Bøger i Illuminations serien

An intellectual tour de force from one of today's leading critics of Latin American literature and culture, The Corpus Delicti [The Body of Crime] is a manual of crime, a compendium of crime tales, and an extended meditation on the role of crime in life.

A masterpiece . . .Trouble in Mindstill contains astonishing power; it could have been written yesterday. VultureAhead of its time,Trouble in Mind, written in 1955, follows the rehearsal process of an anti-lynching play preparing for its Broadway debut. When Wiletta, a Black actress and veteran of the stage, challenges the plays stereotypical portrayal of the Black characters, unsettling biases come to the forefront and reveal the ways so-called progressive art can be used to uphold racist attitudes. Scheduled to open on Broadway in 1957, Childress objected to the requested changes in the script that would sanitize the play for mainstream audiences, and the production was canceled as a result. Childresss final script is published here with an essay by playwrightBranden Jacobs-Jenkins, editor of TCG Illuminations.

Historicizing the thought of Georg Wilhelm Friedrich Hegel and the actions taken in the Haitian Revolution, this work examines the startling connections between the two and challenges us to widen the boundaries of our historical imagination.

Racialization and the Production of Space in Relation to Urban Development and the National Imaginary

An Analysis of Activist Videos from Southern Mexico

Challenges to the Current Cultural Histories of the Neoliberal Period in Mexico and Brazil

A study of the intermittences of the processes of transitional justice and memory in post-dictatorship Uruguay.

The emergence of Latin Americanism as a field of critical debate and inquiry.

The interrelations between capitalism and political violence in late 20th century Argentina.

The first full-length study to treat both parts of Inca Garcilaso de la Vega's foundational text Royal Commentaries of the Incas as a seminal work of political thought in the formation of the early Americas and the early-modern period.

From the late 1940s to the early 1960s, Puerto Rico was swept by a wave of modernization, transforming the island from a predominantly rural society to an unquestionably urban one. By examining a wide range of cultural texts, Concrete and Countryside offers an in-depth analysis of how Puerto Ricans responded to this transformative period.

Modernity at Gunpoint provides the first study of the political and cultural significance of weaponry in the context of major armed conflicts in Mexico and Central America.

Anti-Literature articulates a rethinking of what is meant today by "literature." Examining key Latin American forms of experimental writing from the 1920s to the present, Shellhorse reveals literature's power as a site for radical reflection and reaction to contemporary political and cultural conditions.

Studies the artistic incorporation of religious concepts such as prophecy, eternity, and the afterlife in the contemporary Latin American novel. This book departs from sociopolitical readings by noting the continued relevance of religion in Latin American life and culture, despite modernity's powerful secularizing influence.

Angel Rama (1926-1983) is a major figure in Latin American literary and cultural studies, but little has been published on his critical work.

Dabove presents the reader not with a definition of the bandit, but with a series of case studies showing how the bandit trope was used in fictional and non-fictional narratives by writers and political leaders, from the Mexican Revolution to the present.

An analysis of how a decade of military rule in Venezuela produced a dominant ideology of progress so meticulously crafted that to this day audacious Modernist art and architecture and dictatorship are conflated under the term "modernity."

Part field diary, part art critique, and part cultural anthropology- the book offers a glimpse of an aesthetic "other" (the Ishir [Chamacoco] of Parguay), causing us to reexamine Western perspectives on the interpretation of art, religion, and Native American culture.

During the age of dictatorships, Latin American prisons became a symbol for the vanquishing of political opponents, many of whom were never seen again. Susana Draper uses the phenomenon of the \u201copening\u201d of prisons and detention centers to begin a dialog on conceptualizations of democracy and freedom in post-dictatorship Latin America.

In the late nineteenth century, the Brazilian army staged several campaigns against the settlement of Canudos in northeastern Brazil.

Repositions Peruvian indigenismo as a discourse of and about modernity, in which the movement's artists and intellectuals used the figure of the Indian to mobilize larger questions about becoming modern.

Provides a comprehensive ethnography of writing in the Andes, and details the relationship between Andean peoples' struggle to preserve their indigenous textual forms in the face of Western cirricula, with their struggle for land and power.

Those forms are explored in the novels Oir su voz by Arturo Fontaine and Mano de obra by Diamela Eltit, where Fornazzari examines divergent views of workers in the form of neoliberal human capital or post-Fordist immaterial labor.

Rockin' Las Americas is the first book to explore the production, dissemination, and consumption of rock music throughout Latin America. Contributors include experts in music, history, literature, sociology, and anthropology, as well as practicing rockeros.

Feldman examines Arguedas's other novels to augment her theorizations, and grounds her analysis in a dialogue with political philosophers Walter Benjamin, Jean-Luc Nancy, Carl Schmitt, Jacques Derrida, Ernesto Laclau, and Alvaro Garcia-Linera, among others.

Spanish King of the Incas tells the fascinating story of a Spanish commoner who participated in the conquest of Latin America, then changed loyalties. He declared himself a king among the Calchaqui Indians and was eventually executed for his role in an Inca rebellion in 1667.

Latin American Journalists Who Endure Grave Danger to Witness and Report Their Truth

New and Collected Essays on the Idea of Latin America by John Beverley

An Ethnography of the Underground Print Book in Latin America

Provides an original perspective on Faulkner, examining his work in the transnational context of the ""Global South"". This work raises new questions as to the scope and attitude of Faulkner's project, positioning Faulkner's work as an inherent critique of colonialism and emphasizing a more specific conceptualization of coloniality.