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Contributors: Anne J. Duggan, Peter Dronke, Cyril Edwards, Julia Walworth
Contributors: Eric Stanley, Daniel Donoghue, Carole Weinberg, John Frankis, Cyril Edwards, Andrew Breeze, Herbert Pilch, Elizabeth J. Bryan, W.R.J. Barron, Richard Dance, Philip Durkin, Michiko Ogura, Robert McColl Millar, GloriaMercatanti, Rosamund Allen, James Noble, Lucy Hay, Joseph D. Parry, Marie-Françoise Alamichel, Kelley M. Wickham-Crowley, Kenneth J. Tiller, Lucy Perry, Wayne Glowka
An examination of the ideas of space and place as manifested in medieval texts, art, and architecture.
At a time when the discourse of a clash of civilisations has been re-grounded anew in scaremongering and dog-whistle politics over a Hispanic "challenge" to America and a Muslim "challenge" to European societies, and in the context of the War on Terror and migration panics, evocations of al-Andalus - medieval Iberia under Islamic rule - have gained new and hotly polemic topicality, championed and contested as either exemplary models or hoodwinking myths.The essays in this volume explore how al-Andalus has been transformed into a "travelling concept": that is, a place in time that has transcended its original geographic and historical location to become a figure of thought with global reach. They show how Iberia's medieval past, where Islam, Judaism and Christianity co-existed in complex, paradoxical and productive ways, has offered individuals and communities in multiple periods and places a means of engaging critically and imaginatively with questions of religious pluralism, orientalism and colonialism, exile and migration, intercultural contact and national identity. Travelling in their turn from the medieval to the contemporary world, across Asia, Africa, Europe and the Americas, and covering literary, cultural and political studies, critical Muslim and Jewish studies, they illustrate the contemporary significance of the Middle Ages as a site for collaborative interdisciplinary thinking.
Contributors: Alexander Kerr, Jean Subrenat, Joseph J. Duggan, Judith Belam, Marianne Ailes, Philippe Verelst, Francois Suard, Karen Pratt, James Simpson, Philip E. Bennett, Peter Noble, Tony Hunt, Edward A. Heinemann, Finn Sinclair, Colin Smith, Gordon Knott, Jan A. Nelson
Medical Legend Of Destruction Of Jerusalem With Editions Of Texts In Catalan + Castilian.
Contributors: Harold Short, Janet Bately, Stewart Brookes, Mary Clayton, Julie Coleman, Patrick W. Conner, Janet M. Cowen, Ivan Herbison, Joyce Hill, Susan Irvine, Peter Jackson, Christian J. Kay, Hugh Magennis, Janet L. Nelson, Eamonn O Carragain, Lucy Perry, Edward Pettit, Jane Roberts, Gopa Roy, Katharine Scarfe Beckett, Donald Scragg, E.G. Stanley, Louise Sylvester, Paul Szarmach
Parallel Narratives examines several richly illustrated manuscripts as reflections of a transitional moment in the history of the book in medieval Germany. In the thirteenth century the nobility and their emulators had aspirations to own and to read books privately as an alternative to the traditional social experience of listening to recitation or to a reading in a group, large or small. But comfortable reading skills were not yet widespread. One solution was to `read' privately an illustrated book in which the images could carry the storyline without recourse to the written text. The focus of this study is a mid-thirteenth-century illustrated manuscript of Gottfried's Tristan. A close analysis of the visual narrative and its relation to the text demonstrates that the pictorial narrative presents a parallel independent telling of the Tristan story. A foil to the unusual Tristan is provided by a slightly later illuminated manuscript of the Willehalm von Orlens of Rudolph von Ems, in which the written text takes communicative precedence over sumptuous illuminations. In the course of developing its argumentthis book provides an introduction to the whole subject of the early manuscript illumination of vernacular German secular narratives. Julia C. Walworth is Research Fellow and Librarian at Merton College Oxford.
Essays looking at the idea of "science fiction" as it can be applied to medieval texts, and the synergies between the genres.
Ranging from Ireland to India and from the first to the third millennium, this collection brings together essays written from the perspective of gender, politics and national and cultural identities as well as the sociology of religion.
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