divide. Many readers and writers turn to literature to find a home: Leila Aboulela tells a story of obsession with a favorite author.Also including Thom Jones, Emily Raboteau, Rawi Hage, Barry Lopez, Herta Müller, Amira Hass, and more—writers from around the world lend their voices to the theme and what it means to build, leave, return to, lose, and love a home.

The latest installment from ¿a powerful force in the literary world¿ (Los Angeles Times) Freeman¿s turns to one of the greatest elevating forces of life: love

Featuring work from Tommy Orange, Rabih Alameddine, Rachel Kushner, Mai Der Vang, Reyna Grande, and more, the sixth Freeman's brilliantly showcases some of the world's best writers grappling with the myths and reality of California today.

"Featuring new work from Rebecca Makkai, Aleksandar Hemon, Rachel Khong, Louise Erdrich, and more, the tenth and final installment of the boundary-pushing literary journal Freeman's, which explores all the ways of coming to an end. Over the course of ten years, Freeman's has introduced the English-speaking world to countless writers of international import and acclaim, from Olga Tokarczuk to Valeria Luiselli, while also spotlighting brilliant writers working in English, from Tommy Orange to Tess Gunty. Now, in its last issue, this unique literary project ponders all the ways of reaching a fitting conclusion. For Sayaka Murata, keeping up with the comings and goings of fashion and its changing emotional landscapes can mean being left behind, and in her poem "Amenorrhea," Julia Alvarez experiences the end of the line as menopause takes hold. Yet sometimes an end is merely a beginning, as Barry Lopez meditates while walking through the snowy Oregonian landscapes. While Chinelo Okparanta's story "Fatu" confronts the end of a relationship under the specter of new life, other writers look towards aging as an opportunity for rebirth, such as Honorâee Fanonne Jeffers, who takes on the role of being her own elder, comforting herself in the ways that her grandmother used to. Finally, in his comic story "Everyone at Dinner Has a Max von Sydow Story," Dave Eggers suggests that sometimes stories don't have neat or clean endings--that sometimes the middle is enough. With new writing from Sandra Cisneros, Colum McCann, Omar El Akkad, and Mieko Kawakami, Freeman's: Conclusions is a testament to the startling power of literature to conclude in a state of beauty, fear, and promise"--