Bøger i Language, Discourse, Society serien

"A delightful analysis. . . . Adopting an interdisciplinary approach, . . . Rotman builds a viable thesis for the semiotics of zero via a thorough examination of Montaigne's Essays, Shakespeare's King Lear, the Kabbalah, and Vermeer's paintings."--Choice

The essays collected in this book reflect some of the commitments and changes during the period that saw the women's movement shift into feminism and the development of feminism's involvement with the politics of representation, psychoanalytic film theory and avant-garde aesthetics.

Ireland's history of contested language systems has always been linked to its political realities; Language, Identity and Liberation attends to a movement of contemporary Irish writing that considers the significance of the region's tumultuous cultural, social and political history in portrayals of contemporary Ireland's everyday life and speech.

An exploration of the way English literature has interacted with architectural edifices and the development of landscape as a national style from the Middle Ages to the 19th Century. Analyzing texts in relation to cultural artefacts, each chapter demonstrates the self-conscious production of English consciousness as its most enduring history.

Piers Gray was one of the most brilliant literary writers of his generation. These essays ranging from Oscar Wilde to Levin, from Shakespeare to pulp fiction, use the full resources of literary and linguistic analysis to produce a reading of European culture and society in the twentieth century.

This study suggests that it was the representation of anxiety, rather than trauma and memory, that emerged most forcefully in mid-century wartime culture. Thinking about anxiety, Lyndsey Stonebridge argues, was a way of imagining how it might be possible to stay within a history that frequently undermined a sense of self and agency.

In this groundbreaking new study, Ben Ware carries out a bold reassessment of the relationship between modernism and ethics, arguing that modernist literature and philosophy offer more than simply a snapshot of the moral conflicts of the past: they provide a crucial point of reference for today's emancipatory struggles.

Literature and Film, Dispositioned looks to twentieth-century literature's encounter with film as a means to thinking about the locations of thought in literature and literature's location in the world. It includes readings of works by James Joyce, Henry James, and Samuel Beckett, whose Film (1965) forms a concluding focus.

Inspired by Baudelaire's art criticism and contemporary theories of emotions, and developing a new aesthetic approach based on the idea that memory and imagination are strongly connected, Lombardo analyzes films by Scorsese, Lynch, Jarmusch and Van Sant as imaginative uses of the history of cinema as well as of other media.

What do we mean by 'voice' in poetry? In this work, David Nowell Smith teases out the diverse meanings of 'voice', from a poem's soundworld to the rhetorical gestures through which poems speak to us, in order to embark on a philosophical exploration of the concept of voice itself.

This book uses the contradictions, fractures and coincidences of a twentieth-century rural landscape to explore new methods of writing place beyond 'new nature writing'. In doing so it opens up new ways of reading modernist artists and writers such as Vanessa Bell, Mary Butts and Paul Nash.

Statutes of Liberty (1993) was the first book on The New York School of Poets, and offers the definitive critical account of its key figures: John Ashbery, Frank O'Hara and James Schuyler.

This book examines the encounters between leading 'analytic' and 'continental' philosophers: Frege and Husserl, Carnap and Heidegger, Merleau-Ponty, Bataille and Ayer, the Royaumont colloquium, and Derrida with Searle.

While the arms race of the post-war period has been widely discussed, Purcell explores the under-acknowledged but critical role another kind of 'race' - that is, race as a biological and sociological concept - played within the global and cultural Cold War.

Beginning with a widespread definition of Decadence as when individual parts flourish at the expense of the whole, Regenia Gagnier - a leading cultural historian of late nineteenth-century Britain - shows the full range of meanings of individualism at the height of its promise.

Rob White reconsiders Freud's controversial theory of inherited memory, referring it both to Anglo-American commentary and post-structuralist work on psychoanalysis. White proposes that this theory is evidence of an underlying haunted retrospection in Freudian theorizing, which time and again discovers that meaning has been lost.

Teresa De Lauretis makes a bold and orginal argument for the renewed relevance of the Freudian theory of drives, through close readings of texts ranging from cinema and literature to psychoanalysis and cultural theory.

Many studies of fictions of city life take the flaneur as the characteristic metropolitan type and streets and plazas as definitive urban spaces. Looking at novels and films set in London and Paris from L'Assommoir to Nil By Mouth , this book shows that mass housing is equally central to images of the modern city.

Since the Romantics culture has been identified with the promise of a complete development of human capacities and, typically, the 'rise of English' has been viewed in terms of the (true or distorted) fulfilment of this promise in the education system. This book presents a sustained and historically informed challenge to that view.

The city is an essential theme of modernity in literature, architecture, photography and film. Lombardo reflects on the way in which the changes in human perception created by urbanization are expressed in the various arts, in terms of form and content.

The Death of Life dissects biology's claim to be the Cinderella science that rose above its station. Early attempts to study life through observation, experiment and theory are exposed as the skeleton of ideas for controlling life, ideas which were only fleshed out by the biotech and genomic industries.

This second edition of Colin MacCabe's James Joyce and the Revolution of the Word reprints a classic critical text on Joyce and adds a wealth of new material which places the text in its political and historical context.

Your guest at dinner kisses you. What does it mean? Where does it lead? Does kissing necessarily imply more, and if so how much? These and similar questions of amorous ethics and erotic disquisition are central to our everyday intimate public lives and they are the lost object of the law of love, the lex amatoria collated and presented here.

Before Modernism Was places modernist writing within the texture of modern history. Texts by Woolf, James, Freud, Wyndham Lewis, Stein, Malinowski, and others are read through a range of figures that construct and disrupt modern meaning: the ghost that affects the value of your property;

Law and the Unconscious is the first work of the French legal philosopher Pierre Legendre to appear in English. Trained as a lawyer, a historian and a psychoanalyst, the work of Pierre Legendre has consistently confronted law with the teaching and methods of psychoanalysis.

In the Early Modern period, massive emigration, along with political contention between the Court and the City, reshaped London's social topography and human landscape.

The policing of pornography remains a subject of widespread controversy. This book indicates that obscenity law is not, as liberals claim, a mistaken attempt to police moral ideas, but rather forms part of the legitimate governmental regulation of a problematic social conduct.

Lecercle draws on the resources of pragmatics, literary theory and the philosophy of language to propose a new theory of literary, but also of face-to-face, dialogue that charts the interaction between the five participants in the fields of dialogue and/or interpretation: author, reader, text, language and encyclopaedia.

Writing about changes in the notion of womanhood, Denise Riley examines, in the manner of Foucault, shifting historical constructions of the category of "women" in relation to other categories central to concepts of personhood: the soul, the mind, the body, nature, the social.

This anniversary reader brings together a fascinating group of thinkers from both sides of the Atlantic with an introductory overview from the editors which considers the development of theory and scholarship over the past two decades.