Bøger i Judaic Traditions in LIterature, Music, and Art serien

"The Dybbuk" is arguably the most famous play in the Yiddish repertoire and plays an intrinsic part in the cultural system that created the Yiddish imagination. Along with this new translation, this text offers a variety of literary works spanning the 17th to the 20th centuries.

Examining a range of styles from the gritty vernacular sensibility of Weegee (Arthur Fellig) to the glitzy theatricality of Annie Leibovitz, Morris takes a thoughtful look at ten American photographers, exploring the artists' often ambivalent relationships to their Jewish backgrounds.

Dvora Baron (1887-1956) has been called ""the founding mother of Hebrew women's literature."" This work reveals how Baron viewed her own singularity and what this teaches us about the contours of the Modern Hebrew Renaissance - its imperatives and assumptions, its successes and failures. It is an English language treatment of Baron's Hebrew corpus.

Described by theatre critics as one of the twentieth century's greatest talents, Benjamin Zuskin (1899-1952) was a star of the Moscow State Jewish Theater. In writing The Travels of Benjamin Zuskin, his daughter, Ala Zuskin Perelman, has rescued from oblivion his story and that of the theatre in which he served as performer and, for a period, artistic director.

This book explores the important and barely examined connections between the humanitarian concerns embedded in the religious heritage of Jewish American artists and the appeal of radical political causes between the years of the Great Migration from Eastern Europe in the 1880s and the beginning of World War II in the late 1930s. Visual material consists primarily of political cartoons published in leftwing Yiddish- and English-language newspapers and magazines. Artists often commented on current events using biblical and other Jewish references, meaning that whatever were their political concerns, their Jewish heritage was ever present. By the late 1940s, the obvious ties between political interests and religious concerns largely disappeared. The text, set against events of the times--the Russian Revolution, the Depression and the rise of fascism during the 1930s as well as life on New York's Lower East Side--includes artists' statements as well as the thoughts of religious, literary, and political figures ranging from Marx to Trotsky to newspaper editor Abraham Cahan to contemporary art critics including Meyer Schapiro.

Reuven Ben-Yosef (1937-2001) was born Robert Eliot Reiss to an assimilated Jewish family in New York. He switched from writing English poetry to Hebrew poetry after his immigration to Israel in 1959. In this edited volume, Weingrad includes expertly translated poems and an extensive, fascinating introduction that helps us see Ben-Yosef's personal poetry as part of a larger family story.