Bøger i Gendering the Late Medieval and Early Modern World serien

This book examines the lives of women whose gender impeded the exercise of their personal, political, and religious agency, especially when they were expected to occupy the spheres society believed their gender should.

This book is a new history of early modern gender, told through the lyric poetry of Renaissance Italy. In the evolution of Western gender roles, the Italian Renaissance was a watershed moment, when a confluence of cultural developments disrupted centuries of Aristotelian, binary thinking. Men and women living through this upheaval exploited Petrarchism¿s capacity for subjective expression and experimentation - as well as its status as the most accessible of genres - in order to imagine new gendered possibilities in realms such as marriage, war, and religion. One of the first studies to examine writing by early modern Italian men and women together, it is also a revolutionary testament to poetry¿s work in the world. These poets¿ works challenge the traditional boundaries drawn around lyric¿s utility. They show us how poems could be sites of resistance against the pervading social order - how they are texts capable not only of recording social history, but also of shaping it.

This edited collection presents fresh and original work on Vittoria Colonna, perhaps the outstanding female figure of the Italian Renaissance, a leading Petrarchist poet, and an important figure in the Italian Reform movement. Until recently best known for her close spiritual friendship with Michelangelo, she is increasingly recognized as a powerful and distinctive poetic voice, a cultural and religious icon, and an important literary model for both men and women. This volume comprises compelling new research by established and emerging scholars in the fields of literature, book history, religious history, and art history, including several studies of Colonna's influence during the Counter-Reformation, a period long neglected by Italian cultural historiography. The Colonna who emerges from this new reading is one who challenges traditional constructions of women's place in Italian literature: no mere imitator or follower, but an innovator and founder of schools in her own right.

How did gender shape the expanding Jesuit enterprise in the early modern world? What did it take to become a missionary man? And how did missionary masculinity align itself with the European colonial project? This book highlights the central importance of male affective ties and masculine mimesis in the formation of the Jesuit missions, as well as the significance of patriarchal dynamics. Focusing on previously neglected German actors, Strasser shows how stories of exemplary male behavior circulated across national boundaries, directing the hearts and feet of men throughout Europe toward Jesuit missions in faraway lands. The sixteenth-century Iberian exemplars of Ignatius of Loyola and Francis Xavier, disseminated in print and visual media, inspired late-seventeenth-century Jesuits from German-speaking lands to bring Catholicism and European gender norms to the Spanish-controlled Pacific. The age of global missions hinged on the reproduction of missionary manhood in print and real life.

Infanticide in Tudor and Stuart England explores one of society's darkest crimes using archival sources and discussing its representation in the drama, pamphlets and broadside ballads of the early modern period.

This study examines the interdependence of gender, sexuality and space in the early modern period, which saw the inception of architecture as a discipline and gave rise to the first custodial institutions for women, among them convents for reformed prostitutes.

Through fifteen essays that draw on a rich array of primary sources, this collection makes the novel claim that early modern European women, like men, had a youth.

This book analyses many versions of the romance from Spain, Portugal, France, Italy, and England and tells a new story of the life, death, and influences of Amadis.

This study uncovers the active role played by women in the evolution of religious art and architecture. Their preferred art, Barbara J. Harris shows, reveals their responses to the religious revolution and signifies their preferred identities.

Drawing on a wide array of textual and material primary sources, this book assesses the ways that gender and other categories of difference affect understandings of time.

This work explores the ways in which a range of women, as consorts, regents, mistresses, factional power players, attendants at court, or as objects of courtly patronage, wielded power in order to advance individual, familial and factional agendas at the early sixteenth-century French court.