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In the field of philosophy of language, is there life beyond Chomsky? Deleuze's deep distrust for, and fascination with language provide a positive answer - nothing less than a brand new philosophy of language, where pragmatics replaces structural linguistics, and where the literary text and the concept of style have pride of place.
While the arms race of the post-war period has been widely discussed, Purcell explores the under-acknowledged but critical role another kind of 'race' - that is, race as a biological and sociological concept - played within the global and cultural Cold War.
Stokes's Kleinian-based concepts of carving and modelling are analysed in relation to film, arguing that they replace the traditional notions of realism and montage in film theory and provide a set of aesthetics which encompasses mainstream and 'art' cinema.
This collection of essays and articles from Mark Nash, one of the former editors of Screen magazine, explores the classical period of Screen theory and film culture, as well as that of contemporary art.
Reality Television, Affect and Intimacy explains the appeal of reality television in terms of the affective power of the mediated image. In place of common objections that reality TV is 'not real', Misha Kavka argues that the feelings of intimacy engendered by unscripted drama are both real and socially informative.
Ten leading commentators explore the interfaces between art and aesthetics in dialogue with a philosophical text (Theodor Adorno's draft introduction to Aesthetic Theory ), a piece of literary writing (Franz Kafka's A Report to an Academy ), and a major contemporary painting (Gerhard Richter's Betty , 1988).
Your guest at dinner kisses you. What does it mean? Where does it lead? Does kissing necessarily imply more, and if so how much? These and similar questions of amorous ethics and erotic disquisition are central to our everyday intimate public lives and they are the lost object of the law of love, the lex amatoria collated and presented here.
We celebrate Jane Austen as the mother of the English realist novel, but have you ever wondered why she insists on giving her mature heroines the 'perfect happiness' that can only be realized in the romance?
This volume is a selection of significant and previously unpublished essays and short stories by the influential critic of German and American literature and popular culture, James A. The volume contains innovative essays and notes about African American popular culture, literary criticism and five pieces of short fiction.
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