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The vision of the South American rainforest in the Spanish American novela de la selva has often been interpreted as a belated imitation of European travel literature. This book explores how writers throughout post-independence Latin America turned to the jungle as a locus for the contestation of both national and literary identity.
The struggles for independence in Latin America during the first half of the nineteenth century were accompanied by a wide-ranging debate about political rights, nationality and citizenship.
This book examines a sophisticated effort by radical economic reformers to change the ideology of nationalism in Mexico from 1988-94 and so "reinvent" the country in a way that was more friendly to their market policies, and responses to this by opposition parties.
This type of fiction is usually read through well-established frameworks on the contemporary Latin American historical novel that emphasise its destabilising of knowledge and truth. It therefore argues for a new approach to reading contemporary Latin American historical fiction that showcases its response to politically urgent questions.
This book studies the political role of the Chilean military during the years 1808-1826.
How did Latin Americans represent their own countries as modern? Through a comparative analysis of Argentina, Uruguay and Chile, the book investigates four themes that were central to definitions of Latin American modernity at the turn of the twentieth century: race, the autochthonous, education, and aesthetics.
Through a close reading of eight Venezuelan novels published between 2004 and 2012, this book reveals the enduring importance of the national in contemporary Venezuelan fiction, arguing that the novels studied respond to both the nationalist and populist cultural policies of the Bolivarian Revolution and Venezuela's literary isolation.
An Open Access edition of this book will be available on the Liverpool University Press website and the OAPEN library. At the turn of the 21st century, the Brazilian punk and hardcore music scene joined forces with political militants to foster a new social movement that demanded the universal right to free public transportation.
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